L'homme homard venu de Mars

A film within a film; a producer needing a tax write-off agrees to screen and buy the rights to a student film called LOBSTER MAN FROM MARS. Most the of the film spent viewing the film which about an alien lobster man wrecking havoc on Earth. The producer finds the film so shoddy that he agrees to buy it in order to lose money so he doesn't owe the IRS so much money. The film is obviously inspired by the producers. The film is loaded with many jokes that only buffs of horror and science fiction films would get. For example: the colonel is named "Ankrum", after Morris Ankrum who played military men and other authority figures in dozens of 1950's science fiction and horror films. The film is loaded with gags like these that most viewers probably would not get. I would mention any more as I would not want to spoil it for people who are in the know.

First of all, I understand what parody is, and I realize that this movie is supposed to be bad, as it's poking fun of bad 1950s science fiction movies. My rating is not based on the acting, special effects, or dialogue, which, as I said, are meant to be bad. Unfortunately, I just didn't think this was particularly funny! For one thing, the whole film-in-a-film conceit seemed to be weakly developed. I wasn't quite sure why they even bothered doing this, except to highlight that the movie isn't meant to be taken seriously. However, if you have to explicitly tell people that your movie is a parody, maybe you're not doing it right. Or you're underestimating your audience (and thus insulting their intelligence).

Anyway, I thought it was somewhat amusing, and I dutifully recognized each of the pop culture references, but, really, it just wasn't all that funny. Something like Killer Klowns From Outer Space makes me laugh hysterically every time I watch it, but this.... not so much. Chalk it up to personal taste, I guess.

Again, I've been rather let down by Anthony Hickox, after really liking Waxwork and Waxwork II. I just don't think I've ever really liked anything else he's done since then.

Well, I wasn't really expecting to be wowed by this movie, but it turned out to be the funniest movie I've seen in a long time. I rented it mainly because of the title. After all, who doesn't want to see a movie named "Lobster Man from Mars"? I settled down with some friends and chocolate, and had the most laugh out loud night.

This movie is filled with ridiculous moments, akin to the old fifties Scifi movies, complete with a badly costumed lobster who's face keeps changing between scenes. The acting isn't that good, but then again, it really isn't meant to be. This is the perfect movie to watch when you want to have a good time, and if you're full of too much energy.

Voracious flesh eaters from Mars invade the Earth! A very funny bad movie made for the cost of coffee and donuts on any of today's blockbuster epics. The film's star Tony Curtis puts this picture right up there with "Some Like It Hot" and "Spartacus" - he says so right there on the DVD edition this movie.

If you are a fan of trashy science fiction, you will most certainly enjoy this humorous spoof of such classics as "Invaders from Mars", "Night of the Ghouls" and "Teenagers from Outer Space".

It can all be summed up in this typical line of dialogue spoken by Professor Plocostomos (Patrick Macnee)... "If you were a Lobster Man, would you enter a haunted house surrounded by artillery?"

Well, would you?

It took two weeks to write and ten years to finish. In 1977 writer Bob Greenberg and I were offered $50,000 to make a science fiction movie. We thought that instead of trying to hide the low budget, we would make it a central theme using the gimmick of a film-within-a-film.

Such was the genesis of Lobster Man From Mars. We wrote the screenplay in two weeks, but the money to shoot the movie never appeared. The project was set aside until the tragic demise of Bob Greenberg in an auto accident. I was determined to get Bob's name on the screen as a writer, and thanks to the efforts of producer Steven Greene, this became a reality.

Production began during the summer of 1988 --- a mere 10 years after writing the screenplay --- and culminated with the world premiere at the Sundance Film Festival six months later. The version shown at the festival was a 95 minute "first cut", later revised to 81 minutes, then released to theaters, television and home video in the shorter format.

The special director's edition DVD is one that has never been seen by the public, having only existed on a computer editing program! I've taken some of the better moments from the long version and have integrated them with the shorter version. And now, thanks to the modern miracle of computer editing, I've added new low-tech, even cheaper looking special effects, never before possible. Once again, the Lobster Man lives!