Jeremy Capello is a teenager who has dreams about the gawky Darla Blake. A girl who doesn't think that highly of him, but there's also a beautiful Barbie-like cheerleader named Candy who's actually keen on him. So his best friend Ralph suggests that he should seek out someone unknown for a one-night stand to get this get his mind thinking straight. While, doing his job he encounters the mysterious Nora, who invites him over for the night. So Jeremy with little help from Ralph meets her, only to be bitten by her and a crazed loon (possibly the husband) break in. The day after Jeremy goes through some minor changes and finds out that Nora's place has been burnt down. Through the course he learns that these are vampire hunters after them, but they seem to think that Ralph is the vampire.
The mid-to-late 80s was a time for vampire films (and even teenage monster themes too). This pleasant little romp is the standard mould of these monster comedies (maybe one of the lesser ones), but surprisingly it makes for a decently breezy time-waster if you're looking for a little 1980s nostalgia in your viewing. It has some generally amusing moments, especially from Rene Auberjonois' sneaky vampire mentor role as Modoc and you can see David Warner is having a ball in his ripe crack-ball role of Prof. Leopold McCarthy, vampire hunter.
Most of the performances are reasonably charming. Robert Sean Leonard ("Dead Poet's Society" and who would probably be best known for the recent TV series "House") is delightfully good as Jeremy and Evan Mirand turns in a joyful performance as the loutish Ralph. A fetching Cheryl Pollack is fair as the geeky Darla. Fannie Flagg and Kenneth Kimmins trump in with marvellously tuneful performances as Jeremy's overly worried parents. Paul Wilson makes solid of Prof. Leonard's bumbling assistant Grimsdyke. Let me not forget the minor role of the seductively alluring Cecilia Peck (Gregory Pecks' daughter) as Nora. Oh and look out for a slender Kathy Bates. The variable cast had a witty script to play along with and most of it was quite satisfying when it came to the punch.
Director Jimmy Huston does a competent job without doing anything overtly special, but he gets a lot spirit and odd developments running through some humorous situations. It can get corny in parts and extremely sappy when it comes to its closing moral. A trailblazing 80s pop soundtrack (notably Blondie and Oingo Boingo) features strongly in the film's make-up with the utterly hip and catchy title tune, "The future's so bright (I've got to wear shades)" by the TIMBUK 3. The stereotypically lucid premise (which shares similarities with the Jim Carrey vampire flick, "Once Bitten") is routine and derivative, but still it has some nice touches and diverting trivia on the vampire mythology. None of this should sideswipe your entertainment of it, unless you're looking for something with more aggression amongst its bite. I guess you'll know if you're going to like it after the first 15 minutes.
It might be far from revolutionary (just look at the title and you should know what to expect), but there's just something endearing about this campy lightweight piece.
