Bagdad Café

A wonderful, funny, odd, and unique film.

Strong acting all around (Jack Palance is amazing). Inventive use of distorted colors and changing camera speeds. A few moments get a bit precious, but generally one of the best uses I've seen of a slightly surreal style to tell a very touching, human story - an overweight, depressed Bavarian housewife is left stranded in the southwest desert by her husband, and slowly finds herself, and a home among the odd characters who live and work at the Bagdad Cafe.

This is a case where brave film-making enhances rather than distracts from emotional involvement. The basic theme (we're all weird, and we all need somewhere to fit in) is nothing new, but the approach here makes it delightful and fresh.

The original 15 minute longer 'director's cut' available on European DVDs does add some nice details, moments and filling out of characters. The film works fine in its shorter US version, and the Italian DVD of the director's cut I got was frustrating in that it had a a weaker visual transfer than the US DVD, and there were Italian subtitles you couldn't turn off, but I was glad to see it, and overall it's an even stronger film with the original material added back in.

Bagdad Cafe has been one of my favorite films since I first saw it back in the late '80s. Like so many others who have commented on this film before me, as the film began, I too wondered how long I was going to last while I watched its very strange opening sequence. But, I stayed with it and by the end, was so taken by the characters and locale of this film that I immediately added it to my library and have watched it at least once a year ever since. Watching it is now like visiting old friends once again. One person commented below that they wished Bagdad Cafe really existed. While the characters in Bagdad Cafe may be fictional, the cafe really does exist. It is located in Newberry Springs, CA, about 20 miles east of the desert town of Barstow. Though it was originally called The Sidewinder Cafe, due to the following of this film, it is now called Badgad Cafe. I have had lunch there several times and each visit is a completely surreal experience. The cafe looks much the same as it did in the film and you can sit at the table right by the door where Jasmine used to sit and have her coffee. If you're ever passing by on Interstate 40, don't forget to visit. In the meantime, check out this special film. The memorable performances will keep you involved, even if the first 30 minutes have you wondering what and why you are watching, but hang in there. You won't be disappointed.

A overweight German tourist is dumped in the middle of nowhere by her angry husband and puts in motion a set of unlikely comic and touching events.

Here in the Internet age we can do a lot of good work digging up and re-appraising films that deserve to be seen. While this is film might not to be everyone's taste it is a wonderful light drama about people of no particular importance doing very little beyond learning about each other.

Yet it works so well and haunts you for days after seeing it.

For reasons I also can't explain I find the American hinterlands strangely poetic and underused. Films such as Paris, Texas and The Last Picture Show also used these regions effectively.

More than any other film I have seen it cannot really be explained in words. It is about atmosphere and delivery and superb acting for a cast of - mostly - unknowns. It doesn't really have a plot as such and merely lingers in small-town America and observes small town mores and manners with cold detachment.

A little gem.

I watched this because C.C.H. Pounder is one of my favorites. 1 minute in I thought...'why am I watching this?' Three minutes in I was so hooked I watched it twice. One of my favorite Jack Palance performances. Pounder is unbelievably good, and Marianne Sagebrecht is a marvel. The haunting score alone is worth the movie. Do yourself a big favor and ignore the FEW negative comments here and watch this movie. Try to forget big efx, car chase, alien films for a couple of hours and you won't be disappointed.

Here's a lovely oddity from little known German director Percy Adlon - his first in English. Set in the Arizona scrub is a scruffy diner, where a motley crew of staff and regulars make their home.

A plump German housewife (a joyous Marianne Sagebrecht) is dumped at the roadside by her husband after they row. She makes it to the diner, cases in tow, where the argument has been all about the broken down coffee machine. "You want a room? HERE!!?" enquires boss Brenda (CCH Pounder). The camera shows odd angles and takes on things, rather like Oliver Stone's might do.

Jack Palance, radiating comic charm is the resident just beyond-middle age hippie and he takes a shine to the Frau Jasmin. His performance is as memorable as his Oscar winning one in City Slickers. Anyways, the bustling restless Jasmin has her ways of thinking and those ways don't always meet that of Brenda. Her first task is to do the much needed vacuuming in a pea-green walled room that she's paid $25 to stay in. It's the sight of Jasmin's unpacked lederhosen that causes Brenda to call out the local sheriff.

In a charming, heart-warming tale, full of human colour, is a film that can be enjoyed time and again (I'm on my third view) and one that is offbeat enough to be interesting but always stays the side of going too far. An unknown and enjoyable gem.