L'amour à quatre temps

Episodes in the lives of two East Coast couples who are friends: Jeff Daniels and Elizabeth Perkins are the sweethearts (sweet hearts?) just getting their romance started, while Don Johnson and Susan Sarandon are married-and-bickering with kids. Tolerable comedy-drama from screenwriter Ernest Thompson of "On Golden Pond" fame isn't as maudlin (or, at least to my taste, as fraudulent) as that other film, though neither is it particularly witty or otherwise distinguished. Someone (either director Robert Greenwald, or Thompson, or perhaps the editor) chose to make each incident into its own chapter, like pages from a marital scrapbook or a photogenic kisses-and-hisses calendar. The picture comes off slight as a result, lacking in both romance and frivolity. Solid acting saves much of it, particularly by Don Johnson, whose bursts of temperament are convincing. Cinematographer Tak Fujimoto gives the movie a warm 'neighborly' feel that belies some of the emotions being played out. ** from ****

Sweet Hearts Dance has a good cast of actors. Don Johnson was in a very popular period, Susan Sarandon doesn't need an introduction, and Jeff Daniels came from the success of "Purple rose of Cairo" and "Something wild". There were all the elements to be a good movie: an interesting subject (family divorce), the actors, a good screenwriter Ernest Thompson, who came from the copy of Academy Awarded winner "On the golden pond", but the movie failed the waits. The screenplay is very repetitive: it seems to be taken from a reduction of "Terms of endearment" (even Elizabeth Perkins phisically looks like Debra Winger) and from a series of similar movies. Don Johnson is very good in the part of the rebellious husband with a bad character but we don't understand where his intolerance comes. The movie doesn't explain this and expires in the usual stereotype of the couple in crisis after the first 15 years of marriage. The direction is so absent that often it doesn't understand if the actors improvise in order to give speed to the scenes or it was a decision of the screenwriter to think many slow and predictable scenes. However the story presents even very funny moments that are the only reason in order to see this movie.

I remember going to see this movie as an afterthought one night in 1988 when I was on a business trip to San Diego. I thought at first it was going to stink, as I couldn't imagine Don Johnson handling a thoughtful adult role. I was shocklingly surprised at his, and the always superior Jeff Daniels acting in this film. These two guys played off each other with such chemistry it was hard not to imagine them as best friends. As a guy who hasn't had much luck in the relationship department, I could so relate to both Don and Jeff's romance problems with, respectively; Susan Sarandon, and the babe-a-licious (I still have the hots for her) Elizabeth Perkins. In addition to the outstanding acting, the movie was written and directed with a great deal of heart. Its such a shame this fine film was ignored at the box office.

"Sweet Hearts Dance" is about a two couples...one married, one not. Beyond that there's little worth mentioning. Although the film sports a good cast and is an okay production, it is a movie in need of a story as it wanders from chapter to chapter exploring the vicissitudes of a quartet of people who are probably much less interesting that yourself. In a word....boring.

This picture gets out of the gate well, but has a lot of difficult sustaining itself on a one-dimensional plot-line. In the first scenes, Jeff Daniels and Don Johnson establish a rapport as two best buddies who get involved in Halloween hijinks in their small Vermont town. Instead of continuing on a course which involves more of their shenanigins, it becomes obvious that this is a movie of family strife and man-woman relationships (as well as best buddy relationships). That is not so bad, but the movie is so unrelenting in it's pursuance of these themes, that it soon bogs down until you can no longer care what happens next in the Don Johnson-Susan Sarandon, and Jeff Daniels-Elizabeth Perkins relationships: you just wish they would get involved in something else. The same mood continues right to the end - I was certain that some catastrophe would create a climactic ending that would bring the two rocky relationships to a happy ending, but it wasn't to be. For this is one of those slice-of-life movies which tries to mirror everyday life, and in everyday life there are few catastrophies, only the unrelenting march of life. To the movie's credit though, this slice-of-life approach is not all bad, there is always something very comforting in a movie which successfully captures this mood. It, and other movies of it's ilk, make the statement: "This Is How It Is In America, No More And No Less!". Also to lt's credit is the strong cast. Susan Sarandon is, as usual, in fine form, and Don Johnson, as her somewhat unstable mate, captures the essence of the beleagured American husband. Jeff Daniels is good as the stabilizing influence to both of them, although this is about all he does. Elizabeth Perkins is not up to the calibre of the other three, though, and her character becomes the most tiresome of them all. Justin Henry, is a little bland as the teenage son tortured by the strife between his parents.