IMDb RATING
7.2/10
4.6K
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Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.
Featured reviews
Decline of Western Civilization Part 2, The (1988)
**** (out of 4)
I had seen the Aerosmith and Alice Cooper clips of this documentary via a bootleg but never got around to watching the film until IFC showed it the other night and I'm certainly disappointed that I waited so long because Penelope Spheeris' film is one of the best out there of its type and ranks highly among the best documentaries to be made about rock 'n roll. Members of Aerosmith, Kiss, Poison, Alice Cooper himself, Ozzy and various no-name bands are interviewed. The legends interviewed here give the same old stories, which are still interesting but the great thing comes from all the interviews with those broke souls trying to make a name for themselves. Spheeris asks all the right questions from what happens if they don't make it and even asks some groupies if they're worried about AIDS. The film goes into great detail about various subjects and there's such a wide range of musicians that the film never gets boring. I'd love to see an update on the people involved here and see what their feelings are since none of them (to my knowledge) became famous. Also, in case anyone is interesting, during the Alice Cooper interview he's asked about people ripping him off and he mentions he'd like to hang one group but they bleed out the group. That group mentioned is W.A.S.P.
**** (out of 4)
I had seen the Aerosmith and Alice Cooper clips of this documentary via a bootleg but never got around to watching the film until IFC showed it the other night and I'm certainly disappointed that I waited so long because Penelope Spheeris' film is one of the best out there of its type and ranks highly among the best documentaries to be made about rock 'n roll. Members of Aerosmith, Kiss, Poison, Alice Cooper himself, Ozzy and various no-name bands are interviewed. The legends interviewed here give the same old stories, which are still interesting but the great thing comes from all the interviews with those broke souls trying to make a name for themselves. Spheeris asks all the right questions from what happens if they don't make it and even asks some groupies if they're worried about AIDS. The film goes into great detail about various subjects and there's such a wide range of musicians that the film never gets boring. I'd love to see an update on the people involved here and see what their feelings are since none of them (to my knowledge) became famous. Also, in case anyone is interesting, during the Alice Cooper interview he's asked about people ripping him off and he mentions he'd like to hang one group but they bleed out the group. That group mentioned is W.A.S.P.
Every bit as funny as "This is Spinal Tap" but it's the real deal documentary and these poor guys aren't trying to be funny. Ozzy Osbourne is a gas. Every nobody interviewed was sure they'd be the next Steve Tyler. These dudes look like ladies.
10tywebb
I have read the comment of my fellow viewer and apparent Heavy Metal Connisseur, who says this film falls short of completely covering the Heavy Metal scene at the time.
But I really don't think that that's what Spheeris was trying to do. This film is so much more. Like any truly great documentary, it somehow manages to capture life, raw and unfiltered.
The characters are funny, loveable, sad, pitiful, admirable, inspiring, bewildering, all at the same time. A very odd, strangely fascinating and mystifying mix of moods and emotions and realness that is stranger than fiction.
Like Paul Thomas Anderson and other great filmmakers, Spheeris has this talent of having compassion for her subjects, rather than judging them in some way. It is what it is. She gets out of the way and lets an utterly fascinating and at times "un-real" segment of life tell its own story. A timeless piece of rock documentary.
But I really don't think that that's what Spheeris was trying to do. This film is so much more. Like any truly great documentary, it somehow manages to capture life, raw and unfiltered.
The characters are funny, loveable, sad, pitiful, admirable, inspiring, bewildering, all at the same time. A very odd, strangely fascinating and mystifying mix of moods and emotions and realness that is stranger than fiction.
Like Paul Thomas Anderson and other great filmmakers, Spheeris has this talent of having compassion for her subjects, rather than judging them in some way. It is what it is. She gets out of the way and lets an utterly fascinating and at times "un-real" segment of life tell its own story. A timeless piece of rock documentary.
10scarbone
This is possibly the most entertaining sequel in film history. The first "Decline" film presented the punk rock scene of the late seventies/early eighties and captured the rebellion and dissatisfaction found in that movement. This film focuses on the much more entertaining glam-metal scene of the late eighties. We witness such awesome sights as W.A.S.P.'s Chris Holmes getting loaded in his pool while his mom sits pool-side contemplating a very late abortion. Our old pal Ozzy's juice-pouring methods are something to behold and my new favorite band Odin sits in a hot tub with a bunch of metal-sluts and tells us how they want to be bigger than Zepplin and the Stones. This is intercut with their live performance where the lead singer expresses less range than Mark Slaughter and has no ass in his pants! We hear about struggling metal-heads who use women for their money and their food (they of course plan to pay them back with furs and cars when they get big.) And the always entertaining Poison treats us to a healthy dose of rock n' roll stupidity. This film contains some of the stupidest people I have ever witnessed. Why it won no Oscars is beyond me. I think it is one of the truly great films of the decade.
Obviously with a screen name like "MetalGeek," I was bound to get around to reviewing this movie sooner or later. :)THE DECLINE OF WESTERN CIVILIZATION II: THE METAL YEARS (1988) is an fascinating, occasionally hilarious study of the "Glam Metal" scene that was raging in Los Angeles during the late 1980s. If you lived through this period (like I did) and loved the music, then you will find much to enjoy here, from the live performances by L.A. staples Lizzy Borden and young (at the time) hopefuls Odin and Seduce, to the words of wisdom from hard rock royalty like Gene (Kiss) Simmons, Lemmy of Motorhead, and Ozzy Osbourne. The scenes of bikini contests at L.A.'s infamous Gazzari's night club will also provide necessary eye candy. :) The reason I call this an "incomplete" documentary is that for the most part it mainly focuses on the "hair metal" scene and many of the participants are unknown rockers who (righfully) remained unknown after this movie was released. There is no exploration of the history of the genre, nor is there any talk about some of the other trends in metal (thrash, crossover, death metal) that were also making noise in the scene around this same period of time. In addition, many of the younger band members interviewed here come off as delusional, chortling, sex-crazed dorks who are sure that HUGE success is right around the corner for them. Looking at this movie nearly 20 years later you wonder how many of them wound up asking "Would you like fries with that, sir?" when the grunge movement came along in the early '90s and wiped hair metal off of the musical map. In addition to the unintentionally hilarious interviews with the many band members and assorted hangers-on, the film is worth seeing for two things: the absolutely harrowing scene featuring Chris Holmes of W.A.S.P., who floats in his swimming pool, drunk as a skunk, telling the world "I drink because I'm not happy," and the scenes featuring Megadeth in the studio working on the song "In My Darkest Hour." In their interview scenes, Megadeth seem to be the most "together" and lucid band in the entire film, which is kind of ironic now because that short-lived Megadeth lineup eventually dissolved due to massive drug use. In short, headbangers and hair metallers will love the trip down memory lane that this movie provides, but those looking for a documentary about metal that looks beyond the hairspray may be disappointed. I don't believe the film has been released on DVD (probably too many hassles with music publishing rights) but if you can find it on VHS in an out of the way video store it's well worth your while.
Did you know
- TriviaThe footage of London was filmed in director Penelope Spheeris' garage, as the members of London did not have homes at the time the movie was filmed. The hot tub Odin was filmed in belonged to Spheeris as well. Likewise, the footage of Aerosmith and of Ozzy Osbourne were filmed in a producer's house. Chris Holmes' pool scene was also shot at the producer's house.
- GoofsMegadeth drummer Chuck Behler's last name is misspelled as "Beehler" in the end credits. This is not corrected on the DVD/Blu-ray release.
- Quotes
Alice Cooper: Rock and roll should corrupt kids enough to think. There's nothing wrong with thinking.
- Crazy creditsA clip of Bill Gazzarri appears after the credits, with a dance contest winner nowhere to be found.
- ConnectionsEdited into The Greatest: 100 Most Metal Moments (2004)
- SoundtracksUnder My Wheels
Written by Michael Bruce (as Bruce), Dennis Dunaway (as Dunaway) and Robert Ezrin (as Ezrin)
Performed by Alice Cooper / Axl Rose, Slash and Izzy Stradlin
Carlin Music Corp.
Produced by Jim Faraci
Mixed by Eric Thorngren
Alice Cooper appears courtesy of MCA Records
W. Axl Rose, Slash and Izzy appear courtesy of Geffen Records
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Занепад західної цивілізації 2: Роки металу
- Filming locations
- Los Angeles, California, USA(main location)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross US & Canada
- $373,743
- Opening weekend US & Canada
- $45,008
- Jun 5, 1988
- Gross worldwide
- $373,743
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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By what name was The Decline of Western Civilization Part II: The Metal Years (1988) officially released in India in English?
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