La 6e victime

While I can't argue with any of the negative reviews of the film it is nonetheless an interesting period piece and deserves some consideration for the upfront use (perhaps abuse is a better term?) of interracial and lesbian relationships to advance the otherwise weak and formulaic slasher plot.

And yes the viewer might be forgiven for thinking the film was made only as an excuse to show nubile nudes to adolescent males. Is that really such a bad thing?

Anyone at all interested in period slasher films should see this once... in this case once is enough. While not memorable you nonetheless won't forget it.

Did I mention M. Kostner's "let's put on a play in the barn!" acting skills on display?

That alone is worth the price of admission especially as the film is available online for free.

Do not expect anything spectacular when you rent this movie. A killer starts killing teenage girls and boys which will eventually lead up to the killing of one girl in particular. Their are some interesting murder scenes but the movie is very slow and drags on and on and on. There is the classic who done it, with the blame being but on every one except the real killer. In the end the killer is predictable from the characters actions earlier in the movie and the final chase scene is pretty dull compared to others. Like I've said in my many other reviews watch it only if you're in the mood for some cheesy 80's slasher films.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

A serial killer by the name of The Black Angel is on the loose in a college campus,slaying girls or boys without discrimination.College party animal Jimmy Scott (Kevin Costner) falls under the heavy eye of Detective King (William J Kulzer) a short-fused,foul-mouthed detective driven by his own personal needs to track down the killer on account of his own daughter's savage killer not being found years before.But when Judy (Elizabeth Trosper) one of the sexiest girls on the campus starts getting heavy breathing phone calls,it looks like she may become the next target if King can't find the killer in time.

Kevin Costner makes an early film appearance as the prime suspect (long before the days of Dawson's Creek this was obviously one of those pioneer movies that cast actors about ten years too old to be playing college students in their roles.)He gives a terrible performance like everyone else,but then he was probably having his daydreams of staring in epic tales of epic frontiers and district attorneys who root out presidential assassins,unlike the other stars who just faded into oblivion after this film was made (there seem to be a few who think Costner should have done the same,but,there you go...) The film was made in 1986,but looks more like it was made in 1976.The dodgy lighting and wooden sets are here in all their glory,obviously a very low-budget effort all round.Yep,this is definitely another one of those 'before-they-were-famous' efforts that linger at the back of the CVs of stars like Costner like flies on sh*t.*

Another Troma-tic turkey (produced by Eric Louzil, who went on to direct those awful NUKE 'EM HIGH sequels) and substandard slasherama with one difference by default...Kevin Costner! In a minor supporting role, Costner has two scenes as campus party animal Jimmy Scott, main suspect in a rash of killings at Dorothy College. Short fused, foul-mouthed detective Rydell King (William J. Kulzer) investigates the murder spree of "The Black Angel" (aka "The Co-ed Killer" or "The Moral Vigilante"), a mystery maniac who enjoys cutting up a group of college girls who used to be hookers, like to shower a lot and have a strange aversion to clothing.

A key subplot involves a young bimbo named Judy (Elizabeth Trosper) who receives heavy breathing phone calls ("I'm coming to get you!") and whose racist brother objects to her black boyfriend. Everyone talks about how hot she is, a point that seems to require her to be painted up like a streetwalker at all times, including in the shower and waking up in the morning.

This film might set some kind of record for nude female victims, including porn star Susanna Britton/Barbara Peckinpaugh in an endless scene where she showers and runs around naked trying to elude the killer. Also featured are skinny dipping (from Terry Congie who co-starred with Costner in his first film, SIZZLE BEACH USA), a bloody stabbing, a head mashed in a car hood, a magician, a fat lesbian, a cello player and a visible boom mike. It didn't get released on video until 1986 (it was actually produced in 1981), with the publicity centering around... guess who?

Oh yes, this totally nonsensical and insignificant 80's slasher dud stars the one and only Kevin Costner! I bet he's as proud of this film as George Clooney is of "Return of the Killer Tomatoes" or as Tom Hanks is of "He Knows You're Alone". But hey, wait a minute… According to the data on this website – and I rarely ever doubt its accuracy – "Shadows Run Black" is a film from the year 1986! Are we supposed to believe that Costner starred in this turkey after he appeared in classier movies like "Silverado" and "Fandango" and only one year prior to the almighty successful Brian De Palma milestone "The Untouchables"? Of course not... A bit of quick research teaches us that "Shadows Run Black" was already finalized in 1981, but remained shelved for obvious reasons (because it's awful). Then in 1986 it was removed from the shelves and rapidly distributed, again for obvious reasons (it was still awful, but people would suddenly pay to see it because it stars Kevin Costner). Luckily for Kev, his role is merely a small and supportive one, and even though his character is often mentioned and talked about, his actual appearance in the film is rather limited and brief.

What are we left with then? "Shadows Run Black" is a misogynic, incoherent, clichéd, zero-budgeted and laughably inept slasher attempt. "A masked killer, a couple of idiotic red herrings and – most of all – a lot of female full frontal nudity is all we need in order to make a successful horror movie, right?". That's basically what the writers and producers must have thought when they started filming. Some psychopath, entirely dressed in black and wearing a ski mask, is slaughtering lewd girls left and right, supposedly because of their amoral behavior. The killer's main target is a local beauty queen with racist brother and a black boyfriend with an impressive porno-mustache. The frustrated and loud-mouthed police detective in charge only focuses on one prime suspect, and that is Kevin Costner in the role of a sleazy youthful thug. This movie is downright ridiculous. There is almost no link between the characters and the vast majority of them don't even have backgrounds or personalities. You'll see the proof of this when the end credits roll over the screen, as the actresses are referred to as "girl stabbed in chest" or "girl killed in kitchen". In return for their fifteen minutes of fame, however, these poor girls were obliged to parade fully naked in front of the camera for several minutes non- stop. The nudity is exaggerated and completely unrealistic, atop! Let me ask you: do you know any girl who would go and investigate strange noises in her house while still naked? Wouldn't any woman in the world put on at least a gown or a shirt? Director Howard Heard was so obsessed with his naked amateur actresses that he also lost continuity out of sight. For instance, whatever happened to the The build-up to the murders lasts incredibly long, what with the girls undressing and staring at themselves in the mirror, while the actual murders are tame and done with in the blink of an eye. I guess it's much easier and cheaper to show naked flesh instead of suspense and bloodshed. The killer's identity is simple to guess and so pitiably clichéd that you won't even believe it. Another great moment for the 80's slasher-industry, sigh