Dans les bras de l'enfer

David Carradine stars as Colonel James Cooper, taken prisoner during the Vietnam War. Since he is the highest ranking officer in the custody of the Vietnamese army, they intend to make an example out of him. But the camp commander, Captain Vinh (Mako), offers him a deal: Vinh wants to use the booty he's stolen from his prisoners to build a new life in America, and offers to take Cooper with him when he makes an escape. But Cooper is a strict believer in the "no man left behind" policy, and won't agree unless the other prisoners in the camp can come with him. Vinh reluctantly agrees, and so the big escape journey begins.

"P.O.W. The Escape", a.k.a. "Behind Enemy Lines", mostly foregoes politics in order to concentrate mainly on action. And, as directed by Gideon Amir, it delivers many thrills - explosions, gunfights, stunts, a major set piece on a river, you name it. It's actually pretty entertaining for what it is. It amusingly turns Carradine into a Chuck Norris / Sylvester Stallone kind of hero, the kind of guy who energetically takes on all comers while rarely sustaining much physical damage himself. Therefore, it's NOT something to really take seriously. With the Philippines once again standing in for Vietnam, there's much excellent location work, and a certain degree of atmosphere. That's not to mention the omnipresent soundtrack, which is mostly a collection of cues taken from previous Cannon Group productions.

Carradine is a true study in no-nonsense, all-business stoicism here, with strong support from a rock-solid Steve James, one of the most charismatic second bananas to ever grace cinema with his presence. There's also some delicious villainy from Mako, jovial and smiling at first, but deadly serious when he needs to be. To add to the tension, there's antagonism from a Jerk soldier named Sparks (Charles Grant), who's as self-serving a character as you're ever likely to see. Other familiar faces like Phil Brock, Tony Pierce, and Ken Metcalfe have supporting roles and bits.

"P.O.W. The Escape" will not be for viewers expecting realism or historical accuracy. It's just a straightforward little diversion that holds viewer attention for a well-paced hour and a half.

Seven out of 10.

P. O. W.: THE ESCAPE is one of those low budget American war flicks shot in the Philippines standing in for Vietnam. This one has an autopiloting David Carradine as a soldier who ends up the sole survivor when his escape helicopter is bazooked in front of him. While in prison he meets a Vietcong officer looking to move abroad and agrees to help him in return for the freedom of him and his men, but treachery awaits. There's little plot here, just a series of recycled music and low rent action sequences featuring a ton of explosions and little finesse. Carradine sleepwalks through the role but you get Mako as the baddie and Steve James in support, so it's not all bad.

David Carradine makes you believe a laid back lethargic soldier can become a one man killing machine in the jungles of the 'Nam. This film is lots of fun, anybody expecting military and historical accuracy will suffer the same kind of disappointment as someone expecting to see David Carradine perform with all the speed and agility of Bruce Lee.

Carradine and his fellow P.O.W.s suffer at the hands of a VC officer who secretly harbors a desire for the American dream, he demands that Carradine aid him in achieving it. Instead the Tai Chi expert and the dependable Steve James (you could pair James up with Hugh Grant and still be guaranteed victory) serve up a healthy dose of mayhem and sends Charlie running most ricki tik. If you've run out of Chuck Norris war films to watch, P.O.W. the Escape will fill the void.

David Carridine may be a Tai-Chi expert but as Bruce Lee was quick as the Flash, Carridine is slow as a snail. Here he is making a similar type of film to the Chuck Norris, as Colonel Braddock, Vietnam POW rescue films of the same 1980's decade.

There is nothing new to be found in this film as everything in/about it has been seen/done before. Having said that it is still an enjoyable sit down to watch no brains needed release. Carridine is his usual lethargic self and the camp commandant, played by the well known Mako, is the sadistic guy who does not actually like communism so, he want;s to make a deal with Carradine to get to America with all his stolen American prisoners belonging etc.

Like I have said, its not Oscar quality but its good enough to pass your time away.

I can't believe this played once in theaters. Everything is bad and especially the direction. Even Steve James, this underrated second-fiddle, can't save this. Hopeless