User reviews

You sense you're in for something a bit different when you hear the ticking of the clock in the first few seconds of the movie - a countdown to a personal doomsday for Jerry Mitchell (Siemaszko), in charge of the high school bookstore and a writer for the school paper. He's assigned to write an article on the new kid, Buddy Revell (Tyson). Only Revell is no kid; he's a hulking mass of unstoppable destruction and patently psychotic. As mentioned beforehand in the picture, he's also a 'touch-freak' so when Mitchell makes the fatal error in the bathroom, it's so foolish of him, you might think he deserves his fate. But no one deserves the amount of psychological torture he endures for the next few hours. Does all this sound like a comedy? Probably not, but it is - a dark satire on high school comedies. And it works like crazy.

As you watch Mitchell spiral downward further and further into an abyss, you begin to wonder where he'll end up. His many efforts to free himself, involving school security, robbery, pay-offs, and teacher seduction, only further entangle him in a nightmarish situation, heightened by various hints of how bloody his beating will be. You slowly realize, as the clock ticks towards an inevitable showdown, that Mitchell will get no sympathy, even from his friends; it's a stunning depiction of how necessary is an individual's self-reliance and self-direction of their own destiny. The whole thing would've fallen apart if there hadn't been a showdown, if Mitchell managed to avoid the confrontation. But there is a Showdown, with all the spectacle of a Roman coliseum and the roar of crowds - it's an exciting climax. The funniest scene for me was Mitchell in the office of 'Voytek Dolinsky', the school's gestapo disciplinarian.

I have just discovered this film recently. It was never very popular, and I don't know why. I am surprised that a few people can't stand this film. After viewing the DVD a few times, I can honestly say that overall this is not a bad film. The directing is superb. I liked the way the director uses time...the passage of time...and shows its relationship and importance to the story. I also liked the camera blocking, and angles. My favorite shot is of the bully walking out of the school just before the fight: The camera zooms in and tilts up at a low level. A technique taught in film school to show a subject as "larger-than-life", or menacing over something. The acting was also excellent. Richard Tyson is great as the bully. His deep voice is well suited for this role, and is especially noted if you have a subwoofer. Yeah, I wouldn't want to fight him, either... Although the story is "typical", I like the plot-line. Throughout the whole story, the plot slowly builds to an amazing climax, then drops suddenly, and levels off. Its a perfect plot-line. Although, some parts of the story are "far-fetched". Such as, Jerry pretending to fall in love with his English teacher. One thing to remember, though, this is fiction. Sometimes in fiction, things happen that are unlikely in real life. That's why its called "fiction". Other than the bland "typical" story, I could not find anything wrong with this film. I have yet to even find so much as a continuity error. In conclusion, if you are looking for "content" you will be disappointed with this film. However, if you are looking for a well-directed film with good use of camera blocking and angles, and actor positioning, you will find this to be a very enjoyable film. ACTING: 9.1 / 10 DIRECTING: 9.4 / 10 STORY: 8.8 / 10

AVERAGE: 9.1 / 10 A lost Gem, and a must see for "film people".

The teen movies of the 80's decade were dominated by the cheesy / romantic / well-intentioned cinema of John Hughes; the "Lemon Popsicle" sex teen movies clones such as Bob Clark's "Porky's" trilogy, "Fast Times at Ridgemont High" or "The Last American Virgin" and the Spielberg's executive produced adventure / fantasy teen flicks such as "Back to the Future" or "The Goonies".

Phil Joanou's first venture as a director was an unconventional teen comedy for its time called "Three O'Clock High", set in an all american High School like the majority of Hughes' (and non-Hughes) flicks of this genre, inspired by the classic western "High Noon" starring Gary Cooper (in an Oscar winner role) and Grace Kelly and based in real life situations of the two screenwriters during their High School years.

Joanou, a fan of Scorsese's "After Hours", released 2 years prior and also an unusual comedy, but set in the adult world, based its directing style and fancy cinematography straight for the teen movie genre with the help of the inovator cinematographer, Barry Sonnenfeld (an usual collaborator of the Coen brothers at that time) to acquire a 'cartoon-ish' / comic book style through stylized camera angles and proper lightning effects resulting in a visually nifty film which also benefited from a skillful editing giving the movie its congruous frantic pace.

Besides the greatness of its technical aspects, the movie is also clever in its storytelling, the rivalry between the nerd, Jerry Mitchell and the "new kid on the block", the bad boy, Buddy Revell changes stereotypes through the course of the action with Mitchell being accused of theft, illegal weapon possession and even for cheating at the exam and Buddy, the long-haired' black leather jacket outsider being more smart & sensitive than people would give him credit for.

Casey Siemaszko, after a string of good supporting roles in famous teen movies such as "Back to the Future", "Secret Admirer" and "Stand by Me" was given the lead role of Jerry Mitchell and he's perfectly cast giving life to his character, a nervous, unpopular & nerdy high schooler about to face his rite of passage to becoming a confident young man after his feud with the troubled misfit, played here by Richard Tyson, in his debut role, who delivered an interesting (and imposing) performance as Buddy Revell, even if his screentime is kind of short.

The supporting players are filled with great character actors such as the always sinister, the late John P. Ryan ("Runaway Train", "Avenging Force", "Class of 1999"); Jeffrey Tambor and Mitch Pileggi (future Wes Craven's "Shocker" and better known as Skinner in the hit TV show, "The X-Files").

Some may say, including the late Roger Ebert in his review, that this movie resembles a lot of an early teen movie starring Chris Makepeace, Adam Baldwin & Matt Dillon called "My Bodyguard", which is a great (and earlier) entry on the High School genre, but ultimately, "Three O'Clock High" is way more creative, memorable and well paced and much more worthy in the rewatchable factor.

Steven Spielberg, who executive produced this movie, ordered to get his name removed from the credits after he watched a rough cut of this. Apparently, the big bearded wanted another "The Karate Kid" or a more conventional / cheesy High School teen flick and this kind of offbeat comedy startled him. He had already done the same two years before with "Fandango", the debut movie of director Kevin Reynolds which featured a young Kevin Costner in his first leading role.

In my point of view, Spielberg made a big mistake of disowned both films, because they're way original and inventive and still hold up well today and maybe with the Spielberg name envolved, they could have had more chances at the box office, instead of being flops that ran into obscurity (only cinephiles know the existence).

Also worthy of a mention is the memorable music score by Tangerine Dream and the additional music provided by Sylvester Levay.

In short, "Three O'Clock High" deserves to be in the Top 10 of the best High School teen movies from the 80's, it's a great watch and one of the last breath of a genre that started the downfall in popularity at the same time as the end of the decade was approaching...

On a side note, the hit TV Show for Fox Network that premiered in '90, "Parker Lewis Can't Lose" stole the concept, ideas, the cinematography and directing style of this one. Universal Pictures and Joanou should have sued Columbia Pictures Television for producing such a blatant rip-off.

Another little known, rarely mentioned film that for unknown reasons fell between the cracks. When atrocities like The Wild Wild West and Men In Black I & II make hundreds of millions, it is an enigma that great films such as Three O'clock High languish in obscurity. I am an avid film buff but have no recollection of this movie ever being released. It only made 3.7 mil. at the box office, I wonder if the director stepped on the wrong toes and someone intentionally tanked the project? IMDb trivia says Stephen Spielberg executive produced it, but had his name removed from the credits. That is always a negative thing in Hollywood, something done in protest. Joanou's trivia says he once punched out a studio executive on the set, could this be that set? Very strange, and what a pity, because this is a very good film. I gave it a 10 to up it's IMDb rating, though it is probably more like an 8. It has it's moments, however, that are well worth checking out, that occasionally make it worthy of a 10.

One of the more enjoyable elements of this film is the photography. Director Joanou, who started in music videos, teams up with Barry Sonnenfeld, of Coen brothers fame, and makes for some highly stylized cinematography. Though some of it might seem passé today, keep in mind at the time it was made (1987) nobody was doing anything like it. Guy Ritchie seems to have been influenced by it... 13 years later.

Superb performances by the two leads, Casey Siemaszko and especially Richard Tyson as the bully. The only time I have seen Tyson match his caliber here was in, of all things, Something About Mary, but I still think he has it in him. He plays a great heavy. The film is a bit slow now and then. Certain bits could be completely removed and the film would be better off without it. Overall it is a good film and, save a little language, safe for kids. Also, great soundtrack by Tangerine Dream. Check it out.

This is a consistently overlooked and under-rated film. Fans of movies like Rushmore and Election may be surprised to learn that even during the John Hughes (Pretty in Pink, Sixteen Candles, etc.) era there were still hip, funny movies being made about the high school experience.

The movie is shot in a mildly surreal "Coen brothers-esque" fashion that makes it a joy to look at, while the script is sharp and inventive. Despite its abstract nature, the script is very true to the realism of adolescent intimidation. Also not to be overlooked are some very clever performances by some lesser known performers which come off as very convincing.

Don't get me wrong, this is not a great film, very few are. If you consider Rushmore a 10 in this genre than Three O'clock High is about a 6 1/2 or a seven, but still well worth viewing.

This is a teen comedy from the 1980s, every bit as good as anything made by John Hughes in those days (Breakfast Club, 16 Candles, etc.).

The plot: our hero, Jerry, is assigned by the school newspaper to interview the new kid at school. The new kid, Buddy, is a big thug with an attitude. To make his reputation, Buddy bullies and intimidates Jerry, and tells Jerry that, come three o'clock, he is going to beat him up. Jerry spends the rest of the day trying to get out of participating in the fight.

The story is full of the usual parodies of teen-aged stereotypes, but they are somehow more believable and human than the characters in most films of this genre. The protagonist, for example, suffers from under-confidence resulting from being hypoglycemic. The story is all about him overcoming his under-confidence (a process we all go through in high school), which is a really common plot in teen movies. What comes through in this film is that *all* of the students are going through the same process. The cool, spooky girl next door turns out not to be so cool, underneath. The hero's buddy tries to help in the struggle, but gets sick of him and abandons him. The villainous tough ends up feeling ashamed of himself. These comic characters stick with you because they are so much like real teenagers: naive, under-confident, and overreaching.

I remember this movie from so long ago, it had a pretty fun storyline and will hold your attention. I don't think it's by any means a classic although it IS funny. The main problem is the casting of richard tyson as the bully, I saw him in "two moon junction" and he was great in that but I didn't buy him as a bullying nut, although it was fun to see him in another movie(saw it after 2 moon).

Three o' clock is a good "lost gem" type of movie to dig out when viewing old teen movies or to be seen by today's fans of teen movies. I would give this about a 5 on the casting, 7 on laughs and 8 for originality. Good for any fan of 80's teen movies to check out.

3 O'Clock High is a wonderful film. It bears little resemblance to the 80's teen archetypes, such as _Fast Times at Ridgemond High_ or the Hughes films, excellent as those films may be. 3 O'Clock is purely plot-based; a sensitive view of teenage angst can be found elsewhere.

The basic plot: Jerry Mitchell, everyman adolescent, manages to get himself into an after-school fight with the school psychopath Buddy Revell by 8:00 am, and spends the next 7 hours contriving every scheme to escape the certain flogging which awaits him at 3pm. The film opens with a clicking alarm clock (peculiar for an electric clock) and ends with an image of the school clock; in between, clock dials, and class bells serve as symbolic death watch beetles.

Jerry's gradual disintegration amongst his friends, the school administration, and the school store manager as well as his physical and moral decline as the day wears on is very amusing.

What's memorable about the film is its radical cinematography which we presume is the contribution of long-time Coen collaborator cinematographer Barry Sonenfeld. Extreme wide-angle shots, and a clever technique of high-speed crane shots make for a very distinctive look (which I have never seen duplicated). While clever technique this could create a ponderous over-theatrical look (like some of Spielberg's 80's work as viewed today) or a vapid MTV look, Joanou uses the showy technique to great effect and the film looks as fresh today as it did nearly 20 years ago.

The enigmatic Buddy Revell is a wonderful creation, masterfully introduced by a continuous moving shot following, in succession, three sets of exchanges between students recounting Buddy's legendary reputation for psychotic violence. The roving camera threads through each group of students as deftly as if in a Fellini film, (at the risk of being bombastic).

As well as a sharp plot and dialog, and an innovative technique and excellent production values, the assembled cast is uniformly superb. Casey Siemaszko is perfect for the role, and Richard Tyson gives an absolutely straight interpretation of Buddy Revell. Seconday roles are played by character actors Jeffrey Tambor, John P. Ryan, Mitch Pileggi among others.

In conclusion, you know it's a special film because so many of the images and the dialog stick in one's mind. The cheerleaders tearing apart the effigy and skull as the horrified Jerry watches, the library shelves toppling like dominoes to reveal Jerry and Vince cowering in the corner, all of the scenes with "The Duker", the Dean of Discipline's dungeon of an office, the educational 8mm insect film, the sinister retelling of the Iliad, Jerry frantically attempting to break open a cash register using a world globe and fire extinguisher.

The film probably didn't make it big because no big names were connected to it. Joanou would go on to do a curiously unrelated string of projects, some music videos, television documentaries, and even sitcom work. He did do another mainstream film _State of Grace_ (1990) with Sean Penn, another excellent and underrated film.

The nerd Jerry Mitchell (Casey Siemaszko) is responsible for the student store at the Weaver High-School. When the troublemaker delinquent Buddy Revell (Richard Tyson) is transferred from a continuation high-school, one teacher assigns Jerry to write an article about the notorious Buddy Revell to the school newspaper. Jerry stumbles upon Buddy in the bathroom and touches the shoulder of the bad boy that schedules a fight with Jerry at three o´clock at the parking lot. Along the day, Jerry tries to find a means to avoid the fight. Will he succeed?

"Three O'Clock High" is a silly comedy about a nerd that spends the day of class trying to avoid a fight with a bully delinquent. The plot has funny moments but is also stupid many times. In the end, entertains without being special. My vote is six.

Title (Brazil): "Te Pego Lá Fora" ("I Catch You Outside")

Three O' Clock High Suburban High School Masterpiece - 10 (classic)

At age thirteen, I was beginning to question my place in the flux of society. Did I belong to that group or that group? Little did I know that I was to hit puberty soon, whereupon a new cocktail of hormones would knock my brain out of childhood and into the world of minimum wages, TV, and weapons of mass destruction.

No other movie I can think of captures that sense of stark naked individuality as poignantly as THREE O'CLOCK HIGH. This brilliant film features a hero and a villain, both of whom are loners. The hero, played by Casey Siemaszko, is a born loser, the one who realizes that his fly is open during public speaking class and faces the laughter of all the normal kids. The villain, a young and fresh Richard Tyson, who was born to play this role, is the psychotic biker thug who never says a word and never allows anyone to touch him. The two loners have an unlucky encounter one morning, and as Jerry Mitchell apologizes he accidentally touches Buddy Revell's jacket. That's where the shat goes down, and soon the whole school is abuzz with the latest news: fight at three o' clock. Buddy Revell vs. Jerry Mitchell.

THREE O' CLOCK HIGH is directed and edited with supreme wit. Every second of the day is stretched to darkly humorous extremes. Each tick of the clock brings the audience closer to doom and a zoom closer into Jerry's sweaty forehead. Anyone who's set foot in an American school will be up in stitches suffering from that kind of uncontrollable laughter that bubbles up from the sternum. As he over-interprets the things he sees around him, Jerry Mitchell's fear reaches out through the screen and tickles your stomach. No other pathetic loser role has been played as well ever or since in my opinion.

I don't think that any of the cast & crew of this classic film have had the industry standard "illustrious" career, but who cares? They all came together in 1987 to make a movie that changed the course of my life. Stephen Spielberg was involved in THREE 'O CLOCK HIGH's production, but I don't know exactly where. Anne Ryan did a stellar job as Jerry's proto-goth girlfriend. Who knows what she's doing now? By now the children of 1987 are all grown up and running the rat race in a gerbil wheel.

THREE O' CLOCK HIGH will resurface all of the high school emotions that you want to forget. Do you remember wetting your pants, the puppy dog love, or being abandoned by your close friends? One thing is for sure. Watching this movie will evoke those emotions, including the deepest of thrills - overcoming the odds and getting that half-assed paper in on time.

Jimboduck.

This is one of the best movies I've ever seen. Should I be ashamed to say this? Probably. And let me just say by 'best', that's about 50 or so odd films, at least, all of varying genres. So, let's just say in terms of comedies, it's one of teh best. As far as 80's films? Totally underrated. I've watched this film about 30 times, several of them in my teens on Showtime or whatever, and the theme song, "Something to Remember Me By" is no top 40 hit by any stretch of the imagination, yet I used to hum it all the time (until finally tracking down the soundtrack CD). What is the lasting appeal of this film? Beats me. Technically, it's brilliant: lots of fluid camera work, music video-y filming that's somehow less MTVish than the current crop of teen films, and an amazingly zippy pace that careens one from plot point to plot point while somehow never seeming rushed or jumbled. As for the film itself, it's typical teen stuff (a teenage 'hell day,' essentially), but done with so much panache that any child of the 80's can't help not loving it. 'Don't ---- this one up, Mitchell!' Jerry's unorthodox book report. The Tangerine Dream score. Cooking pop-tarts in the microwave with fresh-from-the-washer clothing. 'At 3:00, you and I are gonna fight out in that parking lot and there's nothing you can do about it'... Long live this film!

"Three O' Clock High" is a good, if naive high school movie about taking responsibility and making a stand. The guy who needs to make a stand in this story is Jerry, a completely innocent and defenseless guy who gets into trouble with a high school bully that swears he's going to beat him up after school. Over the course of the movie Jerry is trying to get out of this situation badly but in the end he is coming to the conclusion that sometimes you have to face your problems instead of running away. The moral of the story is a nice one, although it's not to be taken too seriously. "Solving problems" here means winning a fist fight and becoming the most popular guy in school. After all this is only a high school fairy tale, and a very enjoyable for that matter. "Three O' Clock High" is better in many aspects than you might realize at first. The direction and editing are more than solid, the score complements every scene nicely and scriptwise the very ending displays a clever counterpoint to an earlier scene in the movie, that shows how high school myths come into existence. All in all it's the perfect movie for a Sunday afternoon.

When I think of the eighties teen genre, I think about John Hughes and John Cusack...and a little movie called Three O'Clock High. Three O'Clock High is the greatest eighties movie that no one knows about. It does, in fact, blow The Breakfast Club out of the water. Casey Siemaszko is perfect in the lead as Jerry Mitchell and he is the ultimate underdog. You can't help but love his character. He definitely has a large degree of untapped talent. The most unforgettable character however, is Richard Tyson's infamous Buddy Revell. I won't say that he completely steals the show, but he does come close to it. Revell has many a one-liner and I quote him on a weekly basis. And who could forget Tangerine Dream's score. They are also an integral ingredient of the eighties flick. This is a truly brilliant piece of comedy. Three O'Clock High is a comic gem as well as a must see.

"You and me, we're gonna have a fight-today-after school-3 O'Clock-in the parking lot. You try and run, I'm gonna track you down. You go to a teacher, it's only gonna get worse. You sneak home, I'll be under your bed. You and me...3 O'Clock."

This is just a terrific movie. Well written, well cast, well acted. I do not understand why this never reached more of an audience.

I am also surprised that the young cast has not gone on to become better known. Casey Siemaszko and Richard Tyson continue to act and act well, but are not generally well-known. The fabulous Caitlin O'Heaney ("Tales of the Gold Monkey") pretty much disappeared from the screen after this movie, and little more was ever seen of cute Stacey Glick, Anne Ryan, Mike Jolly, or even pretty Liza Morrow, who all were fine in this movie.

This is one of the best of the '80s teen movies. Don't pass it by.

Why is this movie not up there with 'The Breakfast Club,' 'Heathers,' and other teen rite-of-passage classics? 'Three O'Clock High' is hilarious. The cinematography is as well-executed as the script, and laughs appear at just about every turn. The mixed nuts in the cast give great deadpan performances (Jeffrey Tambor kills me every time as he heartbrokenly surveys the vandalized school supply store -- 'what kind of animals would DO this?' he almost weeps), playing up the comic absurdity of the script. A wonderful farce that hasn't lost a bit of its charm in 12 years. Why Anne Ryan, the hero's girlfriend, disappeared after this movie is a mystery to me -- she should have become another Winona Ryder. Don't pass this one up if your local video store has bothered to keep it on the shelf. You can thank me later. And if you're leery because the movie tanked at the box office, remember, Milli Vanilli's record sold seven million copies, so trusting the mainstream public is not always the best idea...

Nerdy Jerry Mitchell (Casey Siemaszko) has a bad day. His parents are away. His little sister Brei Mitchell (Stacey Glick) is more put together. His best friend Franny Perrins (Annie Ryan) has a spirit guide Ethan. Infamous Buddy Revell (Richard Tyson) is new to their school who supposedly hates to be touched. His friend Vincent Costello (Jonathan Wise) wants a story done about Buddy in the school paper and Jerry is assigned the story. While at the urinals, Jerry tries to talk to Buddy but it goes horribly wrong and Jerry touches Buddy. Buddy orders him to fight at 3:00 in the parking lot. Mr. Rice (Jeffrey Tambor) runs the school store. Karen Clarke is the school hottie. Duke Herman is the overly aggressive security guard. No matter how hard he tries, he can't stop or escape the fight. He steals money from school store to pay for Buddy to be beaten up and detective Mulvahill (Philip Baker Hall) is called in to investigate.

I love the fun comedic manic style. The editing style from director Phil Joanou reminds me of Edgar Wright. It's got that fast snappy cuts. I fell in love with Annie Ryan and her wacky character. The main problem is that Casey Siemaszko is too old and not necessarily that funny. Although he's very good at being a pathetic guy. I actually like the fact that he's not the nicest or a simple good guy. Richard Tyson is great as the strong threatening bully. He really sells the character with very few words. Sure it makes no sense that the library could be trashed and nothing happens. It's best not to get stuck with the logic of it all.

This movie has it all. A great premise, a slow build-up (with constant shots of the clock ticking toward the dreaded 3 o' clock), and a satisfying conclusion. I loved the opening sequence as Jerry has to rush to get to school on time (that groovy track "Something to Remember Me By" is on the soundtrack currently available on CD) and the movie just builds from there. This movie has a lot going for it, most notably Casey Siemaszko in the lead role as Jerry. I love this guy! I would have definitely hung with his crowd back in my high school days. Richard Tyson is the perfect school bully although he looks like he's much too old, he was probably around 30 in 1987. I love the use of exaggerated camera angles to heighten the effect of impending doom. Not surprising since Phil Joanou was a video director (he followed this up with U2: Rattle and Hum) Everyone looked like actual people and not perfect Hollywood actors. Really, if you have an afternoon to kill, I would check out this gem, currently available on DVD.

Like Marshal Will Kane (Gary Cooper) in classic western High Noon, meek high school student Jerry Mitchell (Casey Siemaszko) finds himself nervously watching time tick by after he angers psychotic school 'touch-freak' Buddy Revell (Richard Tyson) by innocently patting him on the arm. Challenged to a fight in the school parking lot at three o'clock, Jerry tries desperately to find a way out of his predicament, but everything he does only seems to make matters worse.

Three O'Clock High is one of those films that, more often than not, elicits a blank stare when I mention it to casual film fans, but which, in my humble opinion, deserves to share the same kind of popularity and recognition as much-loved '80s hits Risky Business and Ferris Bueller's Day Off.

I suspect that its current anonymity is largely due to the lack of a future A-list star, Casey Siemaszko never achieving the fame of Cruise or Broderick, a crying shame because the film is every bit as worthy of admiration as the aforementioned better known teen classics. The smart script, while not laugh-out-loud funny, is consistently amusing throughout, director Phil Joanou's direction is stylish and suspenseful, the performances are excellent, and although the outcome is predictable (and highly improbable), the film's finale delivers that all important feel-good factor.

What a botch! THREE O'CLOCK HIGH had all the makings to be the anti-John Hughes film during the decade of Hughes teen fantasy films. But despite the directorial pyrotechnics of Phil Joanou and a mostly appealing cast headed by Casey Siemaszko, it stagnates about half way through. Yes, all the standard clichés are here: the geeks (headed by Siemaszko); the jocks; the popular girls; the freaky girl (who consults a spiritual adviser!); the class psycho, etc. A real shame considering the extra touches the filmmakers insert throughout(when's the last time you saw cult favorite Shirley Stoler playing it straight?). Mostly, however, it's over-directed, under-scripted and predictable. One is left with a sad feeling of "is that all there is?" Seek out BETTER OFF DEAD or ONE CRAZY SUMMER for similar, though far funnier and more subversive, teen comedies of the 80s.