Paysage dans le brouillard

Original title: Topio stin omihli

1988
TV-MA
2h 7m

IMDb RATING

YOUR RATING

Two children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.

See production info at IMDbPro

IMDb RATING

7.9/10

10K

YOUR RATING

See production info at IMDbPro

Awards
- 12 wins & 5 nominations total

Photos86

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Reconstitution

Storyline

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Did you know

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Trivia
After the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.

Goofs
When the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.

Quotes
Orestis: Who am I? I'm a snail slithering away into nothingness... I don't know where I'm going. Once I thought I knew.

Crazy credits
Opening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).

Connections
Featured in Les enfants jouent à la Russie (1993)

Soundtracks
The Night Of The Phantom
Written by Larry Slater & Larry Roquemore
Performed by The Last Drive

User reviews39

Featured review

7/10

Some Strong Imagery

A road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.

"Landscape in the Mist" was Angelopoulos' first film to be distributed in the United States, being distributed by New Yorker Films. This also happens to be the first of his films that I have seen, and one of the first Greek films, for that matter. (If I have seen more than ten Greek films I would be surprised.) The concept is great, but what really sells the film is some of the strong imagery. The most gripping part of the entire film was when a helicopter came and lifted something out of the water... it was captivating and seemed to possess far more meaning than it possibly should have.