Pour la gloire

I never intended to see the movie - in fact I'd never heard of it - but accidentally I turned on the TV just as it was beginning, I saw Denzel Washington (come on, guys, he IS gorgeous) and decided to see what it's going to be about. And jeez, I was stunned. It was Britain showed from a totally different angle that I used to know (as a tourist and an exchange student). At moments, I must admit, the picture that emerged was that negative that I started suspecting it must be very much one-sided.

But coming back to the story: a veteran (Northern Ireland and the Falklands) comes back to the part of London where he used to live only to find the world from which he tried to escape unchanged - probably even worse. His former buddies, with whom he used to get into troubles, continue to do so, only with much graver consequences. He tries to keep away from them, find a decent job, find a girlfriend, but it turns out that no one in this country needs a black war veteran. The only thing he has is his "honour and pride" from having served "his" country.

What is amazing for me in this movie was probably the inevitability of his fate. Returning home means for him returning to people who got stuck in this ghetto, since it is a kind of a ghetto, deprived of any future, of any hope for better future. Drug dealers, thieves, war veterans, their women and children - they are all thrown into the same category of common criminals, the so-called social margin, from whom it's best to keep away. The funny thing - sending the police to fight them does not really solve the problem, quite the contrary, leads to an open war. Yet this is how the problem is being dealt with in most countries.

All in all, a very good movie, one worth seeing not only because of Denzel Washington :))), but also because of the social problems mentioned... And really, is Britain such a racist country?

Just one final remark - I wonder what makes D. Washington such a good pick for roles of soldiers (and ex-soldiers). Huh?

"For Queen and Country" sticks Washington in the center of a bunch of characters as a deadpan British vet of the Falkland Islands war whose come home to find less than a hero's welcome. The film spends the first third fleshing out everyone but the centerpiece and then doesn't give him any depth as he stumbles through his thick cockney mumblings from one costar to the next. The film doesn't really begin to move until close to the end when it winds up and down in about 20 minutes with a less than desirable conclusion. Given the typically British austerity of the film, an illfocused and bleak story, an almost complete absence of passion, and what are by film standards rather sublunary events with no payoff in the end, this flick was barely tolerable. Not recommendable. (C-)

Note - I watched this film back to back with another British film "The Fourth Angel" which didn't receive rave reviews but was still head and shoulders above "For Queen and Country".

This film is a harsh reality of life after the army. The British Paras are an elite fighting force, but they are there to kill the enemy. You don't really have a trade when you leave, except how to jump out of planes & kill. However, the British Army today has an excellent support sytem, unlike the mid 1980s when this film was set. This is highlighted in the movie as we see Reuben returning after leaving the Paras, during which he did a tour in Northern Ireland and fought in the 1982 Falklands war. We see him struggling to get any meaningful employment until he links up with a criminal friend. His mate Fish, who was wounded in the Falklands, is living on disability allowance, and is suffering too, being in a wheelchair. It is a sad, gritty look at life at the lower end of the scale in a run-down urban council estate in London. Having served his country with pride as a British paratrooper, he is left with nothing except the prospect of drifting into crime.

Denzel Washington's early career was a test of his accent range. He played a South African in "Cry Freedom," a Jamaican in "The Mighty Quinn," and a Brit in "For Queen & Country." As a Brit he wasn't half bad.

Denzel played Reuben, a recently retired paratrooper getting on with the next part of his life. He lived in a shabby flat and didn't have much going for him. He still had ties to his old life before the army which was the wrong side of the law. He couldn't quite shake that part of his life though his opportunities for doing better for himself legally were infinitesimal.

For all that was going on with Reuben it all boiled down to being marginalized and castaway as a veteran the government has no more use for. Here are your shiny medals, now figure out the rest. It is a movie with universal appeal, or at least U.S.A. appeal because the same treatment happens here. Reuben's situation was relatable for any ex-soldier on the margins of society, and doubly relatable for any Black ex-soldier.

"For Queen & Country" could've used a little touch up to be better. One of the trouble spots was the relationship between Reuben and Stacey (Amanda Redman). It started strangely and ended strangely as well. The character development was somewhat lacking. It may seem like nitpicking, but these are all the things that need to be tight to be considered a topflight movie.

What an early Denzell Washington's performance. I admit that his was not as good as he is now, but that's more his character that is interesting than himself. I like this kind of scheme, usually used by the American directors and speaking of Vietnam war vets who have the greatest difficulties to get back to civilian life. With everything that means. It is question this time of the Faulklands war, back in 1982. Here it is also a social crime drama, a criticsm of the Margaret Thatcher's political regime, poverty, ghettos, dangerous suburbs, soldiers who fought for UK in the war and for whom England refuses the British citizenship; so many British films were - and still are - oriented in this direction. Washington is definitely an anti hero here, trying to desperately make it. It is downbeat, sometimes gloomy, it may hurt. But I love this film.