Le syndicat du crime 3

Tsui Hark directed this sequel (1989) to John Woo's classic heroic bloodshed films Better Tomorrow 1 and 2 made couple of years earlier, and this third installment is more a prequel than sequel. It concentrates on what happened before the first two films and has more drama than action in it. Chow Yun Fat is again Mark Gor who is in Vietnam and meets there his cousin Mun (Leslie Cheung) who is just released from prison when Mark arrives in Vietnam. They meet mysterious female assassin Kit (the beautiful sweetheart Anita Mui) and both of the men are attracted by Kit. The film concentrates pretty much on the war infested Saigon and the hell that's free in there, so there isn't any particular plot in the film, but that doesn't mean it's not interesting.

I think there's couple of strong scenes of social criticism, mostly the horrific "customs scene" at the airport when Mark, Mun, Kit and Mun's father try to travel away from the country and are abused by the corrupted custom officers. Also the scene at the hospital is very harrowing and is there to underline righteously the state of the world of that time, and unfortunately there are even today places with same kind of circumstances in our world. Fortunately Tsui's attitude isn't this time as underlining as in his Once Upon a Time in China (1991), and Tomorrow 3 is therefore perhaps more noteworthy film as commenting society.

The visuals are also brilliant as can be expected from this director. There are great use of blue smoke again and the gun fights are incredibly beautifully shot and are more effective than any gun fight in some Western effort. The slow motion death scene of one important character in the film's finale is perhaps among the most beautiful "heroic death scenes" I've seen and it is finished very carefully and thus it has such a power. After that scene everyone should know what this name "heroic bloodshed" for this genre means and what makes it so unique. The end is very sad, too, but as we know how Mark ends up in his subsequent adventures, it gives some positivism for the sad ending of this third film. The ending is little irritating due to it's prolonged gun battles and fire power, and I think it should have stopped little earlier in order to be more effective finale for the otherwise pretty great film.

Better Tomorrow 3 is not as great and interesting as Woo's films, but still this is much more than average effort from Hollywood, and due to Tomorrow 3's great look and visuals, I give this gladly 8/10 rating and think this is among the greatest films Tsui Hark has directed himself. He has produced perhaps as many films as he has actually directed and many have said he is better producer than director, but this film shows that he really knows how to direct noteworthy films, too.

Though people have been saying how much of a disappointment this prequel is, I watched it anyways, being a fan of the first two movies. And to be fair, it wasn't a bad experience at all.

I can see how people would be frustrated going in expecting more of the same and getting an action/drama movie instead, but I was told that it was less action and more romance beforehand. So I was prepared to take it for what it is worth. Which is an above average movie overall.

The Good: Chow Yun Fat returns to his character from the first film, which is great. Imagine the movie without him. Can you? Anita Mui plays her part very well and at times you really believe that she is upset or frustrated. The storyline is decent, and done pretty well. No, there are no scenes like the finale of A Better Tomorrow 2, but come on, did you really expect that kind of scene again? The ending of A Better Tomorrow 2 is so spectacular, can you blame the prequel for not trying to top it and go elsewhere instead? The chemistry between Chow Yun Fat's Mark and Anita Mui's Kit is great, especially with Kit. The viewer really feels for her. Great job.

The not so good: Many people accuse John Woo's films of totally ignoring women. But when it comes to A Better Tomorrow, many people criticize part three for placing a woman in the mix. It's supposed to be a story of brotherhood and friendship. In a way I agree. There should be more women representation is some of John Woo's work, but with this series, many fans prefer a team of friends, guys, more specifically Ho, Mark, and Kit from the first in the series. I would rather have had part three be a true sequel picking up where the second left off [with Ho and Mark's brother Ken (also played by Fat)] and tell about there struggles and how they are getting over the events of the last movie. Then you can put Anita Mui in the storyline somewhere and have her help them out in some way.

Overall, A Better Tomorrow 3 is pretty good. Not much like the first two, but an alternative that strays from the formula and may be accpted by some, and not by others.

A Better Tomorrow III:Love and death in Saigon (1989) is an underrated masterpiece. The film takes place during the final days of the Vietnam War. Mark Go (Yun-Fat Chow) and his friend (Tony Leung Ka-Fai) are in South Vietnam on a business trip and also to meet Leung's father. The two have a rough time getting into the country until they meet a mysterious gangster's moll (Anita Mui). Awhile later, the three form an unusual friendship. Mark Go learns a lot from Ms. Mui as she teaches him how to survive in a brutal environment.

A great film from the ever reliable Tsui Hark. What I like about his films is that he always has strong female characters. Anita Mui is simply wonderful in this movie. She also shows her vulnerable side (she's not always hard as steel). Mark grows up quick in war torn Saigon. Tony Leung Ka-Fai is good as well (serious for a change instead of playing his usual goofy gigolo persona). The action scenes are staged very well (they don't dominate the film). And what's a film starring Anita Mui without those skinny jokes (yes, a movie with Anita is not complete without a couple of skinny jokes at her expense. The movie was knocked in many ways because it's so different than the first two. I say,"So what!" The film is an essential action film from the master Tsui Hark.

Highly recommended.

Anita Mui also performs the songs in the film. Especially the haunting theme song heard in the middle and during the end credits of the film. A fitting song in so many ways.

This isn't A Better Tomorrow. It's a love story. A cliched love story at that. The love story was just as confusing as their one-handed machine gun wielding spraying, missing all of their targets (yet somehow still landing) .. Action plot was a mess, whoever gave Hark Tsui a go on this movie instead of John Woo should be fined .

The main actress was gorgeous though , with that - 5/10

A lot of people tend to think this movie is inferior to the first 2 ABT's. If you are one of these people, keep in mind that its pretty much due to the story. I think the direction and acting wasn't bad at all. Like many prequel/sequels, it suffers from hype and expectations. If its made exactly like the previous movies, then we have a rehash. If it goes in a different direction (like in this case) it runs the risk of alienating a lot of loyal fans.

Not sure how many of you knew the storyline prior to watching the film. I was at least privy to the plot summary before watching it in the theaters way back when. So I at least knew it took place in the 70s in Vietnam. Right there and then, I knew it would be very different from the first 2 films. War-torn Vietnam of the 70s would hardly be the kind of place where you find our heroes riding around in Rolls Royce's, making high stake deals in fancy hotels or mansions, wearing Fracescetti suits, etc. A lot of the "cool" element of the original is due to Chow of course, but settings and atmosphere had something to do with it as well. And Vietnam is not the kind of setting we're previously used to.

What the film does show, is probably a more realistic side of smuggling and counterfeitting. You make your deals at night in dark alley ways, your clothes are cars are are much less flashy (to avoid attracting attention to yourself). And of course, Mark hasn't acquired his cool persona yet, so we're missing that important element throughout most of the film.

In short, much of what we see is not entirely unexpected if you took the time to read the synopsis on the video box. Because the movie takes place at the time and place it did, I'd say the crew did an OK job.

As a prequel to ABT, I am a bit surprise at the choice of location if not the time. I remember a scene in the original ABT where Mark talks about the "old days" of making counterfeit deals with Ho in Indoesia!! That was suppose to be 12 years ago according to movie dialog, which would place us in the early 70s as well. So the movie would've been more continuous if we had Mark working for the H.K. crime organization already, and making drops in Indonesia (with or without Ho, depending on whether they can get Ti Lung back for the role). I also think it might have been more interesting this way. Anita can still play Mark's love interest, and much of the current ABT3 storyline can be incorporated; as long as Mark isn't so goofy and inexperienced.