Erik le Viking

An average Monty Pythonesque movie set in Dark Ages about a Barbaric warrior, Erik : Tim Robbins, who grows dissastified with his Viking way of life at the era Ragnagok , then he decides to set out to encounter the mythical Aagsgard kingdom, by blowing three times a supernatural horn, and where Norse Gods inhabit. By the way he joins a misfit and motley crew :Tim McInnerny, Freddie Jones, Anthony Sher. .., embarking into an orgy of fighting, destructiveness and battles . Our hero attempts to execute a prophecy told by a cave-dewelling witch-seer-hag, Freya : Eartha Kitt, to arrive in Hy-Brasil : Atlantis, ruled by a nasty king, Terry Jones, who has a beautiful daughter : Imogen Stubbs falling for Erik, and towards the edge of world by blowing the Horn Resounding in a legendary island, to get awakening the Gods dewelling at a fantastic location and achieving them to release the sun that formerly has been swallowed by Fenrir the Wolf.

This weird movie is a blending of Monty Python farce with Simbad the Sailor but no much laughs and amusement . An indulgent delight in making fantasies come to life, including wonders, irreverence, sense of wonderful style, researched detail, and a lot of incidental pleasures. Here a Viking hero meets villians, Gods as Thor and Odin dwelling at Walhalla and strange adventures. The picture is filled with bizarre roles and rare nombres as Thorfinn, Sven the Bersek, the blacksmith Loki and the very evil indeed Haydon the Black played by John Cleese giving a dry delivery . Fashionable camera work by cinematographer Ian Wilson , splendidly photographed mainly in white and brown , as well as rousing, epic musical score by Neal Innes . This is the scattershot tale of how Erik, a real character, arriving in the edge of world, and he attempts to terminate the age of warfare by besting a dragon on the North Sea. The movie results to be mediocre, athough there are a few laughs and chuckles mainly provided by an invisible sheet who wears Tim Robbins and the dry delivery by villain Halfelam wryly played by the always great John Cleese. Too tall Tim Robbins plays a kind of lovelorn gentle and simple , dismayed by the daily drudgery of rampage, ravage, conquest, pilllage and rape. This Tim Robbins vehicle proves as ramshackle as a Viking hut, as unwieldly as a Viking sword. Support cast is good but frankly wasted. Acting range from hysterical to exaggerated. There intervene notorious secondaries as Mickey Rooney, Imogen Stubbs, John Cleese, Tim McInnerny, Freddie Jones, and brief interpretations from Jim Broadbent , Eartha Kitt, John Sinclair, and Terry Jones himself. And Samantha Bond, subsequetly MoneyPenny in James Bond saga. it contains decent production design and lavish scenaries, adding traditional as well as modern special effects.

The motion picture was middlingly directed by Terry Jones, one of the main members of Monty Phyton. This is a post-Python frolic inspired by his own Norse saga children's book. It is not very fun movie, nor well directed, not exciting but being entertaining enough . Jones wrote and directed various Monty Phytonesque films as The Holy Grail,The meaning of life, Life of Brian, Personal services and Mr Toad's wild ride. Rating 6/10. Passable and acceptable but a so-so film and it is inferior than other Monty Python movies.

In true Python alum fashion, this movie is rewatchable (despite what Maltin says) and a lot of fun each time you watch it. Tim Robbins does his usual good job in a light-hearted but sensitive role; and possibly the best line of the movie is John Cleese's reaction to Robbins when Robbins *believes* himself to be invisible, declaring: "Now you see me, now you don't!" Cleese's reaction has me laughing out loud every time.

Behind all the fun and games, though, Terry Jones has done some pretty darn clever commentary on belief systems and epistemology; the fact that you can only be affected by that particular brand of magic in which you believe is a strong idea which rings nicely throughout the movie. (The addition of the priest character drives the point home nicely.) Interesting ideas, which I'd bet are ignored by most people just out for a good time (which is okay too, since it's a funny movie).

From Monty Python team member Terry Jones comes this mildly amusing spoof of Norse mythology, which he wrote and directed. Tim Robbins plays the title character, a young man who's brave enough to want to embark on an epic journey. He actually has the nerve to want to ask the gods to end the days of "Ragnarok" - basically, the end of the world. Several of his peers accompany him, and they have a variety of off the wall encounters as well as dangers to overcome.

It's true that if you only look at this as a comedy, you might have a fairly entertaining time. But there's more going on here than silliness, as Jones explores ideas of belief and denial, and how power can come to those who believe. His serious themes are unexpected, but welcome. In truth, this viewer never found the comedy that funny. He even thought it just felt off at times. The fact that it works to any degree at all is due largely to an eclectic cast, who play their material for everything that it's worth. You've got a remarkably sincere Robbins, Mickey Rooney (as his grandfather) and Eartha Kitt in cameos, and such distinguished British thespians as Jones himself (who plays King Arnulf), John Cleese (who's great as always, playing nasty bad guy Halfdan the Black), Antony Sher, Charles McKeown, Tim McInnerny, Freddie Jones, and Jim Broadbent. You also get the very lovely Imogen Stubbs (as Jones' princess daughter) and Samantha Bond.

Certainly a quality look is created for the movie, with lots of fine location work, atmosphere, and visuals. There's a rousing score by composer Neil Innes, and even an entertainingly shoddy looking "dragon".

The ending is rather abrupt, but up until then Jones does deliver some chuckles and food for thought.

Six out of 10.

Terry Jones is probably the least appreciated member of Monty Python, but viewing `Erik the Viking' should change your opinion on that. The movie's world is bleak and bitter (reading about Norse religion will show you that the Vikings lived in a bleak and bitter world), but Tim Robbins' idealistic and earnest Erik is just sweet and hopeful enough to keep things interesting, rather than completely depressing. The casting is excellent. Particularly noteworthy are Jones himself as a king who quite literally only sees what he wants to see; Eartha Kitt as a very effective and chilling Norse goddess (yeah, it sounds weird, but it's perfectly done); and Antony Sher, whose Loki is equal parts weasel and villain. You'll be disappointed if you come in expecting over-the-top Pythonesque zany-ness, but to me, this movie felt like a maturation of that style. The satire is still there but it's more sober than frenetic. I only rated this movie an 8 because I don't watch it very often, but it's probably my favorite of all the Pythons' solo projects.

British comedian Terry Jones found fame and fortune as a member of the legendary comedy troupe known as Monty Python, where along his teammates revolutionized comedy with their sketch show "Flying Circus" during the 70s. While this is probably his most well-known activity, Jones is also a popular historian, specialized on the European Medieval period, who has published several books on this and other subjects of ancient history. In 1983, after the dissolution of Monthy Python, Jones published a children's book named "The Saga of Erik the Viking", where he explored this interest of him in the story of a young Viking. Years later, he wrote the screenplay for a movie version inspired in the children's book, although dealing more mature themes. "Erik the Viking" was the name of the movie and it is possibly the movie that best describes Jones' persona, as it mixes the style of Monthy Python comedy (although it is not a sketch-based movie) with Jones' special taste for ancient history.

The film is the story of Erik (Tim Robbins), a viking who after the murder of an innocent woman during one of his tribe's expedition, discovers that he is not really happy with the whole raping and pillaging customs of his people. Looking for advice, Erik asks the wise old woman Freya (Eartha Kitt) for a solution, and she tells him that since Fenris the Wolf has swallowed the sun, the age of violence, Ragnarok, has begun. Worried by this revelation, Erik decides to travel to the legendary land of Hy-Brasil, in order to find the Horn Resounding, the magic artifact that will take him to Asgard and awake the Gods. With this in mind, Erik prepares an expedition and sails to adventure; but Halfdan the Black (John Cleese) and Keitel Blacksmith (Gary Cady) are not so happy about finishing the lucrative business of war, so both decide to follow Erik in order to make him fail.

While the movie is not exactly an adaptation of Jones' children's book, his love for history is still all over the movie, as it's filled with countless references to Norse myths and Viking culture. Python's style of comedy is present in a subtler (although no less hilarious) way, and like in his previous work, Jones uses "Erik" to make fun of concepts as the social establishment, war, and religion. This last theme is represented in a very interesting way, with the concept of faith and beliefs playing a very important (and amusing) part of Erik's quest to awake the Gods. However, despite Jones' love for history, people expecting a true and realistic representation of a Norse Edda will be sorely disappointed, as Jones takes many liberties for the sake of comedy (and probably to make his movie easier to understand for people not familiar with Norse mythology).

In this his third "solo" effort as director (two of the Python films were co-directed with Terry Gilliam), Terry Jones shows the evolution of what was started in "Life of Brian", as while his movie is a story of epic proportions, he keeps the film focused on his characters and their many funny traits. This really works for the movie, as while Erik's crew is numerous, each one is highly detailed and Jones dedicates enough time to get to know everyone of them, developing them as characters and as a team, and making the audience care for them. This take is also beneficial as lessens the damage done by the poor special effects (due to low-budget) of some scenes, although to Jones' credit, the way he fuses realism with magic surrealism is also a brilliant move. The somewhat restrained way that Jones uses to approach to comedy this time (keeping it focused to the plot instead of using sketches) is also more in tone with "Life of Brian" than with the other Monty Python films.

Tim Robbins is perfectly cast as Erik, as his really becomes this good hearted, yet extremely naive adventurer, decided to stop the wars of the world. Robbins' career was at an early stage when he did this film, but already shows his talent and is very good with Jones' style of comedy. Monthy Python's John Cleese is fabulous as Halfdan the Black, and steals most of the scenes he is in. Overall the actors playing Erik's crew are really excellent and truly are a key factor in this success of the movie. Imogen Stubbs plays Aud, the princess of Hy-Brasil who tries to help Erik in this quest. Stubbs is effective for the role, although sadly the rest of the cast overshadows her without problem. Mickey Rooney and Terry Jones himself have small yet very funny roles too, and both make the most of their small scenes.

Personally, I think that the movie's biggest problem is actually Terry Jones' background with the Pythons, as this may make fans to expect something keeping the style of the troupe's previous films. While "Erik the Viking" does have it's fair share of Python's humor, it would be wrong to call it a Python movie. Other than the probably too high expectations it probably won't meet, the movie really doesn't have many flaws and it's an excellent satire that delivers the goods without false pretensions. True, it has some serious problems with special effects that could had been better with a bigger budget, but Jones makes the movie work with his mix of wit and charm, as well as his knowledge of medieval cultures.

"Erik the Viking" is definitely an unfairly underrated comedy that while never on the level of classic Monty Python's Flying Circus, it provides some fun intelligent comedy paired with an interesting story of action and adventure. It's flawed, but has a special charm that just makes the whole movie work without problem. As a satire it's really good, and despite its few historical inaccuracies, it's a nice piece of Viking action. Truly a movie that really deserves a viewing. 8/10