High Spirits
- 1988
- Tous publics
- 1h 39m
When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up ... Read allWhen a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.
- Awards
- 1 nomination total
- Gateman
- (as Little John)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a screwball comedy about what people will do to try to save their livelihood, marriages, etc. Some of the situations that the characters find themselves in are a bit corny; however, they are still funny. It's also somewhat of a ghostly movie. I thoroughly enjoyed the ending.
If you've ever lived in England, Ireland, or Scotland, the characters in this movie will remind you warmly of those people.
It is a movie that you can sit down with the family and some popcorn and enjoy.
Reviews of High Spirits by some movie critics are prime proof of the theory that "professional" movie critics often don't what they're talking about. Being quickly panned by British critics, and then dissed by their American colleagues, leads me to believe that many critics write negative reviews based on the opinions of others. In recent years, many critics seem especially to have hidden agendas, or have an axe to grind, or are pandering to special interest groups, which render their reviews worthless. Often, these critics appear to have never seen the movie they are condemning, or, worst still, are ignoring the cinematography and entertainment value based on their own petty bias. In High Spirits, some critics complained that the plot is thin, flighty and lacks realism?!?! But this is a comedy (and a very good one at that), not a serious theatrical work like as play by Shakespeare or some other artsy-f**tsy piece for the pseudo-intellectual snobs. While not perfect, it is certainly not the complete waste of time that some of these so-called critics claim it to be.
The fact is, folks, this movie is very entertaining, a real joy, from the story, to the acting, to the sets, to the special effects, etc., etc. just a pleasure (albeit a guilty one) of movie entertainment. The entire cast give an exuberant, high spirited performance (pun intended) which is sure to tickle your funny bone. Peter O'Toole is hilarious as the penny-less, hereditary keeper of the castle who is about to lose it all. But Liz Smith is a riot, playing Peter's tipsy, widowed mother who still interacts (read has sexual relations) with her dead husband and communicates with other deceased family members. Liz Smith is a thief - she steals just about every scene in which she appears. A horny Steve Guttenberg, an unfaithful Beverly D'Angelo, a rapidly decaying Daryl Hannah and a flatulent Liam Neeson give excellent performances. The pious Peter Gallagher and temptress Jennifer Tilly are terrific in supporting roles as are the remainder of the cast, who are mainly from Dublin's Abbey Theatre, except for Connie Booth (who played the housekeeper Polly Shearman in Fawlty Towers), who is an American.
Please ignore the critics on this one, folks, they are way off. This is a very funny movie, with a few semi-scary moments, that I can highly recommend to you. If you want classical drama, watch Hamlet or Otello, but if you want hardy chuckles, watch High Spirits. I'm sure you won't be disappointed.
Rating: 8/10 stars
But Plunkett and the gang (nor their furious guests) would ever have imagined real ghosts showing up. And this is where the movie really starts to get funny because everyone, after their various confrontations with the undead and all the strange things that start to happen in the castle, start to become so neurotic as they try to figure out what's going on.
The movie is a romantic comedy, of course, though it could've worked simply as a story of the funny occurences in the haunted castle as Plunkett and his frantic guests scurry about trying to deal with the situation any way that they can. Guttenberg is Jack, a sorry guy who's married to a real dull lady (Beverly D'Angelo) that really can't stand to know him, especially when he drags her out to some stupid castle. Jack actually starts to fall in love with one of the ghosts, a Plunkett ancestry named Mary (Daryl Hannah), a sickley looking young girl who died by the knife of her husband (Liam Neesom). The ghosts keep playing out the murder over and over again, and Jack, accidently intervening in one of the reenactments, somehow frees Mary from the murder. And so, now she's in love with Jack. But how does a ghost and a human end up together (and they have to end up together...after all it's a Hollywood love story)? Well, that's why you have to watch the movie.
Everyone in the movie is fantastic because, though some may start out to be quite annoying (such as the self-declared "professional parasychologist" or the cynical Sharon (D'Angelo)), they eventually come to be very entertaining as the movie goes along. I especially like the goofy interaction between Meg Tilly as the nympho and Peter Gallagher as the soon-to-be Priest. Peter O'Toole is wonderful. He is also the last to realize what the heck is going on.
It's definitely a comedy worth watching.
Did you know
- TriviaWriter and Director Neil Jordan has always maintained that the released version of this film is very different from the one he shot. He was more or less excluded from the editing process of the final cut. He insists that his version is still locked away in a vault.
- GoofsThere's no explanation given as to why Mary and Martin would repeat the murder scene twice in one night, as we see when Jack stumbles upon them. Everywhere else in the film, Mary implies that she was killed once a night.
- Quotes
Peter Plunkett: [on the phone with Jim Brogan] Sir, once again I must remind you that my first name is not "Dick". Nor is my surname "face". It is simply "Peter". "Peter Plunkett"... No, I was not given a middle name but I'm sure if I had, my mother would not have chosen "shit-for-brains peckerhead"... Well then clearly you know a side to my mother that I have been happily sheltered from. Nevertheless I marvel at your colorfully creative ever-so-American colloquialisms which flow so trippingly from your razor-like tongue!
- Crazy creditsThe end credits show the cast under three headings, first 'The Irish', then 'The Americans', and finally 'The Ghosts'
- Alternate versionsThere exists a print of this film that was Neil Jordan's original vision of this movie. It contains a much more serious tone than the theatrical release, and is much more of a fun mystery. There is a lot more footage of Liam Neeson's character, and the ghosts are allowed to have much more of a plot, than in the theatrical release. Rumor has it, that when the studio saw this cut, they had no idea how to market it, so they had it re-cut against Neil Jordan's wishes (he was allegedly locked out of the editing room at this point). There was a shortened version of this cut available on video in Japan.
- SoundtracksChantilly Lace
Words and Music by The Big Bopper (as J.P. Richardson)
Performed by The Big Bopper
Fort Knox Music Inc./Trio Music Co., Inc.
Administrated by Hudson Bay Music Inc./Glad Music Company
Courtesy of Polygram Records
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Details
- Release date
- Countries of origin
- Language
- Also known as
- El Hotel de los Fantasmas
- Filming locations
- Dromore Castle, County Limerick, Ireland(as Castle Plunkett)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $8,578,231
- Opening weekend US & Canada
- $3,308,250
- Nov 20, 1988
- Gross worldwide
- $8,578,231