Miss Marple: Le train de 16 h 50

I really like the book, it is very clever and the characters are memorable, and as far as the Geraldine McEwan while not perfect by all means was one of the better ones, at least in my opinion. This version is superior though, and is very well done not only as an adaptation but on its own merits. I will say my only real problem with this film was the pacing. While not as sluggish as They Do it With Mirrors, for me this is one of the slower moving Hickson-Marple adaptations. However, so much compensates. 4:50 From Paddington is rather slow and perhaps a tad too long as well, but it still has the clever story and memorable characters. As usual, the production values are wonderful, and the music is very atmospheric here. The dialogue is well written, the story is easy to follow and I loved the build-up to the finding of the body which was genuinely creepy. The direction is solid and the cast is excellent. Miss Marple doesn't have as much to do here, but Joan Hickson still plays her marvellously, and I was very impressed with Joanna David. Overall, while not a favourite I do recommend 4:50 From Paddington. 8/10 Bethany Cox

Many actresses in the twilight of their careers have taken on the role of Miss Marple, including Margaret Rutherford, Helen Hayes and the seemingly immortal Angela Landsbury. However, I believe the one actress whose claim to being closest to Christie's original vision was Joan Hickson. Joan Hickson in the 1980's literally was Miss Marple, not unlike Vivian Leigh who was Scarlett O'Hara. These two actresses were nearly born to play these roles, and whenever I read a Marple mystery, I imagine the likes of Hickson. Marple was probably Christie's most interesting creation, simmultaneously polite and sweet yet irritating and needling. She was always helping out on cases where Scotland Yard felt it was none of her business, which makes her quite an enigma. The little old spinster with the mind of an Einstein, Marple is the female equivalent of Sherlock Holmes.

These BBC productions are still some of the best adaptations of the Miss Marple cases written by Agatha Christie. Some viewers have criticized them for being rather plodding and slow. Ever read a Christie novel? These books were written deliberately in a rather slow and detailed manner because they were meant as literary puzzles. Christie's novels were not so much about insight into the human condition, such as in the work of P.D. James. Rather, Christie's books were specifically designed to offer the reader all the facts of the case, and the reader could try to solve the puzzle before the solution is revealed at the end.

"4:50 from Paddington" involves a friend of Miss Marple, Mrs McGillicuddy, who is traveling on a train from Paddington. At one point, her train passes another going the other direction. For a split second, she sees a murder being committed on the other train before it disappears. McGillicuddy just happens to be on her way to Miss Marple's hometown, St. Mary Mead. Mrs McGillicuddy visits Miss Marple and describes what she saw. While there have been no reports of any murder, Miss Marple believes her, begins to investigate, and pieces together the case.

One of the best Joan Hickson performances, and one of the better Miss Marple mysteries in general. If you've not seen Hickson as Marple, you have yet to see Miss Jane Marple in the flesh. I also have to give honorable mention to the sweet music which opens and closes these Marple mysteries. The oboe melody seems to be a perfect musical portrayal of one of the most memorable characters in the Mystery genre.

I've been a mystery fan for most of my life and particularly fond of Agatha Christie's well known characters, Jane Marple and Hercules Poirot. I was surprised recently when viewing one of the old films in my collection, "Murder, She Said" from 1961. This was the first of four movies starring Margaret Rutherford as Miss Marple. The film was loosely based on Christie's "4.50 From Paddington". Marple poses as a domestic to investigate a murder. One of the other servants in the home is played by none other than Joan Hickson. This may not be completely relevant in commenting upon the later version, but I thought it was interesting that Hickson appeared in a Marple film 26 years before this one was released. The Rutherford movies aren't very faithful to Christie, but they're very entertaining. However, if you're an avid Miss Marple fan, you'll be overjoyed with these productions featuring Hickson. She truly embodies Agatha's character like no other actress. I highly recommend these to any mystery fan.

4:50 From Paddington Station was also the first Agatha Christie Miss Marple story to be adapted for Margaret Rutherford in Murder She Said. Comparing the two is six of one, half a dozen of the other.

For the big screen the characters of the woman who saw the strangling on a passing train and the woman who Miss Marple sends in as a housekeeper to scout out the terrain are eliminated. Rutherford's character serves as both and one of the biggest strengths of the film is Rutherford doing her own scouting and sleuthing and her scenes with ailing family patriarch James Robertson Justice are a hoot and a half.

Joan Hickson's Jane Marple is a milder sort, but still a woman who doesn't miss much. This version is faithful to the Christie story and has a friend of Miss Marple see the strangling of a woman and her being thrown out the window of a train going the other way. But no body turns up near the tracks. At that point Hickson goes into action and determines that the body was most likely thrown off near the Crackenthorpe estate. At that point she sends in Jill Meager as an operative so to speak.

The Crackenthorpes are wealthy British family, new money, they got rich manufacturing breakfast cereal. And they've got an ailing patriarch with one of those crazy wills that provide a host of relatives as suspects.

I will say this, the same perpetrator in the Margaret Rutherford movie does the deed again in 4:50 From Paddington Station. And nearly gets away with it, but for an unexpected witness.

A little slow, but more is explained and the murder itself doesn't seem quite as contrived as the Rutherford film.

Elspeth McGillicuddy is taking the 4:50 from Paddington (a train) to visit a friend and falls asleep. She awakens to see another train on a set of tracks parallel to hers. Suddenly, a window shade zips up and Mrs. McGillicuddy sees a woman being strangled by a man whose back is to her. The train moves on and Mrs. McGillicuddy is left is significant distress. The person she was visiting? Miss Marple, of course. And we're off to the races.

Miss Marple's investigations bring her to the doorstep of the eccentric Crackenthorpe family and she hires a formidable assistant in the guise of the lovely and efficient Lucy Eyelesbarrow (Jill Meager) who infiltrates the household in the guise of a housekeeper. She becomes Miss Marple's eyes and ears.

It's arguably one of the best of the Marple mysteries. In part because when I read the book, I was completely surprised by who the murderer was (some excellent literary misdirection here) but also because the story contains a series of characters who are, for the most part, fairly sympathetic (unlike the detestable Fortescues in "Pocketful of Rye"). And the hint of romance between Lucy and one of the suspects is a nice addition.