Sky Bandits

Simply a waste of an hour and twenty nine minutes I'll never get back... Nothing made sense. The jokes weren't funny, the adventure scenes had no adventure...

My review was written in October 1986 after watching the film at a Times Square screening room.

"Sky Bandits" misfires on all cylinders. Meant as a rollicking World War I adventure, mishmash of a feature is missing a plotoline. Touted as the most expensive (production budget pegged at $18,000,000), indie British film ever, pic doesn't deliver the expected values on screen and has a no-name cast that won'[t help it attract attention domestically or overseas. Distrib Galaxy International has unwisely opted for a national saturation release.

Originally titled "Gunbus" (after the small fighter planes featured), Thom Keyes' unsatisfactory screenplay opens with a reel of two young heroes (Scott McGinnis and Jeff Osterhage) making like Butch Cassidy & Sundance (the early days, that is) in montages of bank robberies. Switch this pointless material headed nowhere the boys are suddenly sent to France to fight in the Great War against the dreaded hun.

Misadventures for the duo include a gam of one upmanship with haughty British flyers, a little sack time with two pretty mademoiselles (Valerie Steffen, Ingrid Held) and a mission to destroy a vast Graf Zeppelin the Germans are using for bombing runs. With dogfighter prowess picked up instantly (heroes decide to try piloting biplanes on a dare), they save the day and are subsequently back in the west blowing up banks quicker than you can say "Blue Max".

Film plods along episodically wit no forward momentum to the sotry: every once in a while there is a dissolve and a new scene has beguyn. Since Keyes' script lacks humor, the boring repartee between the two wooden heroes is downright deadly. What producer Richard Herland and director Zoran Perisic deliver is a succession of pretty but very fake-looking model plane shots or process shnots. The excitement of aerial dogfights, which have entertained audiences in hundreds of war films and served as the inspiration for "Star Wars" is missing.

Cast is tgruly awful, with the only familiar actor, Ronald Lacey, hamming it up and American leads McGinnis and Osterhage lacking the charisma this sort of yarn calls for. Production, including David Watkin's photography, is technically adequate but wholly lacking in verisimilitude. For all the money spent, it would have been more convincing to use stock footage left over from "Hell's Angels" The comic book approach doesn't work.

With Rank, ITC and Thorn EMI as recent examples, experienced British producers have learned how difficult it is to try and compete with the Americans via big-budget projects; modest efforts like "Gregory's Girl" and "My Beautiful Laundrette" have been more successful. "Sky Bandits" will undoubtedly reinforce this conventional wisdom.

Not sure why nobody seems to like this movie. The acting is completely okay, the special effects are very 80s but not bad at all, and the story is that of a family-friendly adventure movie about two criminal but basically good-hearted rascals getting from one mess into the next. There's plenty of action as some more or less realistic WWI era aircraft (probably replicas) and several completely crazy, steampunk-like designs, for example an early 20th century car rebuilt as a double-decker airplane, shoot it out with an insanely huge German bomber airship that can launch rockets. Although one of the good guys dies in a bomb attack, which is presented as tragic, and it is implied, although not really shown, that others are shot down in their planes and probably die as well, there is nothing graphic or frightening being shown. It's basically about as violent and as scary as a Star Wars movie (which means not at all really), and much less so than Indiana Jones, for example. I didn't think it was particularly funny, although there were still a couple of scenes that made me laugh out. Which is about what you would expect considering that this isn't supposed to be a comedy but a light action-adventure movie. There's a whole lot of shooting and big explosions throughout the film. Movies like this (and Star Wars) were the reason why I had the misconception as a kid that wars were cool and exciting. I still grew up to become an utter pacifist, so I guess that's alright. I never saw Sky Bandits as a kid though and now is the first time I saw it or even heard of it, in my mid-fourties. Which is a shame really. I liked it now, but I really would have loved it when I was about 10.

GUNBUS is a fun little British WW1 film featuring a couple of imported American leads who through various rather unbelievable plot twists end up joining a British suicide squadron in their plans to bring down a massive German airship. It starts out as a rather cheesy western in which the central twosome dynamite about a billion banks before they're suddenly in France and ready for action.

This rarely-seen film is rather inconsistent and seems to be suffering from choppy editing and huge budgetary constraints; the ending in particular is extraordinarily abrupt and just cuts to another random scene in an unappealing way. Saying that, I did get a kick out of GUNBUS, enjoying it in much the same way I enjoyed the similarly flawed BIGGLES made during the same era.

Scott McGinnis and Jeff Osterhage verge on the irritating rather than charismatic but there's a solid British cast to back them up, including the reliable Miles Anderson and Rodney himself, Nicholas Lyndhurst. Ronald Lacey is underutilised as a friendly German character. The movie was directed by Zoran Perisic, the Yugoslavian special effects guy who worked on 2001: A SPACE ODYSSEY and SUPERMAN, and I suspect that directing wasn't really his calling. Still, there's plentiful action here, and the many aerial combat sequences, although cheesy, are good natured and most of all fun.

Gunbus was the UK title of this film. Some trench scenes were filmed at Marston Mortaine in Bedfordshire (Disused LBC clay pits). I know this because I was an extra for some scenes - my one and only venture into the film world. But I was a mere dot on the screen and absolve myself of any responsibility for this dire, almost unwatchable attempt at comedy. 18 million dollars? Well, the catering was good.