User reviews

There is a clever little scene in The Karen Carpenter Story, where both Carpenters are in a recording studio, and Richard makes an impromptu decision to have Karen sing for the owner of the studio.

Richard picks the wrong key for Karen to sing in, so Karen is singing above her natural range. You can see a look of bemusement on the owner's face; he figures she really can't sing. Richard quickly realizes his mistake and tries again in a different key. The next thing you hear is Karen's amazing, beautiful voice, and the owner does a priceless double take. Nicely done! For some reason, I have never forgotten that scene.

The Karen Carpenter Story chronicles the meteoric rise of the Carpenters, and Karen's struggle to overcome anorexia. A lot of things are glossed over. This isn't a documentary, and the movie left me with a lot of questions. Very little is mentioned of Karen's solo venture (the CD was released only a few years ago. If you buy it, you will wonder why they waited. It's some of Karen's best work. The songs aren't as timeless as her work with brother Richard, but it was a great recording, in my opinion).

I have heard it said that, you can be listening to a cheap, time-worn little radio in the middle of the Third World, that would seem to produce more static than anything else. But when a Carpenter song comes on the radio, you would think you were listening to a $1000 Hi-Fidelity unit.

Watch this movie!

Karen Carpenter had a singing voice that only comes along in the world every few decades. It was instantly recognizable. She had a full three octaves of range, with the lower two of those possessing a rich timbre and an uncanny ability for a very soothing slow-vibrato (my term).

Karen's problems were partly caused by her desire to be accepted and were intensely driven by her stage-demon of a mother, Agnes Carpenter. The problems perpetuated because her family lived in denial that a problem existed. They refused outside help until the damage to Karen's heart from her abuse of ipecac (which she eventually discontinued because she feared that it would damage her vocal cords) was irreversible.

The acting in the movie is good, and the songs are well-mixed, but it takes unreasonable liberties with reality. Over half of the scenes that Barry Morrow wrote were rejected by the family (mainly by Agnes Carpenter), who didn't want any negativity. It drove Morrow to the point where he refused to work on the movie any longer. His replacement had the same problem, and a third writer was brought in to finish. The whole thing is contrived, and to anybody who knew the actual situation, the movie has very little to do with how things really were.

Anybody who wants a realistic view of how things were should read the book "Little Girl Blue" by Randy Schmidt, which offers an objective view.

Every time I hear Karen Carpenter's voice, there is that old familiar feeling of 70's blues. What an overwhelmingly beautiful and mature voice she had. Cynthia Gibb cast in the title role does a good job, however, I thought Karen Allen would have been a better choice. This is a tearjerker movie that does a fine job of presenting the professional careers of Karen and Richard but also the personal struggles that Karen dealt with and her disease. The recording sessions in Herp Albert's studio are very nicely done. However Karen Carpenter turned out, there was a time when she was very special and brought a great deal joy to her fans and music lovers. Even if you weren't a Carpenter's fan this is a nice story that depicts how a great talent can fall victim to the pressures of society.

There have been a lot of opinions expressed as to the crux of Karen's problems. Certainly the eating disorder was a result and not a cause of the talented singer's anxiety.

The "controlling mother," need for romantic love, and career stresses all undoubtedly played a part. However, my feeling is that the act of moving Karen from her drums to the center stage mike was the real trigger.

The young musician felt comfortable and natural behind the drums. It was where she really belonged, despite professional dictates. A drummer's always a drummer at heart, sitting behind those traps and wielding those sticks. Her singing emanated from and was intertwined with the drumming, and not an isolated entity.

The move to center stage and abandoning her trap set was the beginning of Karen's downfall. The move robbed her of her base, grounding and natural habitat. It threw off her balance, and began her downward spiral to a rash of personal problems.

Seems like a small thing, yet my feeling is that had Karen remained behind those drums singing her songs, she might still be with us today.

The TV movie includes lots of great Carpenter hits, and includes the contribution of her protégé brother, Richard, who currently (in 2006) is alive and doing well in California.

Sadly, I didn't appreciate the Carprenters until after Karen's death--young, stupid, inexperienced in romantic relationships, I guess, so lacking in taste! Also, hadn't had the classical vocal training I've since accrued, so couldn't have remarked earlier on what an exquisite voice we had the privilege to know. As a blind viewer, I can't, obviously, comment on the visuals, but Gibb was, in terms of speaking voice, remarkably similar to Karen (check out YouTube interviews)--this from someone who has "made a career" out of discerning between voices--Cynthia was only slightly higher, and had a very similar timbre. I would love to either read the screen play, or find an audio-described version that would catch me up on the visual aspects. I will say that a director/producer is only as good as the material provided--the family kept a lot of details hidden (typical of eating-disorder families not in recovery, especially then), and so, we don't have a chance for an accurate picture, and ironically, the fact that it skims over much or the inward aspects of anorexia is similar to how it is experienced until recovery: only the surface aspects are evident, until the person gets into therapy and uncovers what the illness is saying. And, back then, we knew so little about anorexia, so I don't find much fault in how it was presented here--we only had two hours (less, accounting for the time used up by commercials). If you go online, you can find some DVDs of the movie. I do hope that a more thorough and lengthier biopic will emerge after Richard has passed (preferably, before--if he can come to acknowledge that what their family has gone through is not shameful or terribly unique and deserves to be told truthfully, to assist others so they won't meet the same fate as his sister).

Nice review by Tom Barrister. Just finished reading Little Girl Blue, very interesting biography. This movie leaves out a lot of details, and glosses over a few major moments in Karen's life. Specifically, the extent to which she went to hide her anorexia (as someone said she was the most honest person except she would lie like a trooper about her anorexia), her solo album which was criticized by Richard among others and scrapped, and finally her disastrous marriage to a gold digging liar. As for lots being filmed then scrapped because of the family, Richard was an executive producer and guess he was trying to protect the family, especially his mother. I read somewhere the family was sorry they helped make the movie because they think it wasn't fair in parts. IMHO the movie does a good job overall portraying the success, talent (that voice!) and tragedy of KC. Like Tom Barrister said in his review, a voice like that comes along every few decades.

ps my favorite song is Superstar. THAT VOICE!

I should say I was born in 1967 & grew up listening to The Carpenters. I loved them from my childhood through my adulthood when they had fallen out of fashion. The songs Richard wrote and Karen's beautiful voice was/is magical. While my peers were getting into the 80s Hair Bands, I was still loving my carpenters sorted 70s and 60s acts.

Of course I enjoyed Bon Jovi and assorted other Hair Bands but still, when I needed some emotional support I always went back to the Carpenters.

I'm sad to see that Cynthia Gibb doesn't even mention in her IMDB bio that she played this role which I think was hugely successful, and a great tribute to an icon. Richard Carpenter has since separated himself from the movie but I think it's the truest representation of what actually happened. I think he was raw from grief when he produced this movie. Over the years, as he got older, I guess he felt guilt and remorse for how he portrayed his parents after the fact.

We all have a lot of guilt about judging our parents once we become parents ourselves. But the truth is, childhood is what determines an individual's life. Sometimes they may be able to overcome obstacles or divert from the usual path but 95% of the time, their parents set them on their path.

It would be better if Richard came out and said this was actually what really happened and he was trying to backtrack to see if his parents reputation.

I always identified with Karen when I was younger because I struggle with over eating to lose weight I started with anorexia and bulimia. I'm doing well today but I've had a lot more support than she ever did and none of the pressures career-wise. When anyone asks me for a song request, I ask for any Carpenter's song.

It's hard to believe the legendary Karen Carpenter tragically died nearly 40 years ago. This biopic stands on its own two feet in its depiction of Karen Carpenter. All credit to Cynthia Gibb for her bravura performance of the superstar.

Yes, this is one of the better done television movies and I wouldn't expect less from Joe Sargent. One thing for this reviewer is that I was also a great fan of The Carpenters, I got to sing all of their material in elementary school and middle school choir and I got to do much of the solo material of which Karen sang lead. I thought she was one of the most wonderful pop singers of the 70's - and being a child/teen singing these songs and learning music - the one thing I was looking forward to was meeting this woman. I never got to, she died three weeks before that was to happen. And yes, that did effect me for I knew nothing of anorexia - and could not understand completely what happened.

When this TV movie got produced, I got quite an understanding. Maybe not everything in Karen and Richard's life is open to the television audience, but in opening the parts that were shown, I got to understand much from the music industry of that time. What upsets me is that I am writing "of that time" and seeing "now". No one has learned a darned thing, even though this was a very informative and heartfelt look into a family's problems in the music industry.

These films aren't done for fun, they're done to open a door and show us something. Here was a wonderful woman who got caught up in the whole idea that her talent was based on weight. She was fine. Didn't know it. She got mixed messages about her weight from the brother she loved, the parents she loved and the music industry that cared more about her looks/weight than the talent within. With the onset of MTV, it got worse. With 'American Idol' it's like a puss festering in an English accent.

A wonderful TV film, I am sure later someone may give it an HBO treatment but either way, many lessons to be learned and the absence of another wonderful talent.

This movie could have been fantastic if it was on the big screen and cuts and changes weren't made for network television airings. I too would have cast a different actress to play Karen, and the movie changed many events in the Carpenters' lives that were real or left out certain events altogether. As a huge Carpenters' fan, I expected much more and was disappointed.

This film was made soon enough after Karen's passing that perhaps Richard Carpenter and the people closest to Karen were feeling a little guilty as to how they may have contributed to her health problems. As the years have passed (almost 25 to be exact) it must have gotten easier to deny any complicity. Richard has spent the years after Karen's death endlessly remixing and recompiling the recordings he made with her. He married his cousin, Mary, and from what I have read, it looks like he may be planning a next generation Carpenters with his children. He seems to have regretted making this film,and that may very well be why it is unavailable in any form. It seemed to me to be a fairly honest assessment of the tragically short life and incredible talent that was Karen Carpenter.

Her heavenly voice was stilled much too soon, but Karen Carpenter gave the world some beautiful music along the way. Karen's melodious voice burst through the middle-of-the road arrangements that her brother, Richard, and the record producers tossed her way. Even many of the songs, a few written by Richard, were moon-in-June type selections; yet Karen rose above the fluff and soared with her own special style of singing. Karen's situation is similar in many ways to that of Jackie Wilson, a performer much admired by the King himself, Elvis. Jackie Wilson's producers surrounded him with syrupy strings, bland choral backing, and at times popcorn lyrics, but he was able to break free from these musical shackles by effectively using his magnificent voice and style.

Since Richard supervised this official biography of his sister, we believe what we see. The psychologist who confronts the family with Karen's eating disorder makes it plan where the problems lay. Richard was the big brother looking after his little sister, sometimes to the detriment of his own career. The family was overprotective of the baby sister to the point of virtually controlling her life and smothering her with their domination. The producers bring it all home by choosing Nurse Ratched to play Karen's mother, who thinks giving Quaaludes to her son is not the same as hooking him on drugs.

If you are a Carpenters fan, then you'll love the soundtrack to the film. All the good stuff is here, sung by Karen herself. Cynthia Gibb makes the viewer believe that she is Karen Carpenter. She not only looks the part but lip-syncs perfectly. How she appears to lose so much weight during the film is amazing. Mitchell Anderson portrays Richard Carpenter just as effectively. He too has the looks and gives the viewer a sense of seeking his own stardom without getting in his sister's way. He seems content being in Karen's shadow.

The imagery of the drums adds effect to the drama by indicating that they were Karen's security blanket (that term is even used). Once she emerges from the drums to take center stage, she is indeed on the top of the world, a place where she feels uncomfortable and vulnerable. Her super stardom, added to the stress already present in her life, led to her fall, which was truly a loss for all of us.

I didn't personally know Karen Carpenter, nor, Richard for that matter, so I must go by how the movie portrayed her. I think a better person to ask about it's accuracy would be her brother Richard. However, from what I did see and learn of Karen, I felt her pain, share her sadness, and she was a very special person to me growing up. I know that I wasn't born until 1965 so I didn't get to know her as much as some of you older fans but I definitely grew up listening to her music and I have fond memories of her music. I remember the song about the "Radio" (every sha la la la every whoa...so fine,) etc and I remember "We've only just begun! As a matter of fact, I memorized many, many of her songs and some people (quite a few) tell me that my voice sounds almost identical to her!!! ( I am not joking on this). I also used to be anorexic during high school and part of college (1978-1987) to be exact and weighed anywhere from 82 pounds to eventually 120 pounds in 1987. I developed some pretty serious health problems from that which helped me to identify with the actress portraying Karen in the movie. The mother (Agnes) was very MUCH like my mother in many ways and I could also feel the pain that Karen must have experienced. For, my mother was often unfeeling, critical, and disapproving as Agnes was (if this was true to accuracy). The movie was helpful in identifying and getting to know Karen on a more personal note by not just hearing her music but by seeing what she was going through. It is quite difficult to portray a person's entire life in 2-3 hours and recount every single detail perfectly so I would have to say that there is probably no biography that is that accurate. I will give this story an 8 though! I wish I did know Karen personally! I would have DIED to meet her!! I would have loved to have shook her hand, given her a hug, or talked to her. I feel her warmth and love every time I hear one of her songs and she is greatly missed.

The Karen Carpenter Story shows a little more about singer Karen Carpenter's complex life. Though it fails in giving accurate facts, and details.

Cynthia Gibb (portrays Karen) was not a fine election. She is a good actress , but plays a very naive and sort of dumb Karen Carpenter. I think that the role needed a stronger character. Someone with a stronger personality.

Louise Fletcher role as Agnes Carpenter is terrific, she does a great job as Karen's mother.

It has great songs, which could have been included in a soundtrack album. Unfortunately they weren't, though this movie was on the top of the ratings in USA and other several countries

If you want to understand just how much better this movie could have been, have a look at Good-Bye To Love The Karen Carpenter Story (2016).

When Karen moved out from behind the drums, she became the real star of the Carpenters for everyone but her own family. For them, her talent was to be only for the use of Richard. He opposed the release of Karen's album not because of its possible failure but because he feared that it might be successful. Karen's talent would no longer be for him alone.

If Agnes Carpenter did not understand the centrality of Karen to her son's success, she got her nose ground into this reality for the rest of her life as Richard effectively went into a 25-year funk following Karen's death, doing minor composing/production/arranging work, releasing a couple of albums and singles which disappeared without a sight.

If you want to find out more about the tragedy of Karen's life, have a look at the following reading list.

Reading list: The Carpenters: The Untold Story: (Ray Coleman)

Yesterday Once More: The Carpenters Reader: (Randy L. Schmidt)

Lead Sister: Lucy O'brien

**Carpenters: Mike Cidoni Lennox and Chris May

**Little Girl Blue: Randy L. Schmidt and Dionne Warwick

**Why Karen Carpenter Matters: Karen Tongson

**Karen Carpenter's Second Life: (Rob Hoerburger, NY Times Article)

The Beauty of Karen's Sorrow: (John Thornton)

The Karen Carpenter Story (1989)

**Starving For Perfection: Randy L. Schmidt

**Close To You, Remembering the Carpenters: DVD - 1997

Karen Carpenter: Goodbye to Love (2016)

** indicates a particularly good read or listen.

I've just watched this movie again - for about the 4/5th time and now understand Richard Carpenter's comments. The project could have been so much better. Historically incorrect (using the Made in America sleeve in the early stage of their career footage and the exclusion of Karen's solo project)which, I suppose is expected when you have to cram an entire life into 120 minutes. Yes, Cynthia Gibb is at time uncannily like Karen but boy, Ms Gibb really should have been given some serious lip-syncing lessons and whoever was in charge of the wigs should have taken up a different career! The guy who played Richard did a decent enough job, but you can't help feeling that this really could have/should have been a much better movie. I guess the budget was low and thank God we got the original Karen vocals - I shudder to think how it could have been without her vocals!

This is a story worth telling properly. Like 'Ray' (Ray Charles biopic) with a big budget and maybe some extra soundtrack from Richard. What's he doing these days? The soundtrack alone would sell millions. No-one loves The Carpenters more than me. I have everything they've ever released on CD (and vinyl!) and regularly visit YouTube to check if any more gems have been uploaded that I haven't seen before. Like Nat King Cole, Karen's voice is beyond any words of praise. Thank God for all the recordings that will be around long, long after we've all gone. Steve Weaver, UK 9 Oct 2013.

Unlike some of the former commentators, I was (and am) an avid fan of the Carpenters. Face it, Christmas would never be Christmas without The Carpenters. That said, I believe the movie did a good, not excellent, job at depicting Karen's life. The movie was enjoyable to see on primetime TV, but the content fell a little short. I suggest that you all look into getting some of the Carpenters specials that were shown in the 70's. You cannot believe how awesome a drummer Karen was. Cynthia did not capture the extent of Karen's talent. Also, Karen was beautiful but had a bad hairdresser. My choice for playing Karen is Hilary Swank. I would love to see a more substantive story, because there was more to Karen than meets the eyes when listening to We've Only Just Begun. I have tons of unreleased Carpenters' music, and it is absolutely excellent. (Her singing of California Dreamin is to die for).

The original version was shown at the Seattle International Film Festival years ago. After watching it, we learned that Richard Carpenter was not going to release it for general distribution. There was good reason for this as the original showed that he was extremely controlling over Karen. The sweet relationship that's depicted in this version is pure fiction.

The original version made it abundantly clear that Karen was bullied by her brother. She had no safe place where her opinions mattered. Her profoundly disordered eating was clearly an attempt on her part to try to have some degree of control over her own life.

This sanitized version removes responsibility that Richard and Karen's parents had in causing Karen to feel helpless and unheard. It's unfortunate that even in death her truth has been silenced by her family.

I've never usually been emotional at movies, but this one requires a box of Kleenex standing by. It is not hard to be carried back to the time when the Carpenters' were at the top of their profession, cranking out hit after hit like a music factory. They had a perfect combination, Richard's tremendous musical genius and Karen's angelic voice. As I watched the story unfold, I found myself remembering this wonderful time and the thought crossed my mind, how many people fell in love listening to the Carpenters' music. How many prom-nights was "close to you" danced to cheek to cheek, and how many wedding ceremonies used "We've only Just Begun" as the wedding dance? That was a special time, even at a time when hard rock and heavy metal were beginning to make a big splash on the music scene, The Carpenters' did not suffer for there share of the music market in the 70's was nothing less than staggering. Anyway, the movie touches on all the technical plus gives you their personal side of the lives of these two icons, and the demons they dealt with, Richard successfully, Karen, tragically. At least, Karen will always be immortal through the legacy of music left behind, and as I've seen it written at her graveside, "A star on earth, A star in heaven."