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5.8/10
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In this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his fin... Read allIn this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his final leading role.In this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his final leading role.
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Josh Devane
- J.P.
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10bibi-3
I saw this movie almost ten years ago, and I still haven't seen a better comedy.
I enjoyed every minute. Don't miss it !!
I enjoyed every minute. Don't miss it !!
This is a heart warming film. I'm not a typical person to like 80's cinema, though i do like all manners of comedies, though this is great. I've never seen a George Burns film & i really liked it. He obviously passed his comedy talent on to Pauly Shore and it was interesting to see a film in which Pauly was an actor & not a comedien playing an actor. You know what really would have been interesting. If this was made once Pauly had his image established, there could've been a couple of great scenes with Burns trying to understand what he was saying & stuff. This film is great, & you don't have to be a fan of 80's cinema to enjoy it throughly. Two very enthusiastic thumbs up. Also, some might say that this has played too much on a body switching premise of the late 80's but i think it had a nice angle on it, and i loved this film
I must have a thing for body swap stories because I've liked nearly every film with this premise. 1987-88 was the peak year for this type of flick and you had a bunch of good ones: Like Father, Like Son, Vice Versa, and Big all came out that fall, spring, and summer. 18 Again is the one that came and went. It lasted about three weeks in theatres and then disappeared. The thing is, I think I like this one more than the others that I've mentioned. Maybe it's because George Burns is in it, maybe it's because of the gorgeous Anita Morris, or maybe it's the idea of being an older man getting a second chance at youth. It's possible that all of the above contribute to the appeal. Regardless, when I want to watch a movie in this genre, 9 times out of 10, I stick in 18 Again and enjoy it every time. It's not the best of the genre but it's probably the most fun.
Some people didn't like this film, but I did. It was one of the four body swap comedies that came out in the same 12 months during 1987-1988. I remember them all very well cause I was 12 and 13 then and I was always going to the movies.
"18 again" was the second best of the four. ("Vice versa" was best due to very convincing and humorous acting from Fred Savage and Judge Rhinehold when they switch. "Like father, like son" was my least favorite due to very unconvincing and stupid annoying acting from Kirk and Dudley when they switch. And "Big" was Tom Hanks as a 13 year old in a 30 year old body acting more like was 6 instead of 13 when he switched and not acting anything like he did when he was actually 13). George Burns was always a good comedian, and I liked him in the "Oh god" movies. Here he switches places with his 18 year old grandson, Charlie Shlatter. The swap comes after Burn's birthday party when he says how he's happy about how he has everything he wants, except youth. Then, Burns and Charlie, in the car together, have an accident.
When he comes to, Charlie in Burn's body, he discovers he's been swapped. He's shocked for a moment, but then he is ecstatic and excited, he has gotten his wish. He goes back to school and things for him change due to Burn's soul now being in Charlie's body. Before, Charlie was always being pushed around by the bullies in his fraternity, and he had no confidence with girls. Now, Burns in Charlie's body, he stands up to those bullies, makes a jerk of a teacher look bad in front of the whole class by outsmarting him and being a wise ass about it. He now, with confidence, improved his track abilities. And he now, with confidence, was able to attract and win the girl he couldn't get when Charlie was Charlie. I also liked the scene when Burns/Charlie throws a roaring 20s style party, but some of that is cause I'm a big fan of movies from Hollywood's golden age. It being an 80s movie though, I am a tad bit curious how a bunch of 80s kids were automatically able to jump into a 20s style party like that, right away knowing all the dance moves and styles from that era. I like how Burns/Charlie's girlfriend dresses and dances just like a flapper (same with all the girls at that party). I also liked how Burns/Charlie mentioned bathtub gin and said "let's roar like the stock market crash is just around the corner". I also liked the scenes of Burns/Charlie and his old friend Red Buttons when he was convincing him what really happened with him and his grandson switching. And I liked their suggestive version of "By the light of the silvery moon" that they had sang many years ago when they were younger.
The one thing that bothered me a bit more in this film is how the other half, Charlie in Burn's body, was basically unconscious through most of the movie, since the souls were swapped, and Burn's body was in a coma from the car crash. But I guess it did give us more time to explore the different experiences Burns was having in Charlie's body. Still a good movie.
"18 again" was the second best of the four. ("Vice versa" was best due to very convincing and humorous acting from Fred Savage and Judge Rhinehold when they switch. "Like father, like son" was my least favorite due to very unconvincing and stupid annoying acting from Kirk and Dudley when they switch. And "Big" was Tom Hanks as a 13 year old in a 30 year old body acting more like was 6 instead of 13 when he switched and not acting anything like he did when he was actually 13). George Burns was always a good comedian, and I liked him in the "Oh god" movies. Here he switches places with his 18 year old grandson, Charlie Shlatter. The swap comes after Burn's birthday party when he says how he's happy about how he has everything he wants, except youth. Then, Burns and Charlie, in the car together, have an accident.
When he comes to, Charlie in Burn's body, he discovers he's been swapped. He's shocked for a moment, but then he is ecstatic and excited, he has gotten his wish. He goes back to school and things for him change due to Burn's soul now being in Charlie's body. Before, Charlie was always being pushed around by the bullies in his fraternity, and he had no confidence with girls. Now, Burns in Charlie's body, he stands up to those bullies, makes a jerk of a teacher look bad in front of the whole class by outsmarting him and being a wise ass about it. He now, with confidence, improved his track abilities. And he now, with confidence, was able to attract and win the girl he couldn't get when Charlie was Charlie. I also liked the scene when Burns/Charlie throws a roaring 20s style party, but some of that is cause I'm a big fan of movies from Hollywood's golden age. It being an 80s movie though, I am a tad bit curious how a bunch of 80s kids were automatically able to jump into a 20s style party like that, right away knowing all the dance moves and styles from that era. I like how Burns/Charlie's girlfriend dresses and dances just like a flapper (same with all the girls at that party). I also liked how Burns/Charlie mentioned bathtub gin and said "let's roar like the stock market crash is just around the corner". I also liked the scenes of Burns/Charlie and his old friend Red Buttons when he was convincing him what really happened with him and his grandson switching. And I liked their suggestive version of "By the light of the silvery moon" that they had sang many years ago when they were younger.
The one thing that bothered me a bit more in this film is how the other half, Charlie in Burn's body, was basically unconscious through most of the movie, since the souls were swapped, and Burn's body was in a coma from the car crash. But I guess it did give us more time to explore the different experiences Burns was having in Charlie's body. Still a good movie.
"David Watson" (Charlie Schlatter) is an 18-year-old college freshman who is in the process of attempting to pledge to a fraternity. His worst antagonist is a senior in that same fraternity named "Russ" (Anthony Starke) who just so happens to have a girlfriend by the name of "Robin Morrison" (Jennifer Runyon) who David is also quite smitten with. In any case, one night while out with his grandfather, "Jack Watson" (George Burns) an auto accident creates a situation in which the soul of Jack is transplanted into David-and vice versa. So now, rather than being 81 years old, Jack is now 18. And being extremely outgoing, Jack becomes quite determined to make the most of the situation. Now rather than reveal any more I will just say that I thought that this was a pretty good comedy all around with both George Burns and Charlie Schlatter performing in a fine manner. Likewise, having an attractive actress like Jennifer Runyon certainly helped to improve the scenery as well. Be that as it may, I enjoyed this movie and I have rated it accordingly. Above average.
Did you know
- TriviaIn George Burns' last starring role, he played an 81-year-old when he was 91.
- GoofsFor David's big race, Charlie gives him the running shoes that he wore back in 1928, however the leather on sixty year old shoes would have deteriorated to point that the shoes would be unusable.
- Quotes
David Watson: I don't want to hit a lady, Horton, but I wouldn't mind hitting her.
- Alternate versionsFor its official rental video release, the film has been licensed to MovieTees for its Watch & Wear video shop promotion. In addition to the theatrical logo plastered with its home video counterpart at the opening, it attached the promo's "stay tuned" portion that leads into the film itself. The promo begins as it slides up at the tail end of its closing credits.
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Details
Box office
- Gross US & Canada
- $2,567,099
- Opening weekend US & Canada
- $1,475,645
- Apr 10, 1988
- Gross worldwide
- $2,567,099
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