A Chicago policeman (Fred Williamson) hunts his partner's killer and catches on to a cover-up.A Chicago policeman (Fred Williamson) hunts his partner's killer and catches on to a cover-up.A Chicago policeman (Fred Williamson) hunts his partner's killer and catches on to a cover-up.
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The Kill Reflex (1989) is a movie I recently watched on Tubi. The storyline follows a Chicago detective with a new partner because his long time partner was murdered. Together they'll need to hunt down why his partner's death seems to be getting swept under the carpet.
This movie is directed by and stars Fred Williamson (Adios Amigo) and also stars Maud Adams (Octopussy), Bo Svenson (Kill Bill), Julie Gregg (The Godfather) and Frank Pesce (Beverly Hills Cop).
The storyline for this picture is very straight forward and fairly bland. The lines are corny but will give you a few chuckles here and there. The action scenes are fairly mediocre and not as abundant as you'd expect. The conclusion shootout and action sequence is probably the best part of the movie.
Overall this is a bad movie added to the genre without enough redeeming aspects to recommend watching it. I'd score this a 2/10 and recommend skipping it.
This movie is directed by and stars Fred Williamson (Adios Amigo) and also stars Maud Adams (Octopussy), Bo Svenson (Kill Bill), Julie Gregg (The Godfather) and Frank Pesce (Beverly Hills Cop).
The storyline for this picture is very straight forward and fairly bland. The lines are corny but will give you a few chuckles here and there. The action scenes are fairly mediocre and not as abundant as you'd expect. The conclusion shootout and action sequence is probably the best part of the movie.
Overall this is a bad movie added to the genre without enough redeeming aspects to recommend watching it. I'd score this a 2/10 and recommend skipping it.
The shooting title for this film was "Soda Cracker," somewhere along the road the title of the film changed and "The Kill Reflex" is what we've got. Fred Williamson's character is nicknamed Soda Cracker (something his friends gave him). He's a "shoot first - ask questions later" Chicago cop, on a mission to track down the killer or killers who offed his partner; all this on his birthday no less. His superiors want him off the case, but that doesn't stop Soda from bustin' heads. The production costs are low, but the thrills high. And don't miss the super-cool conclusion where The Hammer jumps on the side of a train to catch the main baddie as he speeds away in his car - this is really one of The Hammer's coolest moments. Other things to watch for include: the super-sexy Maud Adams, the super-cool Bo Svenson, and the super-funky end credit theme song: "Soda Cracker!"
Who would have guessed that there was a Fred Williamson picture out there that is not worth watch? Worse yet, he produced and directed it, so he has no one else to blame.
It was a cop picture, and he is after the baddies that killed his partner, so you would expect plenty of action. You would be wrong. It just plods along with nothing special to excite you. Heck, even when Williamson and Maud Adams (the double Bond Girl) get in bed together with a smooth jazz background, the song ends and the scene changes just as they are getting started.
A little action at the end doesn't make up for slow pace for the first hour or so.
It was a cop picture, and he is after the baddies that killed his partner, so you would expect plenty of action. You would be wrong. It just plods along with nothing special to excite you. Heck, even when Williamson and Maud Adams (the double Bond Girl) get in bed together with a smooth jazz background, the song ends and the scene changes just as they are getting started.
A little action at the end doesn't make up for slow pace for the first hour or so.
My review was written in July 1990 after watching the movie on RCA/Columbia video cassette.
Fred Wiliamson tips the balance from action to drama in the effective direct-to-video feature "The Kill Reflex", originally monikered "Soda Cracker".
Nicknamed Soda Cracker, Williamson is his usual relaxed cop in Chicago out to find his partner's killer. Though there is an action-packed finale involving baddie Bo Svenson (Williamson's regular screen teammate), film concentrates on the human drama of the cop's widow Julie Gregg adjusting as well as policewoman Maud Adams' relationship with the principals.
Vocalist Phyllis Hyman, previously on screen performing in Spike Lee's "School Daze", makes a strong impression as Svenson's girlfriend.
Fred Wiliamson tips the balance from action to drama in the effective direct-to-video feature "The Kill Reflex", originally monikered "Soda Cracker".
Nicknamed Soda Cracker, Williamson is his usual relaxed cop in Chicago out to find his partner's killer. Though there is an action-packed finale involving baddie Bo Svenson (Williamson's regular screen teammate), film concentrates on the human drama of the cop's widow Julie Gregg adjusting as well as policewoman Maud Adams' relationship with the principals.
Vocalist Phyllis Hyman, previously on screen performing in Spike Lee's "School Daze", makes a strong impression as Svenson's girlfriend.
Did you know
- TriviaThe original title was going to be Soda Cracker.
- GoofsIn the shootout between Fred Williamson and Bo Svenson, Svenson is driving his car to get away and the rear window glass is missing. When Svenson gets out to shoot at Williamson, the glass is intact and is then shot out by Williamson. Svenson gets back into the car to get away, the rear window glass is intact. Svenson backs his car toward Williamson, the glass is again missing.
- Quotes
Soda Cracker: I know it was you that hit Phil, Moss. I'm on your ass 'til you crack! And when you do, I'll be there to blow you straight to hell!
Ivan Moss: Are you threatening me?
Soda Cracker: Better than that, pal. I'm promising you!
- SoundtracksMeet Me On The Moon
Written by Gene McDaniels and Carrie Thompson
Sung by Phyllis Hyman
© Skyforest Music Co.
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