When the New York City police disrupt a big cocaine deal, the TV news reporters find John Falcone, a local mobster, nearby. They ask some tough questions, and Falcone decides he needs a publ... Read allWhen the New York City police disrupt a big cocaine deal, the TV news reporters find John Falcone, a local mobster, nearby. They ask some tough questions, and Falcone decides he needs a public relations man to help burnish his image. He hires Todd Barrett, and he keeps Barrett in... Read allWhen the New York City police disrupt a big cocaine deal, the TV news reporters find John Falcone, a local mobster, nearby. They ask some tough questions, and Falcone decides he needs a public relations man to help burnish his image. He hires Todd Barrett, and he keeps Barrett in line with generous helpings of cocaine. Meanwhile, Falcone's unorthodox, violent, and sad... Read all
- Director
- Writers
- Stars
- Hector
- (as John Rano)
- Juan Pendejo
- (as Oliver Daniels)
- Martin Spostein
- (as Sven Nuvo)
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- Writers
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Featured reviews
The plot seems to involve an upstart drug-lord/New York mafia dude/pasty white business man (David Henry Keller) who's looking to take over the crack cocaine market, and starts taking out his competitors. At the same time he decides the media is paying too much attention to his illicit goings-on, and hires a flack with bad facial hair (Johnny Stumper) to clean up his image. La Motta is the flick's only redeeming trait as the disapproving "Godfather" of New York.
There is so much to this movie that is awful, from the sheer brutality and stupidity of the characters to the script in which people keep screaming about respect, to some fat mobster who keeps cackling in the background that I can recall no movie which approaches this in its stupidity. Even the works of Ed Wood is suffused with good intentions. I suppose there is some purpose to this movie: if you want some one to never speak to you again, recommend this movie.
The mob figures were believable.
Especially good was the main bodyguard of the Jake LaMotta character.
The patter of the mob people also rang true.
And the choice of locations was believable.
For example, the crummy furniture district where the head man's "office" was located.
For those here who complain about the number of shots the pr man turned mob fighter missed, remember all the cocaine he took in the course of the movie. That doesn't help your aim.
The movie was filled with totally believable patter from the crime characters.
Did you know
- TriviaFor some reason, at some point after the film's 1989 video release, the film became regarded as public domain in America. Floods of inferior-quality releases have been floating around the market, usually sourced from either the original Forum Home Video VHS or a lower quality source.
- GoofsObvious stunt double during a crash scene in film's climax.
- ConnectionsEdited into Absolute Aggression (1996)