La Baule-les-Pins
- 1990
- Tous publics
- 1h 50m
IMDb RATING
6.2/10
994
YOUR RATING
The July 1958 vacation, on a beach on the Atlantic coast. Little Sophie, 8 years old, and her big sister Frédérique suffer from the bad understanding between their parents, presenting the dr... Read allThe July 1958 vacation, on a beach on the Atlantic coast. Little Sophie, 8 years old, and her big sister Frédérique suffer from the bad understanding between their parents, presenting the drama of divorce which will not fail to occur.The July 1958 vacation, on a beach on the Atlantic coast. Little Sophie, 8 years old, and her big sister Frédérique suffer from the bad understanding between their parents, presenting the drama of divorce which will not fail to occur.
Zabou Breitman
- Bella Mandel
- (as Zabou)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
At first, I thought this was a sequel to Entre Nous. Many of the same people who made one film made another, they are supposedly written by and about the same people and the character names are repeated. However, those playing the roles are NOT the same (although Jean-Pierre Bacri stars in BOTH films but plays totally different roles). Because of this, some viewers might be VERY disappointed. It reminded me of the movie A Christmas Story. There was a little-known sequel named Ollie Hopnoodle's Haven of Bliss that had NONE of the original characters or charm--and because of this it was soon forgotten. Now the only difference I see is that both these French films are about equally good. Apart from the many differences mentioned above, this film doesn't seem to have a negative view of men (in Entre Nous, the male leads were all Neanderthals), but portrays the mother in the story as a self-absorbed woman whose kids seemed to be an afterthought--her new boy-toy was about 90% of her focus. Because of this, individuals who watch this film AND have issues with a neglecting mother should think twice before watching--you MAY find this film kicks up a lot of feelings.
(1990) C'est La Vie/ La Baule-les-Pins
(In French with English subtitles)
DRAMA/ COMEDY
Co-produced, co-written and directed by Diane Kurys that has young girl turning 13, feeling the effects of her parents divorce while going on a beach vacation! While she narrates some of the story, her parents side of things are also shown at the same time, in a non-resolution kind of way! After my second viewing, since the first time I saw this flick, I was only a little kid and was interested in watching 'foreign films', except that it didn't appeal to me as much as right now. Written and directed by Diane Kurys that sometimes appear to be sort of an autobiography of her own life.
Co-produced, co-written and directed by Diane Kurys that has young girl turning 13, feeling the effects of her parents divorce while going on a beach vacation! While she narrates some of the story, her parents side of things are also shown at the same time, in a non-resolution kind of way! After my second viewing, since the first time I saw this flick, I was only a little kid and was interested in watching 'foreign films', except that it didn't appeal to me as much as right now. Written and directed by Diane Kurys that sometimes appear to be sort of an autobiography of her own life.
I have seen this movie on the German TV yesterday with the title: "A summer at the sea" and I was deeply impressed.
Despite that it was produced in 1990, the theme is more up-to-date than ever. Excellent actors of all ages performed very well indeed, a great story, some romantic spots and lovely music will make you thinking about the relationship of children to their parents, their pain and childish emotions which often get hurt.
This story could happen today, next month or the following year, next door of you or at any other location or country. So you will get nothing NEW out of that movie but the sad reality of daily life in the eyes of children whose parents can't behave.
I only can highly recommend this movie - buy the DVD and you will enjoy it definitively more than just one time.
Despite that it was produced in 1990, the theme is more up-to-date than ever. Excellent actors of all ages performed very well indeed, a great story, some romantic spots and lovely music will make you thinking about the relationship of children to their parents, their pain and childish emotions which often get hurt.
This story could happen today, next month or the following year, next door of you or at any other location or country. So you will get nothing NEW out of that movie but the sad reality of daily life in the eyes of children whose parents can't behave.
I only can highly recommend this movie - buy the DVD and you will enjoy it definitively more than just one time.
The is a very typically French slice of late Fifties middle-class life as seen during summer at the seaside when the parents' marriage is breaking up. The looks, the behavior, the attitudes could only be French. In that sense the film has a certain fascination and, hopefully, period accuracy (it's set in 1958).
The subtext is that for a young teenage girl in a sociable world, with a sister and brothers and a pleasant uncle and aunt and an annoying nanny and a young boy interested in kissing her and a close relationship with the imaginary addressee of her daily diary, her parents' disintegrating marriage is by no means the only thing going on in her world--especially given the fact that she's at a summer resort in a rented house and the mother is often away and the father is almost always away. There is a lot going on, most notably the changes in herself. This is probably the film's and Kurys' real subject--only it's a difficult one to put across and she doesn't quite succeed. Ultimtely too much is nonetheless going on, and it is all given too similar weight. Kurys, perhaps in her effort to balance autobiography with history and sociology, winds up making neither the adult nor the children's point of view strong enough. Lindon, Bruni-Tedeschi, Bacri, Berry, and Baye have been in better films. However, they're interesting actors, and the child actors are equally fine. This is not as bad or as great as some have suggested. It's very watchable, but it doesn't really go anywhere.Not a disaster, and a sincere effort, but not successful storytelling and not finally a very memorable experience.
The subtext is that for a young teenage girl in a sociable world, with a sister and brothers and a pleasant uncle and aunt and an annoying nanny and a young boy interested in kissing her and a close relationship with the imaginary addressee of her daily diary, her parents' disintegrating marriage is by no means the only thing going on in her world--especially given the fact that she's at a summer resort in a rented house and the mother is often away and the father is almost always away. There is a lot going on, most notably the changes in herself. This is probably the film's and Kurys' real subject--only it's a difficult one to put across and she doesn't quite succeed. Ultimtely too much is nonetheless going on, and it is all given too similar weight. Kurys, perhaps in her effort to balance autobiography with history and sociology, winds up making neither the adult nor the children's point of view strong enough. Lindon, Bruni-Tedeschi, Bacri, Berry, and Baye have been in better films. However, they're interesting actors, and the child actors are equally fine. This is not as bad or as great as some have suggested. It's very watchable, but it doesn't really go anywhere.Not a disaster, and a sincere effort, but not successful storytelling and not finally a very memorable experience.
The only good part is the perspective of the kids. Diane Kurys.has an eye for cinematography, and mostly kids.
For the rest, she better directed some TV-series or alike. She knows the business, though this movie looks wooden, lacks depth. Rather on the shallow side, early evening before prime time.
This movie looks like being done by some good handy-man; and yet not really artistically.
The narration of a summer vacation of two children, whose mother has decided to leave her husband, and instead mingle with a much younger artist. This relationship lacks any visible chemistry, except that both seem to have been cast.
There's a bit of overdone comedy by the landlord. The to-be-left husband, though played pretty well, doesn't get to develop this role. When the little one leaps into his arms, it is plainly visible that she does because she was told to.
The good, and likewise sad, part is the display of the interacting among the children, their difficulties in coping with the situation, their personal development while the separation of the couple develops further, and becomes more and more obvious.
For the rest, she better directed some TV-series or alike. She knows the business, though this movie looks wooden, lacks depth. Rather on the shallow side, early evening before prime time.
This movie looks like being done by some good handy-man; and yet not really artistically.
The narration of a summer vacation of two children, whose mother has decided to leave her husband, and instead mingle with a much younger artist. This relationship lacks any visible chemistry, except that both seem to have been cast.
There's a bit of overdone comedy by the landlord. The to-be-left husband, though played pretty well, doesn't get to develop this role. When the little one leaps into his arms, it is plainly visible that she does because she was told to.
The good, and likewise sad, part is the display of the interacting among the children, their difficulties in coping with the situation, their personal development while the separation of the couple develops further, and becomes more and more obvious.
Did you know
- TriviaOne scene concerned director Diane Kurys. Two 8-year-olds, a boy and a girl, are playing on a beach: The game is doctor. 'May I tickle you?' the boy asks. The answer is no. He asks again. She agrees, reluctantly. He turns her on her back, unties the strap of her bathing suit and gently massages her. "The kids weren't scared; I was the one who was a wreck because I wanted to get it right," Kurys explained. "I didn't want to hurt them and I wanted them to understand we weren't voyeurs. The girl asked me, 'I don't have to be naked?' That was the only concern for her."
- How long is C'est la vie?Powered by Alexa
Details
Box office
- Gross US & Canada
- $805,472
- Opening weekend US & Canada
- $18,749
- Nov 4, 1990
- Gross worldwide
- $3,326,168
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content