Emmy-winning Director Johnson Dies
Emmy Award-winning television and film director Lamont Johnson has died after suffering heart failure. He was 88.
Johnson passed away at his home in Monterey, California on Sunday.
He won critical acclaim for his controversial U.S. television works, including 1970 series My Sweet Charlie, which explored interracial relationships, 1972's That Certain Summer, which took a look at homosexuality, and 1981 series Crisis at Central High, about America's civil rights movement.
He also directed episodes of Have Gun - Will Travel, Peter Gunn, The Twilight Zone, Naked City and The Defenders, in addition to helming films including 1973's The Last American Hero, starring Jeff Bridges.
Johnson, who received 11 Emmy nominations during his 40-plus years directing, won in 1986 for his work on Wallenberg: A Hero's Story, a miniseries about Swedish diplomat Raoul Wallenberg.
In 1989 he won another Emmy for Gore Vidal's Civil War drama Lincoln, starring Sam Waterston.
Johnson is survived by a son and daughter, three grandchildren and five great-grandchildren.
Johnson passed away at his home in Monterey, California on Sunday.
He won critical acclaim for his controversial U.S. television works, including 1970 series My Sweet Charlie, which explored interracial relationships, 1972's That Certain Summer, which took a look at homosexuality, and 1981 series Crisis at Central High, about America's civil rights movement.
He also directed episodes of Have Gun - Will Travel, Peter Gunn, The Twilight Zone, Naked City and The Defenders, in addition to helming films including 1973's The Last American Hero, starring Jeff Bridges.
Johnson, who received 11 Emmy nominations during his 40-plus years directing, won in 1986 for his work on Wallenberg: A Hero's Story, a miniseries about Swedish diplomat Raoul Wallenberg.
In 1989 he won another Emmy for Gore Vidal's Civil War drama Lincoln, starring Sam Waterston.
Johnson is survived by a son and daughter, three grandchildren and five great-grandchildren.
- 10/27/2010
- WENN
"Lamont Johnson, an Emmy-winning director who was honored for his work on the TV programs Gore Vidal's Lincoln and Wallenberg: A Hero's Story during a wide-ranging career in television, film and theater, died of congestive heart failure at his Monterey home Sunday," reports Claire Noland for the Los Angeles Times. "Johnson, known for his sensitive treatment of controversial subjects in made-for-tv movies, dealt with interracial romance in My Sweet Charlie (1970), homosexuality in That Certain Summer (1972), blacklisting in Fear on Trial (1975) and the civil rights movement in Crisis at Central High (1981). 'I find a great many things that never make it to the big screen because they're controversial wind up on television, and done with a considerable amount of daring,' Johnson told the Miami Herald in 1992. 'That seems surprising in a medium that's supposed to be timid or anxious.'"...
- 10/26/2010
- MUBI
The editors of "The Hurt Locker," "The Hangover" and "Up" won feature film competitions Sunday at the 60th annual American Cinema Editors Eddie Awards at the Beverly Hilton.
"The Hurt Locker" editors, husband-and-wife team Bob Murawski and Chris Innis, earned the trophy for a dramatic film, topping a category that included "Avatar," "District 9," "Star Trek" and "Up in the Air."
"It's a great way to spend Valentine's Day, to win an award with my wife," Murawski said onstage, adding with a smile, "she did most of the work."
"The Hangover" editor Debra Neil-Fisher, Ace, topped the category for comedy or musical, which included nominees "500 Days of Summer," "Julie & Julia," "A Serious Man" and "It's Complicated."
Editor Kevin Nolting earned the award for best edited animated feature for "Up," leading a group that included "Coraline" and "Fantastic Mr. Fox." Additionally, "The Cove" editor Geoffrey Richman won best edited documentary, a...
"The Hurt Locker" editors, husband-and-wife team Bob Murawski and Chris Innis, earned the trophy for a dramatic film, topping a category that included "Avatar," "District 9," "Star Trek" and "Up in the Air."
"It's a great way to spend Valentine's Day, to win an award with my wife," Murawski said onstage, adding with a smile, "she did most of the work."
"The Hangover" editor Debra Neil-Fisher, Ace, topped the category for comedy or musical, which included nominees "500 Days of Summer," "Julie & Julia," "A Serious Man" and "It's Complicated."
Editor Kevin Nolting earned the award for best edited animated feature for "Up," leading a group that included "Coraline" and "Fantastic Mr. Fox." Additionally, "The Cove" editor Geoffrey Richman won best edited documentary, a...
- 2/14/2010
- by By Carolyn Giardina
- The Hollywood Reporter - Movie News
Dick Berg, a prominent television writer and producer whose career ranged from live TV to movies of the week and longform programming, died Tuesday at his home in Los Angeles after a brief illness. He was 87.
His producing credits range from "Bob Hope Presents the Chrysler Theater" to the detective series "Checkmate" to the miniseries "Space" and "The Martian Chronicles."
With his wife of 63 years, Barbara, he also headed something of a modern-day Hollywood dynasty. Their sons are Icm chairman and CEO Jeff Berg, author A. Scott Berg, music producer and executive Tony Berg and producer and manager Rick Berg.
"More than anybody I can think of in television, my father proved to be extremely successful on a commercial level without every compromising quality," Scott Berg said. "It wasn't just that he had a great eye for talent -- especially writers -- but he really knew how to get the best out of everybody.
His producing credits range from "Bob Hope Presents the Chrysler Theater" to the detective series "Checkmate" to the miniseries "Space" and "The Martian Chronicles."
With his wife of 63 years, Barbara, he also headed something of a modern-day Hollywood dynasty. Their sons are Icm chairman and CEO Jeff Berg, author A. Scott Berg, music producer and executive Tony Berg and producer and manager Rick Berg.
"More than anybody I can think of in television, my father proved to be extremely successful on a commercial level without every compromising quality," Scott Berg said. "It wasn't just that he had a great eye for talent -- especially writers -- but he really knew how to get the best out of everybody.
- 9/2/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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