IMDb RATING
6.8/10
1.9K
YOUR RATING
A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.
- Nominated for 1 BAFTA Award
- 1 nomination total
Tadie Tuene
- Otou
- (as Denis Tadie Tuene)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There's nothing wrong with a movie that doesn't attempt to be deep and meaningful. Sometimes, you just want a nice "pick-me-up" to brighten your day. This movie doesn't exactly bring rainbows to your life, but it's not a waste of time either. I don't see the point in trying to bring up a deep-rooted psychological undertone when in fact, the movie is less racist for it's frank and casual attitude about the subject as pertains to the two characters. When He says "why?" to Her, She replies "because you're white, you're selfish, you're ..." and goes on to list a host of personal traits that the man definitely carries. Being White is one of his problems but her characterization of him BEYOND that one fact illuminates her view that his race is only a problem because he embodies all the negative aspects of that. Yes, she's a "lowly" but the fact is that that's reality - many minorities are stuck in low-end jobs living on the "lesser" end of life. The unfairness of this situation is mildly underscored in this movie - she is obviously intelligent, wise and kind. Because she is black, this somehow means that the idea of her entanglement with him is racist? I enjoyed the fact that this movie added race (or allowed to, perhaps the original script didn't include that aspect) to the mix to further dichotomize their differences. The point is that their differences aren't as wide as it seems; she extols his flaws and makes a conscious decision to change those flaws. What could be sweeter than watching a man make himself over for the love of a good woman?
I say anyone who thinks this story has racist elements either missed the point of the movie or they think minorities should never be portrayed as they are globally: trapped in low-end jobs, struggling to live decently and often clashing with the well-to-do who understand nothing of what it's like to live so "miserably". If you think adding a dash of reality in a movie is racist, then you're living in a dream world. I found this movie to be entirely believable mostly because IF such a thing were going to happen in real life, THIS is how it would most likely go down: subtly, spasticly, awkwardly and romantically.
There's nothing wrong with a nice romance movie now and then. All movies don't have to change your life.
I say anyone who thinks this story has racist elements either missed the point of the movie or they think minorities should never be portrayed as they are globally: trapped in low-end jobs, struggling to live decently and often clashing with the well-to-do who understand nothing of what it's like to live so "miserably". If you think adding a dash of reality in a movie is racist, then you're living in a dream world. I found this movie to be entirely believable mostly because IF such a thing were going to happen in real life, THIS is how it would most likely go down: subtly, spasticly, awkwardly and romantically.
There's nothing wrong with a nice romance movie now and then. All movies don't have to change your life.
A more or less typical form of numbskull Hollywood osmosis was responsible for the change of title for this charming French interracial romance when it crossed the Atlantic, from the perfectly adequate 'Romuald and Juliette' (shades of Shakespeare), which at least identifies the two unlikely lovers. Romuald is an aggressive yogurt tycoon who works in the executive suite of a Paris skyscraper; Juliette is the black cleaning woman who empties his garbage overnight, and when she learns of an insider trading and sabotage scheme the two become allies and (inevitably) lovers. There's nothing deep or significant here, but the script is both sensitive and, at times, even clever, and (surprisingly) never loses sight of the obvious social/racial/economic gaps dividing its two protagonists. But to say it ends happily-ever-after is an understatement: the resolution is too incredibly upbeat. And does it seem odd that a French film should have to justify their affair by showing Romuald's wife also fooling around?
This is a very sweet film. While it has its humorous moments, I wouldn't really bill it as a comedy, but perhaps it's funnier if you're French. But I really loved the characters and the story. Firmine Richard is a real beauty (I'm going to look up more of her films), and I too fell in love with Juliette. I saw "Le Placard" last week, which was my first exposure to Daniel Auteuil; I didn't know he was in this film until I started watching it. There are a lot of great French actors that Americans are too unaware of. Expand your horizons folks -- watch foreign films. There are some real gems out there. Go to your library and check out a few.
Now, this 10-line-minimum rule is really starting to get annoying. I think my comment above is quite adequate, but the system still won't allow me to submit it. You folks really need to change that.
Now, this 10-line-minimum rule is really starting to get annoying. I think my comment above is quite adequate, but the system still won't allow me to submit it. You folks really need to change that.
This movie is a hard-to-find gem! It is the story of Juliette, a perfectly ordinary cleaning woman who works in the large corporate office of a yogurt company, and Romuald, the president of same. He takes no notice of her, he takes no notice of anyone until several plots to wrest his company away from him all hit at the same time. He is lost, no one to turn to and no one to trust when he discovers Juliette. As the cleaning woman, no one pays any attention to her, so they say and do incriminating things in front of her that she is smart enough to catch on to and use to help her helpless and hapless boss. The complications are wild, she is not so ordinary as she seems with five children from five different ex-husbands who are all still madly in love with her, and he is not so shrewd as he thinks he is. This movie doesn't follow a predictable path and that's what keeps you watching. The acting is superb and there are some very moving moments along the way as well. The working class displays more savvy than those above them, almost in the same way "Gosford Park" showed the upper crust is not all it's cracked up to be mentally. I recommend this movie very much. See it! 9/10
10Rach-13
Romuald et Juliette is one of those French romantic comedies where they seem to break all the rules, rather like Trop Belle Pour Toi. The gorgeous Daniel Auteuil learns about true loyalty and love when his life threatens to crash around his ears. The film isn't a preachy morality tale, but a wonderful story that will keep you hooked until the last. Firmine Richard (as Juliette) is a heroine that women will cheer - her laughter is my abiding memory of this warm and witty film. The down-to-earth way she has of including all her children by their different fathers - particularly the birthdays - gives the film an edge that lifts it above your average romantic comedy. But its always the French that seem to show us how effortless this all is!
Did you know
- TriviaWas the first movie of Firmine Richard
Details
- Release date
- Country of origin
- Language
- Also known as
- Mama, There's a Man in Your Bed
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $495,063
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.85 : 1
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