Un flic à Chicago

My review was written in October 1989 after a screening in Manhattan's Chelsea neighborhood.

John Irvin's atmospheric direction lifts the Patrick Swayze cop vehicle "Next of Kin" from routine programmer to sleeper status. Unfortunately, Warners' no-press-screenings play is indicative of this intriguing B+ picture getting the heave-ho in the marketplace.

Pic is of historical interest as the final film to go into production (August 1988) at Lorimar, while theindie was being swallowed by Warner Communications.

Interesting wrinkle in Michaei Jenning's screenplay (based on a script by Jenning and pic's associate producer, Jeb Stuart) is a mixing and matching of two ethnic strains of the vendetta: backwoods Appalachian version and revenge Sicilian-style.

These plot threads ar4e set in motion when Bill Paxton, a Kentucky boy from the hills now working in Chicago, is ruthlessly murdered by mafia enforcer Adam Baldwin as part of a strong-arm move in the vending machines racket. Paxton's older brother, Patrick Swayze, is a Chicago cop determined to find the killer.

Interfering with Swayze's efforts is the old-fashioned "eye for an eye" vengeance demanded by eldest brother Liam Neson. Picture climaxes with an elaborate war ina Chicago cemetery between Baldwin's mafioso and Neesons Kentucky kin, matching automatic weaponry with primitive (but reliable crossbows, hatchets, snakes and knives. Treachery on the Cosa Nostra side brings out a parallel "next of kin" subplot that concludes the film effectively.

Director Irvin's technical skill and Steven Poster's muted-color photgraphy bring out th4e flavor of both Kentucky and Chicago locations, with consistent tongue-in-cheek eleents (and ouright comic relief by the delightful Michael J. Pollard) balancing the film noir mood.

Swayze is solid as the mixed-motives hero, and inspired casting teams him with Irish thesp Neeson, most convincing as a tghrowback whose fish-ou-of-water misadventures in Chicago are a treat. Cast against type, Baldwin, the hulking youngster, familiar from "My Bodyguard", builds a fascinating portrait of evil lurking behind the innocent face. Supporting cast is convincing and physicaly perfect.

This film is a very average 80's action/thriller. There really isn't a lot of action until the end, but I can't imagine it being categorized as anything else because the plot was so transparent and shallow that it couldn't be considered a drama or anything. This one has it all: Cheesy lines, the aforementioned bad plot, horrid and forced acting and really bad special effects.

The movie's upside, which most people already pointed out, is the cast. What were these people thinking when they agreed to be in this stinker? There's tons of big names in this film from when they were very young. Ben Stiller as a mobster, Liam Neeson as a 'hillbilly', Helen Hunt as the girlfriend...Adam Baldwin, Bill Paxton, and obviously Patrick Swayze. Speaking of Swayze, it's movies like this that really stopped his career from going from 15 minutes of fame to possibly 15 or more YEARS of fame.

Bad accents, forced acting, out of place casting and everything else mentioned above made this movie a below average film even for its time. Unless you're a Swayze nut, stay away from this movie.

I have lived in Chicago all my long life, and I really appreciated the authenticity of the location scenes. The area around Wilson and Broadway is exactly where the "hillbillies" (forgive the term), especially the single men, generally migrate. The characters in the flophouse and bars must have been taken right from the street. The "project" was recognizably Cabrini-Green, and Truman and Jesse's restored three-story house could almost be pinpointed to Lincoln Park (except that the "bad guys", and Truman, would never have found such open parking - they'd still be circling the block).

The cemetery where the final showdown occurred is Graceland on Clark Street, as everyone who has toured or visited this landmark would know. It was an agony to watch these historic monuments being blown to bits - I had to keep chanting "it's only a movie, it's only a movie".

But the readiness of the Kentucky family to jump into the fray was very real. That wonderful scene of the pickup truck on its northbound trek up Lake Shore Drive has its counterpart in everyday life, so I've been told.

Liam Neeson is a revelation. It's hard to believe that the same actor who plays to perfection this tight lipped, lean and mean mountain man, will later be nominated for an Oscar for his heart-rending portrayal of a sophisticated German industrialist.

Truman Gates may be my favorite Patrick Swayze character. There's plenty of blood-and-guts action, but it's easy to believe that a concert violinist would fall madly in love with this exciting, unusual cop. Helen Hunt, as his wife, and Michael J. Pollard as a benighted flophouse manager, are excellent in their roles.

See this movie for a good story, authentic characterizations, and non-stop interest.

Hillbilly-turned-Chicago cop Patrick Swayze sets out to find his brother Bill Paxton's killer. His other brother Liam Neeson comes to the city to find the killer himself -- hillbilly style! It's hillbillies vs mobsters on the streets (and a cemetery) of Chi-town. I'm sure whoever did the casting on this movie had a brief career. I can buy Swayze and Paxton as hillbillies but Neeson? Also, Ben Stiller as a Sicilian mobster?

Swayze is a citified hillbilly. We know they've civilized him because he pulls his mullet back into a fashionable ponytail. Neeson is not civilized. We know this because he wears a dirty baseball cap at all times, even when he has on a suit. Helen Hunt is Swayze's city wife. She plays the violin, which Swayze's hillbilly kin refer to as the fiddle. Rest assured, this movie never misses a chance to traffic in clichés.

The action is so-so and the performances are about what you would expect. Swayze takes his part very seriously. Adam Baldwin seems to know the score and hams it up appropriately as the villain. There are many quotable lines, which is the mark of a good cheesy action movie. It's not at the top of my list of great '80s actioners but it's worth checking out anyway.

Worth watching as both a vigilante movie and as a meditation on the meaning of family, this movie surprised me with the level of it's performances. Liam Neeson contributed his usual fine job, as did a nicely creepy David Baldwin, and a nice mob boss performance by Andreas Katsulas (better known as the One Armed Man from the Harrison Ford movie of "The Fugitive"). Good little wussy role by Ben Stiller; nice supporting job by Helen Hunt. Patrick Swayze does a good dependable job in this movie, but is outshone by the finely understated performances of the men playing his relatives from backwoods Kentucky. Great use of Chicago locations, though the "L" trains running past my house don't appear to have the conveniently flat roofs to jump on. (Alright, a minor quibble). All in all, quite worth watching.