Satisfaction

The rock-loving teens in this movie don't seem to know anything about making music. We get no information about their musical backgrounds, and their idea of jamming is to feign a version of "Iko Iko" while driving in their stolen van (I say 'feign' because the sound of their unison vocals is distinctly studio-enhanced). There's one guy in the otherwise all-girl band, and they make him sleep behind a sheet--out of modesty?--and yet the girls themselves are sexually active and think nothing of having sex in that van until the damn thing just about topples over. The movie wants to have it both ways: be a modern look at streetwise teens and yet also be an old-fashioned musical. Justine Bateman works hard in the leading role, but she seems to suffocate under the plastic handling; newcomer Julia Roberts shows off a nice sense of sarcastic humor, but the movie is an underachiever, with oldies-rock tunes given '80s makeovers that wouldn't pass muster on Star Search. ** from ****

Most of it was filmed in Isle of Palms, S.C. I should know, not only was I there, but I was in the movie......

Satisfaction

The difference between male and female rock-stars is that women form meaningful relationships with their groupies.

However, the songstress in this drama has developed feelings for a nightclub owner.

The minute high school is over Jennie (Justine Bateman) and her band The Mystery (Julia Roberts, Britta Phillips, Trini Alvarado) head to Florida in a stolen van to audition for Martin Falcon (Liam Neeson), a bar owner in need of performers for the summer.

While they get the position, over the summer the band starts to drift apart as some members fall in love with locals and others overdose on drugs.

Everything calumniates when the owners of the stole van show up.

Produced by Aaron Spelling, Satisfaction has all of the earmarks of the successful television show creator but for some reason those elements do not elevate this mediocre musical misadventure.

Interestingly enough, all-girl house bands boast the lowest bar tabs.

Red Light

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I haven't seen this in ages but I can tell you, as a teen I watched it over and over and over. I'm not sure how it would hold up to new viewers, though. It's a really fun film about a girl band trying to "make it" and facing all the dilemmas that can pop up when a bands just starting to get a feel for themselves and their music. Each member has a unique personality that really meshes in a fun way. I hope they issue this one out on DVD at some point because I'll be first in line to purchase.

If you've always suspected that combining elements from "Times Square" (1980), "Josie and the Pussycats" (2001), and "Summer of '42" (1971) would be an extremely bad idea, look no further than "Satisfaction" for confirmation. Although "Times Square" fans (the film from which "Satisfaction" steals the most) will frequently cringe during the viewing experience, the fusion of these three films is not a totally bad idea.

It did give Trini Alvarado, eight years later, a chance to play the tough girl Nicky Marotta part, the character she played against in "Times Square". Although she plays her less like Robin Johnson did and more like Tara Reid's Cybil in "Girl" (1998). An underrated actress, Alvarado carries too much baggage (nice girl type-casting and too sweet a face) into this role to even begin to sell it. A much better idea that might have saved the film would have been for her and co-star Justin Bateman to switch parts. Bateman is capable of looking mean and is really too limited as an actress for a part with the degree of dimensionality of Jennie Lee.

I've never quite grasped the popularity of Julia Roberts but for her mega-fans "Satisfaction" is a must see. The script doesn't give her much to work with but it is an opportunity to see her when she was this young. Of course there is some retrospective perverse amusement to be had at the idea of Roberts and Liam Neeson playing second banana's to the talent challenged Bateman,

Britta Phillips' career rocketed forward from this film with 65 episodes as the voice of the title character in "Jem and the Holograms". Nice voice, excellent casting choice, and a cute performance; she and Chris Nash at least manage to give a fair amount of authenticity to the production.

Director Joan Freeman of Streetwalkin' (1985) fame has never done another feature; after these casting decisions it is not hard to figure out why. Maybe she is just another innocent victim of an Aaron Spelling production, she clearly was not a budding Allan Moyle. Likewise Screenwriter Charles Purpura; although his script is no worse than a lot of stuff currently getting feature treatment and the outdated slang no doubt sounded less lame in 1988.

Although full of terrible music (covers of classic rock tunes performed slightly worse than when arranged for your high school band's halftime show) the film did connect with its primary target audience, discontented teenage girls who were not so disillusioned that they could not still get off on an identification jag with a group of squeaky clean girl rockers. Those looking for a more real "growing up is painful " experience should stick with "Times Square" and the more recent "Pretty Persuasion".

Then again, what do I know? I'm only a child.

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