Death of a Soldier

In the 1970s Phillipe Mora looked to be a director who was going to deliver the goods. His strange doco BROTHER CAN YOU SPARE A DIME was a 30s jigsaw puzzle of fascinating imagery that needed a commentary. In the 80s he delivered this quite fascinating film. But in the 90s it all went wrong with terrible horror films and now, nothing. In the last week I have seen two James Coburn films. I have never ever been interested in any performance or film of his. Timing has now led me to THE AMERICANIZATION OF EMILY (1964)...a superb military satire, and DEATH OF A SOLDIER, two films made 20 years apart both with him, both set during WW2... and I have to admit I now have a new found appreciation of Coburn's acting and characterizations. DEATH OF A SOLDIER is a very well made Wartime murder drama with a protagonist played by under rated and over looked he-man Reb Brown. My only vision of him was during BIG Wednesday of all things, when, during a hilarious house party, he cleaned up the gatecrashers in a demolition derby worthy of Hercules visiting Animal House. He is great looking and appears as a cross between Steve McQueen and Ryan O'Neal with a great physique. Here that look is used to great affect as a loudmouth Yankee party bumpkin on leave during WW2 whose alcoholic haze leads to crimes that actually did happen In Melbourne in the mid 40s.. His character is a lot like that of Don Murray, the yahooo-ing cowboy in the Marilyn Monroe film BUS STOP. It is the study of his mentality and it's effect that mires Coburn into a court trial or considerable predicament. The film is excellent and interesting in so many ways, and really flawed in two major things: the clumsy appearance of "General MacArthur" posing and strutting about.... never speaking ..even wearing sunglasses indoors to maintain the image (Jeez!) ....and the overuse of obvious 40s music. If I hear In The Mood again in a 40s film well..... Sadly the film did no biz in its day which I remember had a lot to do with Mora's difficulties with the distributor and with the media, and remains a strange and interesting example of a period piece pic almost 'got right'. Coburn is the best actor there, among Aussie stalwarts... with Maurie Fields being very real. There is far too much swearing.

It's War Time, circa 1942. The Place is Melbourne in Australia. A serious of murders have occurred in the dimly lit back alley streets. A number of eye witnesses claim that they have seen an American G.I running away from the scene of the crimes that have been committed.

If truth be told, film director Philippe Mora, was never what you would call a fashionable movie maker. Taking a look a his filmography, what can we see, "The Return Of Captain Invincible" and "Howling 2" both of which although not classics have since garnered cult camp status, the latter of which, if memory serves, Mora as a director was not happy with so he took the option and made the third in the franchise in his adopted homeland of Australia.

Anyway, with "Death Of A Soldier" Mora gets it first time, coupled with a gritty script by the late William Nagle and a star turn by Reb Brown, as the American G.I. at the centre of the controversial true story, namely one Edward Leonski, If you consider the majority of Brown's film output, i really don't think the man ever really had a chance to shine on screen, that was until this one came along. Superb period detail, and a truly devastating approach, especially more so as the movie itself is based on fact.

This is one movie that needs to be rediscovered, if you can, find it, buy it and cherish it. I know i have.

10 out of 10 This is a movie to be remembered

I agree with all the points made in the positive reviews of this film. I recently saw it for the first time on Briz31, a community TV channel which can only pay peanuts (if that) for its movies. I missed it at the cinema when it got reasonably good publicity but it quickly dropped out of sight. It deserved far better. I can only say that there is in Australia a tendency by organizations of any size to self-censor a lot of things that show the USA and particularly Australia's relationship with the USA in a bad light.

I would add something to Graf Spee's comment that the shootout between Australian troops and American troops was fictional. This incident was very widely believed to have really happened, by Australians in the 1950s, 60s and 70s. Books and features have been written investigating it but no concrete evidence exists that it happened. Nevertheless, people believed it had, and I recall quite a few wartime generation people of both sexes telling me in all earnestness that it had, and that it was just typical that "The Government" would cover it up. So whether true or not, the existence of the legend is an indicator of the underlying tension between Americans and Australians at the time. The Battle of Brisbane was factual, but it was a riot during which some shots were fired and people were killed. The Train Battle, legend has it, occurred when a unit of Australians, on their way to the war zone, were insulted by Americans and a full scale fire fight broke out.

One Australian attitude to Americans has been summed up as "Over-paid, Over-sexed, and Over Here", and a book about the problem has been published with that title. I just wonder if a french author has ever written a similar work about Aussie soldiers, the "Diggers" of World War One, who were paid about 7 times as much as British soldiers and much, much more than French soldiers! The wheel turns.

I recently managed to obtain a videotape of this film from a local sound store although I had seen it many years earlier on TV and have a copy of the soundtrack on vinyl record. Reb Brown gives a splendid and convincing performance as American GI Private Eddie Leonski who strangles three local women in Melbourne over a three week period in May 1942 after a drinking binge. His motives are complex and disturbed, and when finally apprehended, confesses that he just "only wanted their voices". The focus of the film centers on the tensions between American and Australian service personnel and Leonski is portrayed as a necessary sacrificial scapegoat needed by the U.S.Army to restore their credibility with the local population. The film does have it's fictional moments such as the violent shootout between American and Australian servicemen at an unknown railway station which may be a substitution of the true confrontation between these forces in the Battle of Brisbane in November 1942 in which there were actual casualties. There is also the bizarre role of Jon Sidney as General Douglas Macarthur who utters nothing throughout the film excepting a one line sentence near the end. His mouthpiece is Michael Pate playing 2IC Major General Richard Sutherland. Great performances by James Coburn who plays U.S. Major Patrick Dannenburg assigned to defend Leonski, whom he considers insane, at an American Court Martial which has an already pre-conceived judgment on the case and Maurie Fields (as Detective Sergeant Ray Martin)and Bill Hunter (as Detective Fred Adams) who play the tough hard nosed Melbourne cops confronting obstinate American military authority over their rights to exercise civil jurisdiction in the case. Extra great performance by Max Fairchild, better known to many Australians as "Beau" of the television tyre commercials, who plays the swaggering, intimidating and outspoken American Provost Marshal Major Bill Fricks. Belinda Davey who plays civilian PR officer Margot Saunders, well attired in the fashion of the era contributes a good sensual feminine performance to an otherwise male dominated film. The superb musical score by Allan Zavod well threaded into the film captures perfectly the mood and style of the wartime 1940's. This is an absolute gem of a movie well worth watching even if for only it's relatively true historical significance.

Watching this film, you could be forgiven for thinking that the battles the Australians and Americans fought against the Japanese were merely practice for the battles they fought against each other on the streets of Melbourne.

"Death of a Soldier" looks at life in Melbourne in 1942 when General MacArthur and the Americans hit town. There were tensions, but the film takes the urban myths of the time and gives them a large dose of anabolic steroids.

The film's strength is in the story of Eddie Leonski the American soldier who strangled three Australian women (The Brownout Murders). After reading "Murder at Dusk" by Ian W. Shaw I was surprised at how close the film stayed to the facts of the case.

James Coburn as Major Patrick Dannenberg has a lot of work to do in the film. Not only does he manage relations between the Americans and the Australians, but also becomes deeply involved in the investigation of the murders. Bill Hunter and Maurie Fields play Australian detectives investigating Leonski's crimes. They do this with a series of poses - standing with their hands in their pockets at the crime scenes or leaning against the bar of the local boozer.

Reb Brown played Eddie Leonski. He's a powerful-looking dude and although his performance seems over-the-top, apparently Eddie Leonski was that crazy. Another impressive performance was delivered by formidable, 6'4" Australian Max Fairchild as MP Major Fricks, a man you would instinctively address as "Sir".

Other reviewers have pointed out that there was always the perception that something like the shootout between American and Australian soldiers had happened. But the origin of the incident would seem to be the one given in the "The Battle of Brisbane" by Peter Thompson, when a U.S. soldier was pursued and shot by Australian police and soldiers after he killed an Australian on a train. Hardly the shootout depicted in the film with casualties rivalling the assault on Buna.

My main criticism of the film is that it's all sensation with very little balance. In reality much of the aggression between the two allies involved brawls between scrappy young men who probably went in for that sort of thing back in civilian life anyway. Similar things happened in New Zealand (The Battle of Manners Street).

Not all Australians felt put upon. 15,000 Australians married Americans (possibly that left some Aussies fuming), but most Australians appreciated that despite gutsy efforts by the Diggers in New Guinea, the situation would have been dire if the U.S. had not arrived in force in 1942.

But perceptions are important and the negative vibe in "Death of a Soldier" probably carries more weight than it should. Maybe Dr. Brendan Nelson, the director of the Australian War Memorial, put things into broader perspective during a speech to the National Press Club in 2013:

"... I've said to the Americans in particular in various roles I've had that not a day goes by in this country where we don't give thanks and gratitude for American sacrifice in this part of the world".