Un sacré bordel!

I just saw this movie tonight, actually the last twenty minutes, and according to IMDb, it says that Dennis Franz is non credited, but as the credits rolled, he was in them...

It was an OK movie, and I enjoyed what I did see, and looking at the actors before they were household names was funny too.

It is a good movie for those of you who wish to just sit back and laugh at good old slapstick, and mindless entertainment.

Ted Danson is always hilarious, and found it quite funny seeing him make himself comfortable behind the bar in the mansion. His character was hilarious as the skirt chasing fool, just as his future character, Sam Malone would be in Cheers!

Cheers to all the actors who have gone on to make better and bigger movies, and shows!

You can't blame Blake Edwards for making this kind of movie.

For years, he depended on the kind of pratfalls that course through "A Fine Mess" as his bread and butter, so to speak. They served the "Pink Panther" series well, and made Inspector Clouseau a world-wide reference point for the ultimate in clumsiness.

But for a movie that basically features two losers crossing the mob in a horse race then moving a piano to a rich lady's house, this film is all over the place. So many people introduced then forgotten, plot lines that go nowhere, laughs that are fun for the moment but have no context.

Shocking, really, this coming as it does from Blake Edwards, who once personified classy comedy with such works as the aforementioned "Panther" films, not to mention classics like "10", "Micki + Maude" and the under-appreciated "S.O.B.".

And with the calibre of talent, you'd expect great things; the manic Mandel, lecherous Danson, luxuriant Alonzo, and wackos like Mulligan and Margolin as mob flunkies all have the fire, but there's just nothing here to stoke the furnace.

There were separate moments here and there that gave me a smile but, like the movie itself, it just lives for the moment, then is gone.

TIDBIT - The idea for this movie actually came from a Laurel and Hardy short where Stan and Ollie try to move a huge piano up innumerable flights of stairs. Hence, the name.

It still is fitting: this movie is definitely a "Mess", if not a "Fine" one.

Three stars. Saved but for the virtue of Mulligan in the cast and a bit part for pre-"NYPD Blue" Franz.

I suppose I shouldn't be surprised at the number of viewers whose comments generally trashed this picture, but I must admit that I'm astonished at the snobbery of some people when it comes to comedy.

Not every movie has to have an intricate plot, Oscar caliber performances, and a perfect script to be a noteworthy movie. We have movies like Citizen Kane, The Killing Fields, A Dry White Season, Rain Man ect... for that. The most important aspect of a comedy is whether or not it is genuinely funny, and there's no way one can say that this flick is not.

Just about every scene in the film is funny, physical as well as dialogue. Howie Mandel cracked me up constantly with the strange voices he used. It's vulgar in parts, and sure, the plot is weak. So what. It does it's job. Blake Edwards is a master at comedy. He never leaves me disappointed.

If you're looking for a movie that will leave you with a sore ribcage at the end, this one will do the trick. As comedies go, I'd give it an 8/10.

When Blake Edwards initially was putting this film together it was originally intended to star Burt Reynolds and Richard Pryor. Unfortunately due to Pryor's near fatal burning the film had to be recast. The Films original Title was 'The Music Box' taken from the Laurel & Hardy short film of the same title. Was made as a homage to classic comedies . Did not fair well at the box office. ************************************************************ ************************************************************ ************************************************************ ************************************************************

The 1980s weren't favorable to a lot of veteran directors. With some exceptions, William Friedkin, Paul Mazursky, Robert Altman, Mel Brooks and many others suffered in this decade while trying too hard to make commercial hits. Blake Edwards is another name that comes to mind, and "A Fine Mess" is Exhibit A. The plot is superfluous. It has something to do with a doped-up racehorse, two schnooks being chased by two more schnooks, a limping Godfather and his cheating Mafia wife, a $10K player piano, and enough car chases and crashes to put "The Great Race" to shame. Why Edwards felt the need to work with TV talent like Ted Danson and Howie Mandel is beyond me, but he gets nothing out of his regulars this time, either. Is there anything worse than a stupid comedy? How about a comedy that wears its flagrant stupidity like a badge of honor? Edwards even speeds up the film to give the proceedings a live-action cartoon effect, but you can't cover up flop sweat. Blake's daughter, Jennifer Edwards, gives a nicely modulated performance as an auction house employee, though her facial expression when date Mandel eats too much spicy food in a restaurant and begins shrieking just about sums up the whole of "A Fine Mess". * from ****