Jack Lemmon was the two-time Oscar-winner who starred in dozens of films, working until his death in 2001 at the age of 76. But how many of those titles are classics? Let’s take a look back at 25 of his greatest movies, ranked worst to best.
Lemmon won his first Oscar as Best Supporting Actor for “Mister Roberts” (1955). A second Oscar for Best Actor followed for “Save the Tiger” (1973), making him the first person to pull off victories in both categories. He competed six more times for Best Actor throughout his career.
He is perhaps best known for his long collaboration with Walter Matthau, with whom he made 11 films. In films such as “The Fortune Cookie” (1966), “The Odd Couple” (1968), and “Grumpy Old Men” (1993), Lemmon’s fastidiousness played beautifully off of Matthau’s scruffiness.
On the small screen, Lemmon earned Emmys for “‘S Wonderful, ‘S Marvelous, ‘S Gershwin” (Best Variety Performer in 1972) and...
Lemmon won his first Oscar as Best Supporting Actor for “Mister Roberts” (1955). A second Oscar for Best Actor followed for “Save the Tiger” (1973), making him the first person to pull off victories in both categories. He competed six more times for Best Actor throughout his career.
He is perhaps best known for his long collaboration with Walter Matthau, with whom he made 11 films. In films such as “The Fortune Cookie” (1966), “The Odd Couple” (1968), and “Grumpy Old Men” (1993), Lemmon’s fastidiousness played beautifully off of Matthau’s scruffiness.
On the small screen, Lemmon earned Emmys for “‘S Wonderful, ‘S Marvelous, ‘S Gershwin” (Best Variety Performer in 1972) and...
- 2/2/2025
- by Zach Laws and Chris Beachum
- Gold Derby
Jack Lemmon would’ve celebrated his 94th birthday on February 8, 2019. The two-time Oscar-winner starred in dozens of films, working until his death in 2001 at the age of 76. But how many of those titles are classics? In honor of his birthday, let’s take a look back at 25 of his greatest movies, ranked worst to best.
SEEOscar Best Supporting Actor Gallery: Every Winner in Academy Award History
Lemmon won his first Oscar as Best Supporting Actor for “Mister Roberts” (1955). A second Oscar for Best Actor followed for “Save the Tiger” (1973), making him the first person to pull off victories in both categories. He competed six more times for Best Actor throughout his career.
He is perhaps best known for his long collaboration with Walter Matthau, with whom he made 11 films. In films such as “The Fortune Cookie” (1966), “The Odd Couple” (1968), and “Grumpy Old Men” (1993), Lemmon’s fastidiousness played beautifully off of Matthau’s scruffiness.
SEEOscar Best Supporting Actor Gallery: Every Winner in Academy Award History
Lemmon won his first Oscar as Best Supporting Actor for “Mister Roberts” (1955). A second Oscar for Best Actor followed for “Save the Tiger” (1973), making him the first person to pull off victories in both categories. He competed six more times for Best Actor throughout his career.
He is perhaps best known for his long collaboration with Walter Matthau, with whom he made 11 films. In films such as “The Fortune Cookie” (1966), “The Odd Couple” (1968), and “Grumpy Old Men” (1993), Lemmon’s fastidiousness played beautifully off of Matthau’s scruffiness.
- 2/8/2019
- by Zach Laws and Chris Beachum
- Gold Derby
Tuesday, DVD roundup day, is a fine day for taking a look at the new Summer 2011 issue of Cineaste, particularly since, among the online samplings this time around, DVD reviews outnumber all other types of articles combined.
To begin, Darragh O'Donoghue on Harun Farocki's Still Life (1997): "Five aphoristic essays on 17th-century Dutch still-life painting, of about three minutes each, bracket four documentary sequences of photographers creating modern still lifes for magazine advertisements. These two levels, though defined by opposites — stasis/motion, tell/show — are linked by visual motifs and rhymes, just as the modern products echo the subjects of the paintings. The documentary sequences have no commentary, mostly last ten to fifteen minutes, and take their cue from Farocki's earlier An Image (Ein bild, 1983). In that short, he recorded the shooting of a German Playboy centerfold spread, from the building of sets and the arrangement of props (including...
To begin, Darragh O'Donoghue on Harun Farocki's Still Life (1997): "Five aphoristic essays on 17th-century Dutch still-life painting, of about three minutes each, bracket four documentary sequences of photographers creating modern still lifes for magazine advertisements. These two levels, though defined by opposites — stasis/motion, tell/show — are linked by visual motifs and rhymes, just as the modern products echo the subjects of the paintings. The documentary sequences have no commentary, mostly last ten to fifteen minutes, and take their cue from Farocki's earlier An Image (Ein bild, 1983). In that short, he recorded the shooting of a German Playboy centerfold spread, from the building of sets and the arrangement of props (including...
- 6/7/2011
- MUBI
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