IMDb RATING
6.0/10
2.8K
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Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.
Juan Fernández
- Harvey Torena
- (as Juan Fernandez)
Sam J. Jones
- Jimmy
- (as Sam Jones)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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One might think that this is by far inferior to Heat, the second attempt Mann got at this story, with a larger budget, longer running time and better(and definitely more well-known) actors. Comparisons are impossible to avoid, due to how well-known, popular, and, frankly, excellent the latter of these versions is. And yes, it is greater than this; Michael learned from his experiences making this one, and having watched one of these doesn't mean that it's a waste of time to pursue the other one, no, quite the opposite. And this isn't anywhere near as poor as could be feared or maybe even expected. The performances are nicely done, in a lot of the cases. The male leads do well, and are good casting choices, and that extends beyond those two. Yes, you can tell that this was produced for TV, but it's not as bad as with other movies of that type. The action is pretty decent. This gets some of the drama, and does actually develop characters on both sides of the law. The cinematography and editing are well-done. Pacing is fair. This is only 90 minutes, so about half of what the '95 effort is, and thus can't manage the same level of complexity. Meanwhile, it does well with what it's got. The DVD has biographies and a trailer. I recommend this to anyone who has or is considering watching the famed remake of this. 6/10
It is great to see a low budget version of a great film. Michael Mann's 1995 masterpiece Heat was actually conceived way back in the 80s by the director Michael Mann. He decided to make it then with the limited budget he had. The scenes and even dialogues are verbatim but it is great to see what a bigger budget can get- from better thespians of the class of Pacino and Deniro to some amazing locations. This is a good film for film students to sit and analyze.
This movie is basically the same movie as HEAT. To say that this movie is garbage and that HEAT is a masterpiece is plain stupid, but that's almost how the IMDB users voted. Last time I checked this movie had an average rating of 5.7 while HEAT had 7.8. Anyway I don't need any Pacino or De Niro to recognize a good movie. HEAT might be a little better but it's not THAT much better. Had I seen this movie first I don't know if I had bothered seing HEAT, but sadly the big remakes get all the attention. Soon the remake of another excellent movie "manhunter" will come up in the theatres, and it will probably make people forget about how good the original is and if there are people that still haven't seen it, they will only see the remake. I don't think you should do remakes of movies that are less than 20 or 30 years old. I think I'm against almost any remake. If the original is good then why do a remake? and if it's bad well even less reason to do it...Anyway both movies are good and I like them both even if I don't like the remake phenomenon.
Ok so standalone you may be underwhelmed by this flick but considering it's a low budget quick turnaround straight to TV movie that's basically an extended pilot for a never made series then it is it's a huge cut above the normal. You can see how Mann took The Thief to an idea for a Miami Vice style TV show that subsequently got mashed into a TV movie and from there you can see how Heat then developed from there in line with his career - it's fascinating. It's like when they find paintings under the paintings of art masterpieces - this was the blueprint. Although Mann's usual blue palette is ironically absent. So much of the script and set pieces are the same, it's incredible to watch this and then Heat immediately after, it's like having an aparetif. Standalone it's a 3 out of 10. As part of a development, a sketch, a chance to see effectively a rough cut of a masterpiece then it's a 10. Acting is very poor in parts, I like what he later added to the themes and characters in Heat when he had the budget. It largely doesn't feel like a Mann movie to be honest, so much of his usual trademarking is missing but of course he nailed it with the remake and that was such a Mann film. All I can say is this is the perfect film to watch before Heat, it won't spoil it, it will enhance it tremendously. You can see how smart Mann was in taking all the things that were right with this - from character names to certain scenes done better/bigger to weaving in huge character arcs to otherwise lesser or even absent characters. Score was mostly terrible but even some of that is faintly recognisable in Heat as he simply developed it (shootout scene for example). Basically it's the sketch of the work of art so you get what you pay for. Michaels character by the way was probably the stand out in this film.
This is the original version of what we now know as the modern classic Heat. If you watch LA Takedown and Heat, you will see many of the scenes paralleled. LA Takedown is not a great movie, but it does make an interesting companion to its superior counterpart. Worth watching for this reason alone.
Did you know
- TriviaHeat (1995) had 6 months of pre-production, and a 117 day shooting schedule. L.A. Takedown (1989) had 10 days of pre-production, and a 19 day shooting schedule. Michael Mann said that comparing one film to the other is like comparing "freeze dried coffee" to "Jamaican Blue Mountain".
- GoofsIn the exterior, after the bar scene when Hanna is following Lillian on the sidewalk, the boom mic shadow is frequently seen chasing above/behind the quarreling actors.
- Quotes
Detective Arriaga: [into phone/greeting] Raymond, you "Degenerate". Goodmorning.
Detective Arriaga: [louder] Raymond, wakeup!
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