Alienated teenager Mark uses his evil genius to manipulate his family and intimidate his peers. When a sensitive neighbor offers to baby sit, her disturbing past make her perfect prey for th... Read allAlienated teenager Mark uses his evil genius to manipulate his family and intimidate his peers. When a sensitive neighbor offers to baby sit, her disturbing past make her perfect prey for the reign of electronic terror Mark has in store.Alienated teenager Mark uses his evil genius to manipulate his family and intimidate his peers. When a sensitive neighbor offers to baby sit, her disturbing past make her perfect prey for the reign of electronic terror Mark has in store.
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As mentioned already, "Twisted" is quite obscure, and it's understandable why that is. It's not a bad film at all, but it's extremely unpleasant and borderline depressing to watch. Not only the subject matter is rough stuff, but also every single principal character is beyond loathsome. It's difficult to watch a film in which the only reasonably sympathetic person is a six-year-old girl with an armless doll (and maybe a kitten)...
Referring to Mark as a troubled teenager would be a major understatement. Mark is a rotten apple, a ticking timebomb that is guaranteed to detonate, a deeply disturbed and unworldly sociopath. And, what's even worse, his parents are clearly aware of their son's mental dysfunctions, but they prefer to ignore it and argue over insignificant things instead. Mark is a big fan of the Nazi party and forces the entire household to listen to loud and boisterous sounds of WWII fighter planes. He petrifies his poor little sister, kills innocent kittens and housemaids, humiliates the school's jock, and terrorizes the already mentally unstable new babysitter.
"Twisted" certainly isn't a very plausible movie, but there is nevertheless suspense and a few memorably shocking moments. Slater's character is so deplorable that you'll wish for him to die the most painful death imaginable, even though he's only supposed to be 15 or 16 years old, but also his "victims" deserve all the agony that overcomes them. The ending is disappointing, and even downright stupid, but "Twisted" still is recommend viewing for fans of curious 80s thrillers/horror.
A new family moves into a quiet, small town. But the body count goes up thanks to that oblivious family's completely sociopathic teenaged son (or as their parents like to say, "he's our adolescent"). Forget the part of the story involving the parents as it is of no consequence to the main point: watching this kid Mark who's hobbies include torturing small animals and bumping off babysitters.
You can get lost in how absolutely deranged this kid is, at times wanting to jump on the screen and beat the crap out of him yourself. He's such a giant, scary wierdo. And that's your whole movie, really. I can't tell you enough how wierd he is. And, like another viewer pointed out, how did the parents never suspect anything? I suppose they were (listen to what they mention about him about the night of the first murder), though they may have unlikely realized to what level of insanity he was on. And how they couldn't figure that out when his little wiener sister did was beyond me, too.
All I can say is that this movie was Super Creep. Super Creep. It's Super Creepy, yeah!
Something that is wonderfully consistent with Christian Slater since the start of his film career and that still continues today is his ability to convey the psychology of his character to the audience.
Slater portrays Mark Collins, a young teenager who is in his own mind superior to those around him. He despises weakness and finds all of his strength from the wrong sources. Without his parents knowing, he has the ability to hear every word spoken in the house and thus has found out about his mother's indiscretions and his father's alcoholism. Even though Mark doesn't reveal verbally his thoughts of such behavior, Slater does an awesome job (as always) making it clear that Mark views his parental units as weak and unworthy of respect or devotion. In the same disgusted manner, he views the bully at school, his little sister, and the babysitters.
This is the only character that Slater has ever portrayed that may be innately evil. JD of Heathers and Robert Boyd of Very Bad Things had serious character flaws and far from the greatest means of handling problems, but I don't believe either were evil. Mark Collins is a different story.
He shows no affection whatsoever for anyone. Even small animals are viewed as only specimens. Art and music are only seen when surrounded by violence and commands. He has such a desire for order and control. This is the reason he can't foresee going to a strict academy which his parents wish to send him to. There he not only loses control because he will be under scrutiny but also because he will lose his footing as such a strong individual. At home, he is surrounded by people weaker and dumber thus making him confident in every action he commits.
He hasn't an issue forcing thorazine down the throat of his sister as long as he can vocally assure himself he won't be to blame. He was the starting of a mad scientist who was too smart for his own good.
This film has never been released on DVD and is out of print on video. If you can find it, BUY IT! It's an outstanding movie!
Did you know
- TriviaFirst and only directorial effort of Adam Holender.
- GoofsJust before Mark is bullied on Main Street by Williams, his hair goes from dry to wet and back to dry again.
- Quotes
Helen Giles: [after getting fed up with Mark blaring an English version of the Nazi Grand March] Mark turn off that noise.
Mark Collins: Noise? I don't hear any noise, it's the Grand March Helen, come on join the parade, come on get in step, feel it.
- ConnectionsReferenced in The Reviewers: Shooting Space (2014)
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