A college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around... Read allA college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around him. Will he find the killer in time?A college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around him. Will he find the killer in time?
- Nicholas Lang
- (as Rob Knepper)
Featured reviews
Quaid gives a slightly manacle performance that is fun to watch, and he does a pretty good job of holding the movie together. Some of the other cast members, well they work but their motives to me do not lead up to the results that are laid out, but this is a movie, so who cares? The production is spot on. The lighting is what I always imagine a noir picture to be. Fan shadows, lights through blinds, lit cig smoke. All the stereotypes that make a Noir a Noir are here. It does work and looks spectacular. This movie would be a great movie if you were to be studying lighting techniques.
The end, I did see coming but it felt underwhelming. Noir is known for having some twist, or cool plot device that is set up without even knowing was set up, and then BOOM last ten seconds changes everything....not so much here.
Is it as solid as the original? Well the original is a classic, but to me is a different movie, and other than the set up and the title, are different and should be judged on their own.
I enjoyed it and will watch it again.
Cornell is a Lecturer and novelist although he hasn't written a book in for years and can't be bothered to read a work written by a keen student. The next thing he knows that student plummets past his window and dies on the concrete below. That isn't the only thing going wrong; his wife wants a divorce and it later emerges was having an affair with the student. On learning this he decides to get very drunk. The next morning he wakes up in the bed of student Sydney Fuller with a killer hangover. In fact he feels so bad he goes to hospital and discovers that he has been poisoned with radium chloride and only has a day or two left to live. He is determined to discover who poisoned him and why.
This isn't really a remake of the 1949 film as it only takes the central premise of that film; here we get an entirely set of characters and motives. The opening is a great hook then the story takes its time getting to the point where Cornell discovers he was poisoned. This give us time to meet the various suspects, and student Sydney who will get caught up in the hunt for the truth. Once he learns what happened the tension rises quickly... so does the body count as he finds himself suspected of one murder and targeted by people who think he knows more than he does. Dennis Quaid is impressive as the doomed Professor Cornell and Meg Ryan is fun as Sydney; the rest of the cast is solid too. There are plenty of good action sequences and a few really good surprises... even if the identity of the killer and the motive aren't too surprising. The film has a great neo-noir look; opening in black and white before switching to colour in the flashback; colour that fades as his condition worsens. Overall I really enjoyed it and would recommend it to people wanting a good mystery.
Quaid is the English professor who walks into a police station and reports a murder: his own. He has 24 hours to live after having been given poison, and is determined to use the remainder of his life to find his killer.
This film is fast-paced and littered with corpses and more red herrings than Brixton market, but the direction and script never gel. Despite a competent and charming performance by Quaid, paired with his real-life wife-to-briefly-be Ryan (a romance necessarily also conducted at top speed), D.O.A. is let down by a cop-out ending.
The film is stylishly directed throughout, drawing on a number of influences to capture its 'seamy' feel. Would you credit that it's actually directed by two people? The answer is no. The whole thing is superbly slick, from its innovative camerawork to its unabashed use of black and white photography. All these elements help to keep proceedings fresh.
Really the greatest thrill here is to be had with the dialogue, it's snappy yet intricate, doesn't waste a word and yet still manages to be entertaining. The screenplay for this is like a pocket work of art.
This went unnoticed by me for ages before I finally caught it late at night. If this is the first you've heard about it, don't leave it like I did! Catch it soon, it really is top-notch... !
If you're in the mood for a solid genre flick that manages to surprise at every turn, this really fits the bill.
Did you know
- TriviaThird of five versions of the D.O.A. (Dead on Arrival) story with the first being the classic original film noir motion picture Mort à l'arrivée (1949) with other versions being Mort à l'arrivée (1988), Hyper Tension (2006), Color Me Dead (1969), and Dead on Arrival (2013).
- GoofsAt the end of the movie, Dex shoots the villain, who falls out of a window. Dex shot the villain in the front and the villain took several steps backward, without turning around. The next shot shows the villain very obviously jumping out of the window by running up to it facing forward and spinning around in the air.
- Quotes
Bernard: I don't think I like what you're inferring, Mr. Cornell...
Dexter Cornell: [condescendingly] Implying. When I say it, that's implying. How you take it, that's inferring.
Bernard: I see. Infer this.
[punches Dexter]
- Crazy creditsThe opening Touchstone Logo is in black & white and the logo's flash is accompanied by a thunder clap.
- SoundtracksToo Much Sex, Not Enough Affection
Written by Pat MacDonald
Performed by Timbuk 3
Courtesy of I.R.S. Records
- How long is D.O.A.?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $12,706,478
- Opening weekend US & Canada
- $3,751,432
- Mar 20, 1988
- Gross worldwide
- $12,706,478
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.85 : 1