Bad Taste
IMDb RATING
6.5/10
50K
YOUR RATING
The population of a small town disappears and is replaced by aliens that chase human flesh for their intergalactic fast-food chain.The population of a small town disappears and is replaced by aliens that chase human flesh for their intergalactic fast-food chain.The population of a small town disappears and is replaced by aliens that chase human flesh for their intergalactic fast-food chain.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Peter Vere-Jones
- Lord Crumb
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Bad Taste is one of the weirdest, stupidest, most idiotic, b (if that) movies I've ever seen. Why then do I own this movie? Because Peter Jackson has created one of the funniest splatterfests period (especially the hilarious machine gun scene and the pine cone tossing). It takes a while for the hilarity to start but so did Dead Alive (another Jackson great). Enjoy as Derek, Ozzy (wearing a Tales From the Crypt t-shirt), and the rest of the boys take on extra-terrestrial buggers who've come to Earth in search of meat. The plot is also a little hard to follow the first time around. After watching Bad Taste many times however, I have no idea how he was chosen to direct the Lord of the Rings (which rocked). So, Peter Jackson, for that...I salute you.
Being a fan of films high on the gore scale, and reading many reviews for this film, I finally decided to give this film a whirl...to this day, I still don't regret it! If you like gore, this is for you. If you like comedy, this is for you. If you liked the "Evil Dead" series, no doubt you will LOVE this film! For the full-effect, pick up the limited edition DVD. I swear, even if you have to pay 25 or even 40 bucks for this version, it's worth every penny! However, if you hate getting songs stuck in your head, then don't listen to the end theme! It's a cool eighties-style song, really good for a low-budget pic, but IT WILL GET STUCK IN YOUR HEAD!!! The entire film has great pacing, never slowing down for one second! This is also a great film for those, like myself, who want to get into filmmaking. This is one of those few films you never get bored watching, whether it's ten times or a thousand times!!! This is a must have for everybody!!!
It seems fitting that in the wake of the excellent Lord of the Rings films, that we should have a look at just what started director Peter Jackson on the road to being one of the worlds greatest visionaries. Before LOTR's, Jackson's biggest financial hit was the Michael J. Fox horror comedy 'The Frighteners', and his biggest critical success being the haunting 'Heavenly Creatures', starring a then not-so-famous Kate Winslet. But it wasn't an easy ride getting to be the director of the most anticipated trilogy since Star Wars. Jackson started small, very small, and clawed his way up the movie ladder using nothing more than pure determination and a raw talent for film-making.
Jackson's first feature was Bad Taste, a low, low-budget horror comedy movie made over two years about aliens killing humans for their fast-food business back in space. No real plot, no real actors, no real crew. Only an insane imagination and devoted friends willing to help out. There's not even much of a script, because what Jackson sets out to do is sicken his audience with some of the most gruesome deaths ever seen and make them laugh until the back of their heads fall off. And he succeeds.
Narrative and plot structure are not on the vile menu here. Instead, Bad Taste is a testament to sick jokes, low-budget gore and technical brilliance on a shoestring. Jackson made his own steadicam, crane and other camera rigs to create the impression of a bigger-budgeted movie (he fails to do so, unfortunately) and even undertook the task of making all of his own make-up and prosthetic effects, including mechanised masks and realistic machine guns. This is an even greater achievement when you consider just how much gore there is in the film, but the finale, in which a huge mansion is rocketed into space, defies the rules of its low budget and minimal crew.
Even the cast were so minimal that the same aliens can be seen, if you look hard enough, being killed over and over again throughout the film, and Jackson himself takes on two roles; the unstable Derek and a mad alien called Robert. In one scene, Derek and Robert engage in a cliff-top fight with each other, balanced precariously on the edge and with no indication that one is a body double. Jackson's creativity and knowledge of movie trickery is undoubtedly on display here, but the low-rent sickness and bloody gore on display would suggest otherwise. At first it is hard to imagine that Jackson would go on from this to directing one of the best films of all time, but when you look closely, examine just what Jackson could do with no money and no crew, you begin to realise that a true genius was at work here.
Bad Taste is a delirious testament to the 'just-get-out-there-and-do-it' school of film-making, as that is literally what Jackson did. Shooting whenever he had the money for film stock and making props and special effects in his parent's garage. Apparently, one of Jackson's greatest problems was keeping his actors consistent in appearance over the two-year period, making sure haircuts remained the same and that one actor had a permanent five-o'clock shadow. Bad Taste is true to the spirit of independent film-making, one man making the film he wants, when he wants and with whom he wants. In fact, it would never and could never have been made under the supervision of a studio, and even if it had the spirit would have been killed off.
Bad Taste works for me because I admire the way in which it is made. When I first saw it I was in my teens and I liked it because it was a demented, gruesome, funny film, so maybe the teen crowd is the right one for Jackson's brain-eating, vomit-spewing, chuck-up-a-thon, or maybe it's also for twenty-somethings after a night on the lash. Either way, Bad Taste should be seen as an example that if you want to make a movie and know how - there is usually a way
Jackson's first feature was Bad Taste, a low, low-budget horror comedy movie made over two years about aliens killing humans for their fast-food business back in space. No real plot, no real actors, no real crew. Only an insane imagination and devoted friends willing to help out. There's not even much of a script, because what Jackson sets out to do is sicken his audience with some of the most gruesome deaths ever seen and make them laugh until the back of their heads fall off. And he succeeds.
Narrative and plot structure are not on the vile menu here. Instead, Bad Taste is a testament to sick jokes, low-budget gore and technical brilliance on a shoestring. Jackson made his own steadicam, crane and other camera rigs to create the impression of a bigger-budgeted movie (he fails to do so, unfortunately) and even undertook the task of making all of his own make-up and prosthetic effects, including mechanised masks and realistic machine guns. This is an even greater achievement when you consider just how much gore there is in the film, but the finale, in which a huge mansion is rocketed into space, defies the rules of its low budget and minimal crew.
Even the cast were so minimal that the same aliens can be seen, if you look hard enough, being killed over and over again throughout the film, and Jackson himself takes on two roles; the unstable Derek and a mad alien called Robert. In one scene, Derek and Robert engage in a cliff-top fight with each other, balanced precariously on the edge and with no indication that one is a body double. Jackson's creativity and knowledge of movie trickery is undoubtedly on display here, but the low-rent sickness and bloody gore on display would suggest otherwise. At first it is hard to imagine that Jackson would go on from this to directing one of the best films of all time, but when you look closely, examine just what Jackson could do with no money and no crew, you begin to realise that a true genius was at work here.
Bad Taste is a delirious testament to the 'just-get-out-there-and-do-it' school of film-making, as that is literally what Jackson did. Shooting whenever he had the money for film stock and making props and special effects in his parent's garage. Apparently, one of Jackson's greatest problems was keeping his actors consistent in appearance over the two-year period, making sure haircuts remained the same and that one actor had a permanent five-o'clock shadow. Bad Taste is true to the spirit of independent film-making, one man making the film he wants, when he wants and with whom he wants. In fact, it would never and could never have been made under the supervision of a studio, and even if it had the spirit would have been killed off.
Bad Taste works for me because I admire the way in which it is made. When I first saw it I was in my teens and I liked it because it was a demented, gruesome, funny film, so maybe the teen crowd is the right one for Jackson's brain-eating, vomit-spewing, chuck-up-a-thon, or maybe it's also for twenty-somethings after a night on the lash. Either way, Bad Taste should be seen as an example that if you want to make a movie and know how - there is usually a way
BAD TASTE, the worldwide cult hero Peter Jackson's first picture, concerns four bumbling government agents whose job it is to rid scenic New Zealand of any alien scum that may be invading their otherwise peaceful country. After being called upon to explore an entire town that has been mysteriously deserted, the men fall upon a shocking discovery: aliens from outer space have abducted much of the human race and are planning on using their flesh for intergalactic hamburger meat! It seems humanoids are the newest taste sensation all throughout the galaxy. Now, our heroes, with the aid of the city's one surviving human, are on a mission to save Earth from these extraterrestrials' fiendish plot--in the bloodiest, slapstick-iest, most outlandish ways imaginable.
BAD TASTE took four years, a shoestring budget, and a tiny devoted cast and crew to complete. Shooting took place mainly on weekends, while the amateurs tended to their daily lives the rest of the week. The unmitigated commitment the crew had towards the production of the film really shows, as they all must've given their utmost towards not just getting the movie complete, but making it look spectacular. Jackson's camera-work and special effects are nothing short of mind-blowing, and the fast-paced editing really gives this 16mm wonder a big-budget, professional look while still maintaining a goofy, campy feel.
Sure, the acting may be a bit over-the-top, and the meandering script does seem largely improvised, but these "shortcomings" only add to the picture's fun, crazy atmosphere, helping to make it even funnier. The soundtrack is oftentimes a little overbearing and awkward as well, but again, it doesn't in any way detract from the overall enjoyment of the film. All in all, if you're a fan of gore movies, alien romps, or just good ol' fashioned black comedy, then you don't want to miss BAD TASTE. Just make sure you have the stomach for it, or it might just get torn out and eaten!
BAD TASTE took four years, a shoestring budget, and a tiny devoted cast and crew to complete. Shooting took place mainly on weekends, while the amateurs tended to their daily lives the rest of the week. The unmitigated commitment the crew had towards the production of the film really shows, as they all must've given their utmost towards not just getting the movie complete, but making it look spectacular. Jackson's camera-work and special effects are nothing short of mind-blowing, and the fast-paced editing really gives this 16mm wonder a big-budget, professional look while still maintaining a goofy, campy feel.
Sure, the acting may be a bit over-the-top, and the meandering script does seem largely improvised, but these "shortcomings" only add to the picture's fun, crazy atmosphere, helping to make it even funnier. The soundtrack is oftentimes a little overbearing and awkward as well, but again, it doesn't in any way detract from the overall enjoyment of the film. All in all, if you're a fan of gore movies, alien romps, or just good ol' fashioned black comedy, then you don't want to miss BAD TASTE. Just make sure you have the stomach for it, or it might just get torn out and eaten!
It's everything a low budget production from the 80s could be, especially in a world before CGI but, as a basis for the craft and imagination it nurtured, it should be considered an inspiration for anyone with the imagination and aspiration to venture into original and ground breaking film making and cinema. Plus it includes references to Doctor Who, which can never be a bad thing, and you can also see those references reciprocated by that series the following century with some similar looking characters that appeared one season. Must have been great fun to make.
Did you know
- TriviaSir Peter Jackson made all the alien latex masks in his mother's kitchen. As he frequently used her oven to harden the latex, his family was forced to have sausages for dinner.
- GoofsThe cast's hairstyles, and the color of the socks change from scene to scene due to the sporadic four-year shoot.
- Crazy creditsInstead of standard disclaimer: Any similarity with persons living or dead is an accident. Sorry
- Alternate versionsIn Germany, apart from the uncut version (which is banned from public sale to minors) there is a version cut down to a "FSK 18" rating. It leaves out most of the violence and is cut by approximately 7 minutes.
- ConnectionsEdited into Heads Blow Up! (2011)
- SoundtracksROCK LIES
Composed and Performed by Madlight
Details
Box office
- Budget
- NZ$200,000 (estimated)
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