IMDb RATING
6.1/10
1.9K
YOUR RATING
A woman, living in an isolated cabin, lets a mysterious stranger in to make a phone call. They begin a strange mind game with unimaginably high stakes.A woman, living in an isolated cabin, lets a mysterious stranger in to make a phone call. They begin a strange mind game with unimaginably high stakes.A woman, living in an isolated cabin, lets a mysterious stranger in to make a phone call. They begin a strange mind game with unimaginably high stakes.
- Director
- Writer
- Stars
- Awards
- 1 nomination total
Madolyn Smith Osborne
- The Girl
- (as Madolyn Smith)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
(1987) The Caller
PSYCHOLOGICAL THRILLER/ SCIENCE-FICTION
It opens with the Madolyn Smith character leaving with some money to the gas station attendant after filling the range rover up with gas. And when she leaves the gas station, someone's hand is seen grabbing money after she has left. And by the time she comes home, which happens to be a cottage in the middle of the nowhere, someone appears to be watching her. Bringing packages in, one of the odd packages she brings inside is a hat box that has something dripping at the bottom. She first makes a call to her daughter and as soon as someone knocks on her door, it happens to be the character played by Malcolm McDowell, telling her that he has a flat and wanting to use her telephone. At first, she is reluctant since she says she is expecting somebody to show up for dinner as it was in the middle of the night. And it was at this point the mind games begins when both the Madolyn Smith and the Malcolm McDowell characters begin questioning one another's motives and making suggestions the person may have or might have done, ending with a twist the reason the movie is called "the Caller", and it is not what one would think.
A two person performance of Madolyn Smith and Malcolm McDowell as one is attempting to figure out the other from one day after the next. The ending rivals to anything from the "Twilight Zone" which requires some thought.
It opens with the Madolyn Smith character leaving with some money to the gas station attendant after filling the range rover up with gas. And when she leaves the gas station, someone's hand is seen grabbing money after she has left. And by the time she comes home, which happens to be a cottage in the middle of the nowhere, someone appears to be watching her. Bringing packages in, one of the odd packages she brings inside is a hat box that has something dripping at the bottom. She first makes a call to her daughter and as soon as someone knocks on her door, it happens to be the character played by Malcolm McDowell, telling her that he has a flat and wanting to use her telephone. At first, she is reluctant since she says she is expecting somebody to show up for dinner as it was in the middle of the night. And it was at this point the mind games begins when both the Madolyn Smith and the Malcolm McDowell characters begin questioning one another's motives and making suggestions the person may have or might have done, ending with a twist the reason the movie is called "the Caller", and it is not what one would think.
A two person performance of Madolyn Smith and Malcolm McDowell as one is attempting to figure out the other from one day after the next. The ending rivals to anything from the "Twilight Zone" which requires some thought.
THE CALLER is a very strange psychological thriller put out by Charlie Band's Empire Pictures outfit. It plays out as a two-hander in which a mysterious young woman is visited by an older stranger at her cabin-in-the-woods home, and the story follows their developing relationship which appears to be based on secrets, lies and game-playing. The chief draw here is Malcolm McDowell, who gives a typically eccentric performance, but sadly the actress they've put him up against simply isn't very good. The script is pretty poor too, with little suspense and then a big twist at the end which reminded me of Norman J. Warren's PREY, albeit less effective.
Fascinating (and undiscovered) mystery/suspense/ thriller concerns a strange woman and her (even stranger?) guest in an isolated cabin in the woods. That's the entire cast, and basically there is only one set. A chilling movie where nothing is what it seems. You spend the entire film trying to discern who the "villain" is. This sort of thing must have impeccable acting to succeed, and does. McDowell is exquisite, the perfect choice.
Subsequent viewings are also rewarding, but you watch the movie from a complete different perspective. 2 1/2 of 4 stars on a tough scale.
Subsequent viewings are also rewarding, but you watch the movie from a complete different perspective. 2 1/2 of 4 stars on a tough scale.
A woman waits for a friend to visit, she's prepared a meal, and gone to troubles to look great, she gets a knock on the door, but it's not her guest, it's a man who claims to have broken down, he asks to use her phone.
Madolyn Smith Osborne and Malcolm McDowell are both very good in their respective roles, and credit to them, they really do deliver, they bounce off eachother well, when you consider it's just the two of them that's as well.
After the stereotypical start.....it was a dark and stormy night... etc etc, I was expecting to slate this film, but to my total surprise, I thoroughly enjoyed it.
I could well and truly imagine this playing out on stage in an intimate Theatre, this would work perfectly, on film it works just as well. I was imagining something along the lines of An Inspector calls, and I think that's what this reminds me of.
Now I may be wrong, but in some scenes you can see a tank full of fish, and in others there aren't any.
It's a little surreal, but I was super keen to learn how it ended, it was worth waiting for.
Through enjoyed it.
8/10.
Madolyn Smith Osborne and Malcolm McDowell are both very good in their respective roles, and credit to them, they really do deliver, they bounce off eachother well, when you consider it's just the two of them that's as well.
After the stereotypical start.....it was a dark and stormy night... etc etc, I was expecting to slate this film, but to my total surprise, I thoroughly enjoyed it.
I could well and truly imagine this playing out on stage in an intimate Theatre, this would work perfectly, on film it works just as well. I was imagining something along the lines of An Inspector calls, and I think that's what this reminds me of.
Now I may be wrong, but in some scenes you can see a tank full of fish, and in others there aren't any.
It's a little surreal, but I was super keen to learn how it ended, it was worth waiting for.
Through enjoyed it.
8/10.
I debated on getting this one for a while, but finally, just gave in and got it. And I thought it was a really cool movie, though the ending was sort of tough to swallow.
Madolyn Smith plays a young woman staying at a cabin in the woods, and one night, a man comes to her door asking to use the phone. Yet, you know he has been watching her for quite some time, so the scenes between them are tense from then on.
Each day after that, she sees him, and they have these very interesting confrontations. Their interaction--which I am giving nothing away about--is gripping, and sometimes, you wonder which one is really crazy.
When the climax of the movie came, the movie got extremely tense, but then it took this weird twist that, though it was a scary idea, came across sort of dumb. Or at least at first. Once it fleshes out a little more, you will either be sort of lost on what kind of movie this is supposed to be, or you will be quite interested. By the end, I thought the idea was very inventive, though not very fleshed out. But when first revealed, I was ready to forget the 90% of truly scary film. I say, see this movie. It will keep you guessing on what's going on until the end, and I guarantee you'll never suspect it. Overall, a good movie.
Madolyn Smith plays a young woman staying at a cabin in the woods, and one night, a man comes to her door asking to use the phone. Yet, you know he has been watching her for quite some time, so the scenes between them are tense from then on.
Each day after that, she sees him, and they have these very interesting confrontations. Their interaction--which I am giving nothing away about--is gripping, and sometimes, you wonder which one is really crazy.
When the climax of the movie came, the movie got extremely tense, but then it took this weird twist that, though it was a scary idea, came across sort of dumb. Or at least at first. Once it fleshes out a little more, you will either be sort of lost on what kind of movie this is supposed to be, or you will be quite interested. By the end, I thought the idea was very inventive, though not very fleshed out. But when first revealed, I was ready to forget the 90% of truly scary film. I say, see this movie. It will keep you guessing on what's going on until the end, and I guarantee you'll never suspect it. Overall, a good movie.
Did you know
- TriviaAbout 39 minutes in The Caller, Malcolm McDowell, makes reference to Jack the Ripper. He played H.G. Wells in the film C'était demain (1979) where he pursued Jack the Ripper who uses H.G. Wells' time machine to escape the time period 1893.
- GoofsMadolyn Smith said she took a wheel from the 'T'-Bird to replace the one on her Land Rover, but it would not have fitted. T bird wheels had a fitment of 5 x 4.5" x 1/2" stud. Land Rover's have 5 x 6.5 x M14 or M16 stud.
- ConnectionsFeatured in Best of the Worst: Back in Action vs. Enemy Territory (2023)
- How long is The Caller?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content