Karate Kid III

I believe "The Karate Kid Part 3" is a worthy, entertaining and well-acted final installment in the popular trilogy. An improvement over Part 2, this final chapter couldn't have been done any better. Having watched Daniel and Mr Miyagi's relationship develop in the first two film's, Part 3's story threatens to break up their friendship, thus creating a perfect blend of tension and drama. Having Daniel train under the sadistic Cobra Kai teacher adds to the film's intensity. His relationship with Mr Miyagi further threatened by lies and heated arguments, Daniel(Ralph Macchio) gives a solid and engaging performance, proving that he is a competent actor. I found the film refreshing in many ways, especially in regard to Daniel's relationship with his female friend, which doesn't develop into a typical love-interest subplot like the previous two film's. This film may be a little on the dark side but in all honesty it's a decent finale to a very entertaining movie trilogy.

I'm guessing like a lot of Cobra Kai fans, I re-watched this movie for the first time in years recently. In Cobra Kai 4 Terry Silver returned and talked about how over the top the them of this movie was. Ralph Macchio has pretty much said the same in real life.

Daniel goes from a confident fighter to an insecure and winy one. The plot is ridiculous as well: a billionaire who puts his life on hold to terrorize a teenager.

Nontheless Thomas Griffith was very good as Terry Silver the evil villain. It does still have some touching moments with Mr. Miyagi and Daniel. It's the last time the two are on screen together.

Ultimately its a ridiculous movie but not without its charms. Cobra Kai 4 did well to incorporate it unto today.

The Karate Kid, Part III、as the title suggests, is the third film in the Karate Kid film series, released in 1989, directed by John Avlidsen, and starring Ralph Macchio as Daniel and Pat Morita as Mr. Miyagi. The Karate Kid film series is a rather typical example of other 1980s film series (such as Robocop) which just run out of steam as time goes on to the extent that they began with a bang and ended with a whimper. Despite its flaws however, The Karate Kid, Part III isn't nearly as bad as some people make it out to be and is certainly no Robocop 3. This review will discuss the problems with the movie as well as what it gets right, with an overall assessment of the Karate Kid original film series as a whole.

One of the biggest problems with this movie is the lack of continuity with the Karate Kid Part II, which for all its flaws did genuinely advance the story and develop Daniel and Miyagi's character. The film is fairly graceless in its dumping of Daniel's love interest Kumiko; it's explained that she just got a job in Japan that she couldn't turn down. This just didn't strike me as believable, perhaps because they had done it before in Part II. Daniel's relationships always happen to end between films? It's frankly insulting when sequels hit the reset button like this.

But the real continuity problem is one that is never addressed at all, and that is the relationship between Yuki and Miyagi. This is not presented as a mere superficial teenage romance, but instead as true love. Miyagi even says that he would stay in Okinawa, if not for the people trying to kill him. So why doesn't Miyagi stay in Okinawa after the conclusion of Part II, or take Yuki to America? It's never explained. This film takes a dump on Miyagi and Daniel's development; the second film may as well have never happened.

Moreover, all the balance and self-control that Daniel developed in the first two films is gone, indeed Daniel if anything seems even more neurotic and unbalanced than he was at the beginning of the original film. Daniel is whiny and angsty, going into long diatribes about his own inadequacy. This would be less irksome if it were a response to something far more drastic; but in Part II the villains were trying to kill him and his master; in Part III they are just trying to take away his title as champion by defeating him in a local karate tournament. So, Daniel is cool-headed when threatened with death in a foreign land, but the prospect of losing his title to a bunch of local punks turns him into a nervous wreck? The film also fails to find a coherent theme, besides poorly retreading the original.

That said, the film does manage to get some things right. As whiny as Daniel is, he retains something of his likability, even if it is diminished. We also have the things that make the whole series fun; wonderfully over-the-top villains and pseudo-eastern wisdom. The emotional core of the film is tarnished but intact; that of the relationship between Daniel and Miyagi. These two characters, although somewhat botched, still work together well.

None of the original Karate Kid films are by themselves incoherent, but taken as a whole the series is rather lopsided. They do get progressively worse as the series goes on, and by the end of Part III one is glad they never made a fourth film (unless you count the Next Karate Kid, and I don't). Still, while it's a shame that they never managed to quite recapture the magic of the first film, I'm glad I got to spend 3 films in the company of these terrific characters.

While this film went back to the more casual appeal of the first film, it proved to be a bit of a rehashing of the first. The only difference, we see Daniel take on the `dark side' (a.k.a. not Mr. Myagi's way) of fighting. Sure, this had to be a little different, but Daniel trying to be a tough guy seemed a little off in a way. Sure, this film was entertaining, but it proved the series was running on empty. However, Mr. Myagi proved he could still kick plenty of butt, making the ending all worth it.

Rumor has it Tom Cruise was offered the chance to reprise his signature '80s role in two (!) Top Gun sequels, but refused because he didn't want to do the same thing over and over. He has a point: some films, like Star Wars or Indiana Jones (even Rocky or Rambo, to a reasonable extent), can and in fact deserve to have follow-ups, because the people who made them genuinely think there is more to tell about those characters (Rocky V is too much, though); others, like Top Gun or The Karate Kid, are crippled from the beginning by the fact that they are indelibly connected to the decade that spawned them, and also suffer from having fairly basic scripts and characters that wouldn't really benefit from any continuation of the story. Sadly, Ralph Macchio never realized this, and so here we are: The Karate Kid, Part III.

Whereas the first film dealt with a recycled subject (young boy gets revenge on those who humiliated him) from a new angle, Part III resurrects the revenge theme with all its clichés. The "driving force" (assuming there is one) of the screenplay (if you can call it that) is John Kreese (Martin Kove), the sadistic karate teacher whose students got their asses kicked by Daniel Larusso (Macchio). Broke and lonely, Kreese decides to ask an old army buddy, Terry Silver (Thomas Ian Griffith), to help carry out a diabolical plan that will make Daniel and Mr. Miyagi (Pat Morita) suffer like never before. Getting them to fight back, however, will prove harder than usual, as Miyagi is more interested in opening a bonsai shop and Daniel refuses to act violently since he is - what a surprise, this - in love.

Love, vengeance, honor, blood and gratuitous butt-kicking are all thrown in the mix, though hardly any of them work to full effect. As a matter of fact, the more explicit violence suffocates the franchise's trademark comedy bits, leaving a few underwhelming Daniel/Miyagi moments with the duty of lightening the tone. Even worse, though, is the over-the-top behavior of the villains: Griffith does nothing but stare manically, shout and laugh, while Kove, who was funny in the first installment of the series, transforms Kreese into a grotesque parody of his earlier work. Only when the dead-certain final battle arrives, there is a sense of the trilogy regaining whatever it lost from Part II onwards. But the question remains: how many people will still be paying attention at that point?