Pour la gloire

I never intended to see the movie - in fact I'd never heard of it - but accidentally I turned on the TV just as it was beginning, I saw Denzel Washington (come on, guys, he IS gorgeous) and decided to see what it's going to be about. And jeez, I was stunned. It was Britain showed from a totally different angle that I used to know (as a tourist and an exchange student). At moments, I must admit, the picture that emerged was that negative that I started suspecting it must be very much one-sided.

But coming back to the story: a veteran (Northern Ireland and the Falklands) comes back to the part of London where he used to live only to find the world from which he tried to escape unchanged - probably even worse. His former buddies, with whom he used to get into troubles, continue to do so, only with much graver consequences. He tries to keep away from them, find a decent job, find a girlfriend, but it turns out that no one in this country needs a black war veteran. The only thing he has is his "honour and pride" from having served "his" country.

What is amazing for me in this movie was probably the inevitability of his fate. Returning home means for him returning to people who got stuck in this ghetto, since it is a kind of a ghetto, deprived of any future, of any hope for better future. Drug dealers, thieves, war veterans, their women and children - they are all thrown into the same category of common criminals, the so-called social margin, from whom it's best to keep away. The funny thing - sending the police to fight them does not really solve the problem, quite the contrary, leads to an open war. Yet this is how the problem is being dealt with in most countries.

All in all, a very good movie, one worth seeing not only because of Denzel Washington :))), but also because of the social problems mentioned... And really, is Britain such a racist country?

Just one final remark - I wonder what makes D. Washington such a good pick for roles of soldiers (and ex-soldiers). Huh?

A hero returning from war and finding that he`s no longer wanted isn`t one of the most original ideas for a screenplay but it is one of the best . Unfortunately FOR QUEEN AND COUNTRY is one of the weaker of these types of films . The budget doesn`t help because the scenario of the Falklands War is relegated to a brief scene to a bunch of soldiers looking out of a ship doorway seeing flashes of gunfire away in the distance , and that`s the extent the film paints of the Falklands War . It`s not only this scene that irritates , I couldn`t help noticing that many of the interiors look like they were filmed in a film studio . But perhaps the most unconvincing thing about the film is Denzil Washington`s London accent , I can`t believe some people think its any good because I find it as irritating as Dick Van Dyke`s in MARY POPPINS . And let`s not forget that when this film was made Washington wasn`t the double Oscar winning mega star he is today but was best known as a TV star due to ST ELSEWHERE . Indeed FOR QUEEN AND COUNTRY feels like an overproduced TV play similar to the excellent PLAY FOR TODAY that the BBC produced in the 1970s but not as well written . The ending is just too coincidental . I know it`s trying to be bitter and ironic but is completely contrived .

" Soldiers don`t fight and die for Queen and country. They fight and die for one another" Major Chris Kebble . 2 Para

I have to disagree with the previous commentator's opinion. Washington's accent was about as spot on for a "Yank" as was we'll say Pitt's was in "Snatch" to an Irish tinker's. The movie while obviously low-budget (no different than we'll say "My Beautiful Laundrette" or "Mona Lisa" at this particular time in UK productions), yet its concentration on the inherent drama of a confused and conflicted ex-Para in a non-empathetic society totally over-rode its budgetary limitations.

This was an above-average movie (and a rare one) of its genre and adequately displays Washington's versatility as an actor.

I really didn't know what to expect when some friends and I hired this DVD. Denzel Washington plays Rueben James, a retired English Paratrooper, returning home to the housing estate he grew up in as a child. Here he finds that not much has changed since he left about 10 years beforehand.

Many of Rueben's friends are still involved in 'less than legal' occupations, and the poverty and wretchedness of the estate seems even worse than when he lived there before. He needs to decide just where he fits in back home, and what direction his life will take. Despite trying to make a new life for himself, obstacles from past and present seem to always get in the way.

While I did find this movie slow paced, it captured the dismal feel of this community excellently. It also avoided using simplistic general stereotypes (for example, police are portrayed both in a very positive and very negative light).

I would recommend this movie if you're in the mood for a bit of gritty realism, but don't expect to feel particularly upbeat afterward!

Denzel Washington's early career was a test of his accent range. He played a South African in "Cry Freedom," a Jamaican in "The Mighty Quinn," and a Brit in "For Queen & Country." As a Brit he wasn't half bad.

Denzel played Reuben, a recently retired paratrooper getting on with the next part of his life. He lived in a shabby flat and didn't have much going for him. He still had ties to his old life before the army which was the wrong side of the law. He couldn't quite shake that part of his life though his opportunities for doing better for himself legally were infinitesimal.

For all that was going on with Reuben it all boiled down to being marginalized and castaway as a veteran the government has no more use for. Here are your shiny medals, now figure out the rest. It is a movie with universal appeal, or at least U.S.A. appeal because the same treatment happens here. Reuben's situation was relatable for any ex-soldier on the margins of society, and doubly relatable for any Black ex-soldier.

"For Queen & Country" could've used a little touch up to be better. One of the trouble spots was the relationship between Reuben and Stacey (Amanda Redman). It started strangely and ended strangely as well. The character development was somewhat lacking. It may seem like nitpicking, but these are all the things that need to be tight to be considered a topflight movie.