User reviews

This movie has everything you can ask for. The direction and the cinematography are excellent, the soundtrack includes Astor Piazzolla (He was a revolutionary of the tango, besides of a genius) and Roberto Goyeneche, one of the greatest voices in Tango's History.

When Argentina became a democratic country, after a long time of dictatorships, the lifes of many people changed. There was a new hope, a new beginning. This movie tells just one of many stories. If you haven't seen it, you should, I promise you won't regret it, and maybe you could thank me later. And, of course, buy the soundtrack if you want to have a masterpiece of Tango

This movie is very sad but also. It is the opposite of anything that comes out of our movie culture. Beautiful music and very moving. If you are a fan of tango music you will also enjoy the scenes of Roberto Goyeneche( "El Polaco") haunting tango singing that are interspersed during the movie. At times this movie works almost like a tango musical. When I say musical don't expect to see people dancing or singing gaily in the streets. Since the music is mostly tango (there also a Milonga song "El Tartamudo" The Stutterer The movie is not a linear narrative. It is very existential and atmospheric.

I also recommend movies by Eliseo Subiela: " No te mueras sin decirme donde vas." Don't die without telling me where you are going

"Sur" is an excellent nutshell of the Argentine experience during their brutal 1976-83 dictatorship, both the persecution (symbolized by Floreal's ordeals) and the economic ruin (captured in the film's being set in Buenos Aires' neglected southside slaughterhouse district).

Through the window-pane, she is waiting. She imagines his look and his body.

Through the gate, through the bars, he speaks to her, dreams her, rails against her.

Through the night, he speaks to death, summons the shadows.

Through time, he bumps into walls, blows, the skips of memory.

Through life they love each other, like lovers do.

Through another body they love each other differently.

Through the South they wander, they continue the work of living and saying goodbye to the departing.

Through the window-pane he comes, to shut exile, and open desire again.