Green Card

For those looking for an offbeat, uplifting romantic comedy, this one fits the bill. Andie McDowell plays Bronte; she is a young city gardener who has her eye on a beautiful apartment with a greenhouse. The problem is she must be married in order to apply for it. Enter Gerard Depardieu. He plays an immigrant Frenchman looking to marry an American so he will have permanent residency status in the United States. A mutual friend arranges a paper marriage between the two. Bronte gets her apartment; Depardieu has what he wants, also. Unfortunately, the INS suspects it is a bogus marriage and the two have to "temporarily" move in together in order to prove their marriage is real. From the start, Bronte and her immigrant husband dislike each other. Yet, strange things can happen. This is a sweet story with plenty of laughs sprinkled throughout. McDowell looks stunning and Depardieu, despite carrying a lot of extra weight, charms and delights. Nice little touches, such as the scenes where the couple take fake photographs of their honeymoon, are prevalent. Take a chance on Green Card; it's guaranteed to give the viewer permanent smiling status.

Usually, romantic comedies are all the same, concerning their tone and their dialogue. „Green Card` by the great director Peter Weir („Truman Show`, „Witness`!), is a little different, which alone makes it sympathetic.

The film evokes interest right at the beginning because if people don't know exactly what it is all about, they might not get immediately what's happening. Brontë is already married to Georges the French composer. Other directors or screenwriters would have shown their wedding in detail, peppered with gags. But Weir sees that this is not necessary, it would only follow the convention.

Later we have unexpected plot twists and changes in the characters that are not always convincing but give the film an interesting, not too light base tone. And actually, Peter Weir is a too enthusiastic director to make a visually rather undemanding romance film. So he introduces some wonderful visual ideas like the scene where Georges is standing in front of Brontë's door, covered with a blanket, calling her name, while the camera shoots him from inside, through the „watcher`. I'm not particularly fond of Andie MacDowell because she always seems even more nervous than my English teacher, always presenting herself with a pained smile. In „Green Card` of course, the fact that she is not at all likeable (to me at least) fits perfectly, and one little wonder of the movie is that Gérard Depardieu can convincingly play that he is falling in love with her.

A comedy surprise.

Gerard Depardieu earned a golden Globe for his performance, but that is besides the point, because this French actor has played much better parts for which he never got lauded. Anyway, this is one heck of a forgotten romantic comedy from the early nineties, that definitely deserves more attention, because it still stands strong to this very day.

It's a romantic comedy the way the French would make them, meaning that there is lots of subtle play and wit. The story: French citizen Gerard Depardieu needs an American working permit and tries to get it by getting into a fake marriage with the lovely American Andy McDowell.

The good: it's simply splendidly acted and directed. With lots of energy and flair. Any bad? There is a bit of a dull middle part of the story in which nothing much happens, but the end is wonderfully enticing again. Gives me goosebumps and I am usually not someone who is easily charmed by romcoms. Highly recommended!

Gerard Depardieu and Andie McDowell meet and for mutually beneficial reasons end up getting married..he so he can stay in the country and she so she can get the rent controlled Manhatten apartment..alas they must convince the INS that their marriage is true so they get to know each other, grudgingly of course at first..until love intervenes. A charming movie that features a good matchup with McDowell and Depardieu..good date film too. on a scale of one to ten..7

Green Card is a good movie. Worth watching. The first time I saw it I wasn't impressed, but then watching it again I found it realistic and refreshingly charming, in that "simple/against the tide" sort of way that is so Peter Weir. He's also done The Witness, Dead Poets Society, and The Truman Show; and Green Card, most certainly, is another of his films about people who don't quite fit in their environment or in the world of their aspirations but are drawn into finding life where probably they were not looking for. The scene about finding the bathroom is both hilarious and very suspenseful. It's funny how in a house, or even in a small apartment, we're never quite sure where the bathroom is. Our first instinct is to ask, even though it probably wouldn't be a difficult move to find that on our own. Now imagine having to deal with that bathroom situation (something you only care about when you need it) pretending that the place where you're in is your house. It's almost like in those nightmares where there are so many doors but which one is the one that will take you to that next level you so much need but have not the slightest idea of what it might really be? I guess the metaphor here is that you keep on opening a chain of wrong doors until you find the right one for you. It's frustrating, but the door was always there, always, with the exception that you never noticed it. Just like in everyday life, love and spirituality might flash into your face as banal sight at first, but they're made of hopes and fears that are always bigger than us, unexplainable, maybe fate. We don't have control of it (the Greeks knew it), we're still the same but again we're not. And here we are, groping, surviving. How do you relate to people and to your present circumstances -- whatever they might be --that is what Green Card is about.