Le prince de Pennsylvanie

Back in 1988, before anybody had even *thought* of "The Matrix", "Speed", or even "Bill & Ted", a 23-year old Keanu Reeves got one of his first major parts in a studio movie, and in this Pittsburgh-shot production, he gives what could be one of his best performances ever (certainly better than a lot of the stuff he's been doing lately).

The troubled teen (or "post-teen") Rupert is having problems at home, where his controlling father Gary (Fred Ward, "Tremors") is ruining the family-life with his narrow minded approach to everything has already destroyed his own marriage, leading his wife Pam (Bonnie Bedelia, "Die Hard") to have an affair with Gary's best friend Jack (Jeff Hayenga).

Rupert wants his mother to have a happy life, and therefore decides to kidnap his father, in order to get him to sell some land he had inherited, and thus get enough money to provide for both himself and his mother (and his younger brother Roger), when they escape the dead-end that is their current home (in Pennsylvania).

Rupert has an affair with an older woman (Amy Madigan, "Streets of Fire"), much to the annoyance of her ex-husband Joe (Jay O. Sanders, "The Day After Tomorrow"), who wants Rupert to shape up and clean his act. But Rupert doesn't want to grow up and become a miner like his dad, and tries everything he can to escape being stuck in nowhere.. one of these things being kidnapping his dad.. but who can/will pay the ransom? You'll have to see it to find out..

This is a very touching movie, kinda like "Feeling Minnesota"/"My Own Private Idaho", but different.. at least Reeves has a weird haircut in this one, which looks pretty funny.. I give it 8/10, because it's an underrated gem, which really deserves to be seen before it fades into oblivion.

P.S: I found my copy on an old used VHS-cassette, but I'm sure there's a decent DVD-release somewhere in the world..

It is fun from first moment til last. Reeves is in nearly every scene in all his pre belly scar youthfulness. The story is preposterous but we have seen how he is on board for that over the years. It's LOL funny in some scenes. Well cast. Filmed in the writer/directors hometown in, get this...Pennsylvania. Rupert is smart and adorable and the cinematographers were savvy enough to get plenty of closeups. The love story is what dreams are made of as well as the intimate moments, one in particular that involves an erotic, in the moment, and sensually sloppy kiss. Over all it was a wonderful way to tell a story about small town issues, the 80's, teenaged angst, and intimacy problems. Of course, and it is right and good, that Rupert/Keanu solves all the personal problems in the end. I am seeing a lot of Henry's Crime here but that's just me. It made no sense that Bonnie Bedelia & Amy Madigan were nominated for Indie Spirit awards and Keanu was not, as it was clearly his movie. I will say no more. Make every effort to see it. Enjoy the wayback machine for 87 minutes.

I remember seeing this film in my late teens and I just could not get over Keanu's haircut: I think it's brilliant and only K could pull it off (Mike Patton's close second in the Epic days)! Also Fred Ward is quite funny in it and Amy Madigan rocks too (lucky girl...)

This unlikely sleeper poses an essential question for disenchanted teenagers: is quality time with your family better than being chained to the door of a refrigerator? For coal-miner's son Keanu Reeves the answer is a no-brainer: his father is a Vietnam War veteran turned ultra-conservative; his feisty mother is having an affair with dad's best buddy; and his only friend is a socially marginalized, die-hard hippie. Meanwhile everyone thinks Reeves has problems, but he's only trying to avoid conforming to Middle America's messy ideas about normality. And since a rebel in the 1980s needs some sort of cause, he invents one: kidnapping his own father and holding him hostage. There's more than one contrivance in the otherwise original and unpredictable screenplay: the young protagonist's mechanical aptitude and closet intellect (he likens himself to Socrates, who was killed for daring to tell the truth) don't fit his delinquent image, and the kidnapping scheme carries the plot too far into fantasy. But if nothing else the film is an offbeat satire of modern domestic friction, and a refreshing change of pace from the usual condescending screen treatments of adolescent angst.

Watched this for the first time today. Not sure how I managed to miss it all this time.

The film doesn't suffer from the passage of time. Rupert's dress sense is so way out that it doesn't date it. The others in the film dress pretty conservatively (befitting their lifestyles) so you really cant tell by looking that this is a mid-80's movie.

I found this film to be thoroughly enjoyable. VERY funny in some parts and poignant in others. Keanu is absolutely adorable (and gorgeous) and very convincing as the weird but charmingly brilliant misfit.

Fred Ward's performance also stands out.

This film will make you laugh out loud. The story is not too deep and I do worry it will make Keanu bashers think this is the only type of role he can play (as he does it so well). He has every right to be proud of this movie.

Great cast, great fun.