IMDb RATING
5.2/10
1.5K
YOUR RATING
A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.
Dani Crayne
- Bitsy Vandervagen
- (as Dani Janssen)
Sione Vailahi
- Axe the Cannibal
- (as The Barbarian - Sione Vailahi)
Tom Kasat
- Hammer the Cannibal
- (as Tjioe Khan)
Featured reviews
This was a pretty funny movie, especially if you're a fan of pro wrestling and recognize the characters involved. Benedict plays a variation of his Face Man character, only no Mr. T to get him out of trouble (surprisingly). Throw in Charles Nelson Reilly, Billy Barty and a dancing Bruno Sammartino, you have to get some laughs, even accidentally.
Well worth the two hours.
Well worth the two hours.
Although this movie is quite dated (as is evidenced by Dirk Benedicts awesome 80's-style pleated leather pants at the beginning of the film) it is still a good representation of how the old wrestling territories/promoters used to operate before the WWF/NWA/WCW took over and essentially eliminated the need for them.
The movie is a nice time capsule if you were into wrestling in that era, and that is all. If you weren't a fan of wrestling, then you will find nothing of this movie that would appeal to you whatsoever (outside of the still smoking hot Tanya Roberts who looks AMAZING in this movie). It is about 1980's wrestling and 1980's wrestling promotion - period.
Still, despite the obvious cheesiness that the movie exudes and its ultra-adherence to 1980's fashion/fads, it is still fun for the particular demographic of movie fan that would appreciate it. I remember watching this movie on a rainy, boring Saturday afternoon as a kid on a local independent station back in 1987/1988 and instantly loved the movie. I could only recommend it for the true wrestling fans out there, but not for anyone else.
The movie is a nice time capsule if you were into wrestling in that era, and that is all. If you weren't a fan of wrestling, then you will find nothing of this movie that would appeal to you whatsoever (outside of the still smoking hot Tanya Roberts who looks AMAZING in this movie). It is about 1980's wrestling and 1980's wrestling promotion - period.
Still, despite the obvious cheesiness that the movie exudes and its ultra-adherence to 1980's fashion/fads, it is still fun for the particular demographic of movie fan that would appreciate it. I remember watching this movie on a rainy, boring Saturday afternoon as a kid on a local independent station back in 1987/1988 and instantly loved the movie. I could only recommend it for the true wrestling fans out there, but not for anyone else.
I have seen a majority of Roddy Piper's films and this one I saw long before cable brought tbs and nwa wrestling into my home. I only knew who he was because I had read about him in the wrestling magazines I bought as a kid. Wrestling is like a circus without the animals (at least the real kind lol). I thought the movie was well done for being a low budget film. I was entertained but I have been a Wrestling fan since the days of Bruno Sammartino. I enjoyed the nostalgia of the old school wrestlers and though I am not much of a Dirk Bennedict fan I do remember him from the A Team. The plot made sense and I felt though it was predictable it was still interesting enough to set through more than once. Roddy Piper plays a much more subdued version of his true ring persona and considering he has been wrestling since he was 15 I think he took the bumps well and delivered for his fans. If you hate this film remember a lot of folks grew up watching the pretend sport instead of the drawn out, treat it like a TV show wrestling we see on TV presently. I liked this film much better than the Verne Gagne movie The Wrestler, but it isn't in the same league as the Mickey Rourke film of present day. It examines the wrestlers going after the title much like All The Marbles and leaves you cheering and jeering through out the film.
Maybe it was the lack of sleep, or the fact that I was in a really great mood, but there was something about Body Slam that made me laugh almost non-stop. Of course, to say I laughed at any of the deliberate jokes in the film, would be a complete lie. I would not pretend that readers of this are complete idiots and such a farce would be believable to any of them. Whomever wrote this film is in dire need of some intelligence. But that utter lack of brains, that total undeniable inability to comprehend anything filled with wit or satire, made for one of the most laughable films I have ever witnessed in my life. I have gone on to be one of Dirk Benedict's biggest fans. He was perfect for this role. Anyone who thinks someone else should have played Harry is a complete fool, because only Mr. Benedict could get down the necessary nuances to be so implausibly stupid that we, as viewers, wonder if we're not becoming stupider as we watch the film.
My review was written in May 1987 after a Cannes Film Festival Market screening.
"Body Slam" is a pleasant surprise, a genuinely funny film that pokes fun at a scheming record industry manager while utilizing popular wrestlers to capture the spirit of the current pro wrestling renaissance.
Dirk Benedict is terrific as a glad-handing promoter, always one step ahead of the repo man. His music career failing, he lucks into managing a wrestler, Quick Rick Roberts (played by popular pro Rowdy Roddy Piper), and though creating a war with traditional managers quickly achieves success in this new field. Forced to book his rock group set in tandem with the wrestlers, he accidentally creates the rock 'n' wrestling craze.
Simple premise works because there is a load of humorous situations and slapstick, while the emphasis upon wrestling is not overpowering. As a result, pic's entertainment quotient is not limited to wrestling freaks. Conversely, the presence of an ecumenical grouping of wrestlers drawn from the various pro leagues is a treat for enthusiasts.
Besides Benedict, who exudes charm as the unscrupulous guy you can't resist, cast benefits from solid support turns by various comedians. In addition, Piper, who has retired from wrestling to pursue an acting career full time, is very sympathetic in a large role. Virtually parodying his larger-than-life manager persona, Captain Lou Albano is very funny as Piper's irate former mentor. Sam Fatu, who wrestles undr the name Tama, makes a good impression as Piper's tag team partner, while there are numerous other grapplers on display, including cameos by Ric Flair, Bruno Sammartino, the Samoans Afa & Sika, Freddie Blassie and Sheik Adnan Al Kaissy.
As Benedict's rock group, Kick shares the spotlight performing several okay musical numbers. David Wolff, who with Albano and his client Cyndi Lauper launched the rock 'n' wrestling connection three years ago, served as a consultant on the picture.
"Body Slam" marks a solid comeback for director Hal Needham, who gets the comedy timing down right and provides some effective stunts which keep the wrestling footage from merely regurgitating what is shown constantly on tv . Tech credits are pro.
"Body Slam" is a pleasant surprise, a genuinely funny film that pokes fun at a scheming record industry manager while utilizing popular wrestlers to capture the spirit of the current pro wrestling renaissance.
Dirk Benedict is terrific as a glad-handing promoter, always one step ahead of the repo man. His music career failing, he lucks into managing a wrestler, Quick Rick Roberts (played by popular pro Rowdy Roddy Piper), and though creating a war with traditional managers quickly achieves success in this new field. Forced to book his rock group set in tandem with the wrestlers, he accidentally creates the rock 'n' wrestling craze.
Simple premise works because there is a load of humorous situations and slapstick, while the emphasis upon wrestling is not overpowering. As a result, pic's entertainment quotient is not limited to wrestling freaks. Conversely, the presence of an ecumenical grouping of wrestlers drawn from the various pro leagues is a treat for enthusiasts.
Besides Benedict, who exudes charm as the unscrupulous guy you can't resist, cast benefits from solid support turns by various comedians. In addition, Piper, who has retired from wrestling to pursue an acting career full time, is very sympathetic in a large role. Virtually parodying his larger-than-life manager persona, Captain Lou Albano is very funny as Piper's irate former mentor. Sam Fatu, who wrestles undr the name Tama, makes a good impression as Piper's tag team partner, while there are numerous other grapplers on display, including cameos by Ric Flair, Bruno Sammartino, the Samoans Afa & Sika, Freddie Blassie and Sheik Adnan Al Kaissy.
As Benedict's rock group, Kick shares the spotlight performing several okay musical numbers. David Wolff, who with Albano and his client Cyndi Lauper launched the rock 'n' wrestling connection three years ago, served as a consultant on the picture.
"Body Slam" marks a solid comeback for director Hal Needham, who gets the comedy timing down right and provides some effective stunts which keep the wrestling footage from merely regurgitating what is shown constantly on tv . Tech credits are pro.
Did you know
- TriviaDuring the filming of final match, the crowd began to heckle the wrestlers because they could clearly see that their blows were faked. At that time, wrestlers publicly maintained that everything that they did in the ring was real. But the wrestlers had to pull their punches for the sake of being able to shoot multiple takes. Suddenly, a fight broke out between Roddy Piper and one of the Cannibals leading to a bloody brawl involving all of the wrestlers. Director Hal Needham, a former stuntman, jumped in to stop them but was tossed out of the ring. The brawl was eventually broken up leaving the audience, cast, and crew stunned. Later that day, Piper revealed to Dirk Benedict that the wrestlers had improvised the fight in order to get the audience to believe that wrestling was real again.
- GoofsDespite being attacked, the band's music keeps playing as if was meant to be a "live" performance. Despite the instruments being tossed around, the music keeps playing.
- ConnectionsFeatured in Wrestling with Wregret: Body Slam (2014)
- SoundtracksMy Body Keeps Changin' My Mind
Written by Leslie Pearl and Darryl E. Ross
Performed by Moses Tyson Jr.
Published by Michael O'Connor Music (BMI)
Produced by Darryl E. Ross for Rossway, Music Corp.
- How long is Body Slam?Powered by Alexa
Details
Box office
- Gross US & Canada
- $14,926
- Opening weekend US & Canada
- $4,520
- Nov 23, 1986
- Runtime1 hour 32 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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