The Kiss

"The Kiss" is actually just a rudimentary & simplistic witchcraft story about supernatural powers getting passed through the female members of the same bloodline, but director Densham neatly polishes up the concept with impressively explicit make-up effects (courtesy of Chris Walas' company), adequate supportive character drawings and atmospheric building up towards the death scenes. The story opens in the early 60's in the Belgian Congo, where two sisters become separated at the train station. The youngest one, Felice, is seriously ill but her aunt miraculously cures her by passing an alien-like creature into her body through a kiss. 25 years later the other sister tragically dies in a car accident, leaving behind a husband and a stunningly beautiful adolescent daughter named Amy. Aunt Felice shows up again (in the ravishingly matured version of Joanna Pacula) and quickly works her way into the family by seducing her widowed brother-in-law. Auntie Felice is clearly just interested in Amy's body as the host for the inheritable creature, and she won't hesitate to use violent voodoo tricks against anyone that stands between her and the young girl. "The Kiss" is one modest class above the majority of 80's witchcraft-movies, because it features a little more directorial flair and style. There's a continuously pleasing level of suspense and film is suitably gruesome, including images of people burning alive, losing body parts underneath trucks and getting strangled on escalators. Felice has an OTT grotesque wild cat assisting her to kill people and there's a bizarre (but macabre) montage showing Amy menstruating in class whilst her father makes love to the sinister aunt. That was quite an awkward moment, and I'm not entirely sure about the symbolic significance/importance of that sequence. In fact, there's quite a lot of sexual innuendo that appears to be a bit lost in the wholesome of the story. Anyway, the story grows increasingly sillier near the end, resulting in a highly implausible and chuckles-inducing finale. Meredith Salenger was truly adorable girl in the late 80's (and still a gorgeous woman today) and I severely regret the fact her career didn't skyrocketed after this film. Recommended to watch at least once, particularly if you appreciate feminine beauty and graphic gore.

After her mother dies in a terrible accident, pretty teenager Amy (the lovely Meredith Salenger) finally gets to meet her mysterious Aunt Felice (Joanna Pacula) but soon twigs that her mom's globe-trotting younger sister isn't as perfect as she makes out to be. Using the power of sex and voodoo, Felice controls the fates of Amy's loved ones, before attempting to pass on a very unusual 'heirloom' to her unwilling niece.

For a film about an ancient African parasite that is transmitted between female members of the same family by a kiss, this is quite the disappointment, a rather charmless movie with generic direction from Pen Densham, surprisingly poor effects by makeup wiz Chris Walas (Gremlins, The Fly), and flat performances from all except Pacula, who makes up for the other actors' seeming disinterest by really hamming it up.

Densham desperately tries to spice things up proceedings with a little gore and sex towards the end (Pacula going topless to seduce Amy's father), and randomly throws a hilariously naff zombie cat hand-puppet creature into the mix, but to no avail. This one could have done with a lot more gore and general outrageousness throughout in order to do the silly premise justice.

5.5 out of 10, rounded down to 5 for not going all the way with the 'necklace in the escalator' scene and for failing to get Salenger to take a shower (although, to be fair, she looks pretty great in that white swimsuit).

Well, I didn't go into this film expecting anything great; I was really just hoping for a decent timewaster along the same lines as Wes Craven made for TV opus 'Summer of Fear', and that's more or less what I got; though it cant be said that this film isn't as good as Craven's. The film is a mix of two very basic and very common horror themes; namely, the insider who works their way into a family unit, and of course the idea of witchcraft. After the first fifteen minutes, I feared the worst because = the way that the plot is set up is very messy; and that's never a good sign in a simple film like this one! However, it soon settles down and once I got an idea of what to expect, I found that the film became easier to enjoy. The film starts with two sisters in 1963 that get split up. One of them goes off with a relative who passes onto her a strange curse via a kiss. We then cut to twenty five years later, and the other sister has died in a car accident; leaving her husband and daughter behind. Then onto the scene comes the cursed sister, who wants her niece to bear her curse...

It has to be said that this film could have been better if have handled by someone more adept, and if it had a better focus. The plot soon becomes predictable, and there are several things about it that don't make sense, and the film often veers off on a tangent with certain things that aren't really relevant. The Kiss seems to have taken a bit of influence from The Omen with regards to the way that the death scenes are carried out; mostly excessive and random, but also quite imaginative: the death scene on an escalator is well done...though the clues preceding it spoil the surprise. None of the characters are particularly interesting, which is a shame considering that the main one is a conniving witch. However, the film never becomes too boring. The special effects aren't over-used, but what we do get is generally quite realistic; the only exception to this rule being an aggressive cat, which looks like a stuffed toy. It all boils down to an exciting and explosive finale, which also happens to be the best ten minutes of the film. Overall, I won't be going round recommending this film to people; but there's worse ways to spend ninety minutes of your life.

Amy's (Meredith Salenger) mother has just died in a freak automobile accident. To make matters worse, an almost unknown Aunt named Felica (Joanna Pacula) shows up and takes a fancy to Amy's dad. That's when all of Amy's friends start to meet gruesome ends and Amy starts to find voodoo spells and other assorted items in Felica's stuff. It seems Amy is the next in line to get a fatal kiss from Felica.

Fast paced, often exciting & scary film features a fun premise, solid direction, terrific effects, plenty of sexual energy & atmosphere. Meredith Salenger is appealing and Joanna Pacula is flawless in a tailor made role that plays up to her exotic beauty and mysterious appearance. However, poor supporting performances by Mimi Kuzyk & Nicholas Kilbertus nearly ruin it.

Rated R; Graphic Violence, Nudity, Sexual Situations, and Profanity.

Amy (Meredith Salenger) finds her world turned upside down when her mother is killed in a freak accident. Soon her mother's estranged sister, fashion model Felice (Joanna Pacula), has moved in and begins working her way into the family, starting by seducing dad Jack (Nicholas Kilbertus). Naturally she has ulterior motives as she wants to pass on an ancient African curse via a slimy demon that must be passed from mouth-to-mouth. This Canadian chiller came out during a seemingly endless supply of evil demon women flicks (THE UNHOLY, NIGHT ANGEL, SPELLBINDER, THE GUARDIAN, SATAN'S PRINCESS) and does alright for what it is. You're not going to get a horror classic, but you do get bloody killings, a pulsating medical dummy, a drooling demon cat and Pacula performing rituals naked. The end is particularly over-the-top with the big showdown in the family's pool, complete with hedge trimmer stabbing and a barbecue propane tank flamethrower (only in the movies). Tri-Star barely released this in theaters in October 1988 in the United States, which is odd as they funded a special trailer for it that features a minute or so of "trailer only" footage.