Who's That Girl

Before she appeared in a series of Freudian dramas (Body of Evidence, Dangerous Game, Evita), Madonna experimented with juxtaposing the Nabokovian ideal of naive nymphette (see Desperately Seeking Susan) with that of unabashed working-class sexuality. What results is a masterpiece of subtle Neo-Marxist Feminism, culminated in the character of Nikki Fin. At the onset we're forced to inquire about Nikki's identity: Really, who is that girl? Is she dressing that way intentionally? Does her sartorial behavior undermine or fuel her existential yearnings? Disguised as a comedy, Who's That Girl toys with the notion that under certain social imperatives (read capitalism reeling from Reaganomics) women must find purpose by not simply exercising hostility on their male peers, but expect social gain and subordination from their attempts. Can I recommend Who's That Girl? Wholeheartedly, I can.

As most positive reviews have already stated – If your not a Madonna fan, you probably won't like this movie. However, as a Madonna fan, I saw this movie when it played on cable the first time, around 1988, I enjoyed this movie then and I still enjoy it now.

It's not deep or even based in reality but it is just very fun to watch. Madonna gives a great performance as Nikki Finn; she's funny, sexy and assertive. It's clear she carries the film; I've read other user's comparisons to Judy Holiday and Marilyn Monroe, and to me, that's not bad company to be associated with.

Her character is simply mesmerizing on screen, in late 80's fashion of course...I don't know about the rest of you, but I just enjoy seeing the Madonna we grew to love, before her exploitive stage, before she 'gave the farm away' so to speak, she was sexier then.

How about the soundtrack? Great especially the theme song… And Griffin Dunne is hilarious by the way. B+

The singer / icon known as Madonna in the 1980's was Nikki Finn. The outrageous and very funny little girl with a sketchy past could only be played Madonna. Who's that Girl is a romantic comedy about two completely different who end up falling in love under the most unusual circumstances. Although its not a great comedy, the story is genuine and the acting holds up. Surprisingly, Madonna does not use her sexuality as much as she has in the past and in future films. Her funniness and charm wins over the audience. Although she is very sexy, she does not use her eye candy to draw the audience. A coming of age drama in the sense that Madonna is growing up and trying to break away from her past. In the end, the movie showcases Madonna as an actress and not the singer. Not since Desperately Seeking Susan two years before, that a film took a chance to promote Madonna off the stage (music) and onto the big screen as a comedic actress.

A reworking of a screwball comedy classic, Bringing Up Baby, with Madonna of all people shouldn't work. This one somehow does, thanks mostly to the two leads. Yes, Madonna is a limited actress and not every scene is perfect, but she does an admirable job bringing a fun and likable character to life. Most importantly it doesn't just feel like she's playing herself. The criminally underrated Griffin Dunne deserves a lot of praise, as well. He was my favorite part of the movie. I think he elevates the material and gets the best out of Madonna in their scenes together. I wish he had done more crazy comedies like this because he's very good at it.

It's not a flawless film and I certainly understand the complaints. The fair ones, at least, not the petty ones. But it's a very fun comedy with a quick pace and likable actors. What's Up Doc is still probably the best modern screwball comedy I've seen but this one is nothing to dismiss. Try to leave preconceptions about Madonna or the film's reputation at the door and give it a fair shot. I think you'll be happily surprised.

This movie is one of my favs...It is a screwball comedy, and for those not familiar with the formula will probably not get this movie, definitely in the same vein as "Bringing Up Baby" or "What's Up Doc" (coincidentally, BUB was also a flop in its original release, but was rediscovered as a classic confection of the screwball comedy). In other words, this movie is a check your brain at the door movie, and just have some fun, no redeeming quality, other than to take you on a great trip...I recommend this movie to any fan of wild comedy (and it is easy to forget your watching Madonna, she is really good in this movie)...