Calme blanc

You've got three actors, two old boats, a big ocean, and ninety minutes to fill. So you better have your ducks in a row, otherwise the package is going to sink faster than the proverbial lead balloon. Fortunately, the folks in charge here know what to do, and the void turns into a real nail-biter. Darn near everything but the kitchen sink is thrown into the action, and I may have even seen that float by.

After a 100+ reviews, two comments might be helpful. Note that in the struggle to survive, Hughie's (Zane) main adversary is not the expected other male, John (Neill), Rae's husband. Instead, John spends his time trying to keep his head above water in that broken-down old schooner, a long way from the malevolent Hughie. No, it's up to the girl Rae (Kidman) to save the day any way she can, without the expected masculine help. Good thing, Hughie's got an eye for her "fine-boned head" and certain other features, otherwise she's a dead duck in the first five minutes. Thus, the real contest is a resourceful woman versus an unpredictable man that breaks with the long-established convention of combat "mano y mano". And this departure, I take, to be a reflection of a surging feminist movement then making its way into popular screenplays.

Another sign of the times is the anti-climax "add-on". In the old studio days, killing a guy once was usually enough. Then, after the bad guy was dispatched, the audience could relax and await a return to normalcy for the good guys. However, clever modern filmmakers found they could supply a surprise extra jolt by breaking with convention and bringing the menace back from the apparent dead. That way, the audience can never feel secure enough to relax, and suspense is kept on high right up to fade-out.

The price they pay, however, is moving from a semblance of reality into the realm of cartoon violence. Here, Rae hits Hughie with everything but a laser blast. So how does Hughie, who appears to be a mere mortal like the rest of us, survive to provide that extra jolt. As you might guess, only by departing from reality as the rest of us know it. Thus, the structure of the screenplay migrates from "what could happen" into "what happens only in the movies". And, for me, at least, I'm reminded that this is, after all, only make-believe. Nonetheless, the movie really does accomplish a whole lot with a surprisingly very little.

I really felt in suspense throughout Dead Calm. Sam Neill as the everyman and Nicole Kidman as his recovering wife were wholly believable as grieving parents taking a vacation to move past their tragedies. Billy Zane as the disturbed third wheel (see Titanic, Head Above Water) in the relationship was also very effective in his role. The suspense builds throughout and leads to a very memorable climax. Recommended, 7/10.

After reading the plot for Dead Calm I was expecting an edge-of-your-seat boat massacre thriller, and in a sense that's exactly what Dead Calm is. I was always on the edge of my seat, anxious to know what would happen next and terrified for the characters in their respective situations, but there was much less violence than I was expecting. And I'm not complaining. Most of the violence is implied rather than shown, and the movie not only deals with physical abuse but emotional and mental abuse as well. The story is basically that this couple goes out to sea on a getaway to forget about a recent tragedy, and while they're out in the middle of the ocean they encounter a strange boat and a strange man who claims that his crew was killed by food poisoning. The way the pieces come together is very satisfying, especially when the truth slowly reveals itself and both the husband and wife are going through equally scary dilemmas as this stranger is roaming freely around their boat.

The acting is really what sells this movie. A boat movie with only three characters can get boring quickly, but thanks to the cast, I was totally in it. Sam Neil is separated from the others for a good amount of the film, but when he needs to shine, he does. The anchors of this movie are Nicole Kidman and Billy Zane. Kidman is excellent as the emotionally distraught wife who is doing everything she can to keep it together while desperately trying outsmart the stranger. Billy Zane had me worried for a bit - I could tell he was acting, and at times he was a bit cartoonish, but by the end you come to realize that the character is an absolute nutcase so his erratic acting makes sense. You're not sure if he's just a guy who had a rough week, or a sympathetic victim of circumstance, or a straight up maniacal psychopath. This uncertainty helps keep the thriller afloat (yeah) and keeps you anxious to see whatever happens next.

The only real complaint I have about Dead Calm is that it does get a little slow at times. It's very atmospheric and moody for a majority of the film and there's no problem with that, but I couldn't help but be distracted during some of the longer quiet moments. Regardless, it all builds up to the movie's exciting climax which doesn't disappoint. The music is great as well - haunting and subtle. Keep in mind Dead Calm is not a jump-scare type of horror thriller. It's slow-paced, grounded and completely plausible, which for me is the scariest kind.

I've seen this several times over the years, and I must say this is a really good thriller. It always keeps me interested. Also, since I'm interested in the sea and ships, that's probably part of the reason why I like the movie so much.

A young Nicole Kidman plays Rae, the wife of John Ingram (Sam Neill), who are taking a sailing trip in the Pacific after losing their only son in an automobile accident. They are having fun sailing through the ocean when they come to a sinking schooner with a man paddling frantically towards their boat in a lifeboat. The man, Hughie Warriner (Billy Zane), turns out to be a crazed lunatic, and when John goes off to check the schooner, Hughie kidnaps his wife and his ship. They are in the fight of their life.

Nicole Kidman is both beautiful and talented. She doesn't say much in the movie, but her expressions and actions are well portrayed. Billy Zane is a convincing psychopath and Sam Neill is a good actor also. The cinematography is great and the scenery is really beautiful. The only real problem with the movie is the plot.

The movie's conflict could've easily been resolved had it not been for stupid mistakes. The script relies too heavily on these stupid mistakes. Nicole's character gets numerous chances to kill the psychopath, but she never takes them. And anyone in their right mind wouldn't leave their wife with a stranger to check out a strange ship. The characters' lack of common sense is really what keeps the story moving.

But, these plot holes can be forgiven. The acting is great, the direction is great, the cinematography is great. The script could've used more work, but that is forgivable. If you enjoy thrillers or are interested in the sea and ships, I suggest you check this movie out. You won't be disappointed.

Rating: 8/10

Claustrophobic thriller that's definitely a cut above the average. Basically it's a 3 person cast but it definitely works. Husband and wife pick up a mysterious stranger in the middle of the ocean and from there things start to get messy. Sam Neil and Nicole Kidman both did an adequate job with what they had to work with (although I really don't think Nicole Kidman was anything particularly special here) but the star of the show was Billy Zane. He was just fantastic in his role. In Dead Calm he was just so believable and brilliant as the unbalanced stranger with less than good intentions. Hard to believe he's never really been given the opportunity to shine like he did in this film. As far as thrillers go this is one definitely worth watching....Now if only they had managed to deny indulging in the awful cliches that seem to infest even the best thrillers.

If you watch it (especially the end) you'll see what I mean.

Overall

A thriller better than most and once again a much better than average movie without a big budget. Not to mention a good actor (Billy Zane) in his best role ever.

7 Stars out of ten.