On an island, things start going crazy as the islands house hold appliances go rogue. It's up to Dr. Gabrielle Martin to discover what's causing this evil, and much more.On an island, things start going crazy as the islands house hold appliances go rogue. It's up to Dr. Gabrielle Martin to discover what's causing this evil, and much more.On an island, things start going crazy as the islands house hold appliances go rogue. It's up to Dr. Gabrielle Martin to discover what's causing this evil, and much more.
- Director
- Writers
- Stars
- Awards
- 3 wins & 2 nominations total
Jacques Marbeuf
- Le biologiste
- (as Jacques Gauthier-Marbeuf)
Adeline Guilhen
- Laura Garland
- (as Adeline Ghilhen)
Monsieur Guilhen
- Patrick Benson
- (as Monsieur Ghilhen)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is hilarious. A young attractive lady doctor trying to recover from a personal tragedy arrives at a somewhat secluded French island community to work her sorrows away. But a funny thing starts happening just after she arrives -- Local citizens have increasingly dangerous accidents involving otherwise mundane household appliances or objects: Coffee makers shoot scalding water, wine glasses shatter and splinter into mouths, electric carving knives strike back at their operators, razors start chopping away masses of flesh, a microwave oven teaches a chef to keep her cotton pickin' fingers to herself, and finally a small drum of cooking gas explodes, claiming two lives.
Our heroic & somewhat neurotic young doctor senses that the accidents are connected, somehow, and tracks all of the deadly appliances to a local general merchandise store, where they were all purchased brand new just before turning on their would have been owners. Further intrigue involving a sinister local physician, a deformed kid who looks like the Star Child from 2001 crossed with Dennis the Menace, a well-informed Atari computer which doesn't appear to have Defender installed on it, and the indifference of the local population all add to the mix, with our young heroine becoming increasingly hysterical & convinced that some sort of other-worldly influence is at work.
Or at least, that's what *APPEARS* to be going on: I speak exactly four words of French and did not hear them spoken at all during the film's 97 minutes or so & have no idea what the intricacies of the paper thin plot involved. On the other hand it was very easy & somewhat fun to follow along as the story developed, especially the way that the director began to have the use of every day accouterments of life take on a sinister air as people would do otherwise unremarkable tasks like turn on lights, open doors, peel a carrot or just take a bath.
Once you think about it, most of us face potential peril dozens of times a day without even blinking ... like, what if your car got possessed by a demonic force and decided to just not allow the use of your breaks? What if your electric pencil sharpener kept on sucking your whole hand into it's maw? What if you opened up the door of your oven to check on din-dins and were greeted by an exploding ball of flame? That kind of thinking is what drives the interest in this movie, as well as some pretty clever cinematic tricks like the guy who gets sucked into the earth of a cemetery at the very end & the pretty young actress who obligingly removes every stitch of clothing she was wearing because the producers decided the movie needed some nudity.
I'll say one more thing about this movie: For a French horror movie it is decidedly subtle, lacking the all-out assault on the senses usually attributed to French directors like Jean Rollin. And it also has a sort of mundane, every-day ordinariness to it's look that I found to be quite appealing. Even it's strange, telekinesis fueled conclusion in a barn ominously filled with various tools with cutting, chopping, spiking or digging ends dangerously pointing out at the pretty young protagonist. Here is a horror movie that succeeds not by atmosphere or over the top sex & gore, but by being so ordinary that any one of us can relate to what it shows. We face more dangers every day than Rambo did in all three of his movies combined and here is a movie with a macabre sense of humor that makes good use of our justifiable fear of modern life.
7/10; An English translated version would be nice, but whatever: A good movie is a good movie.
Our heroic & somewhat neurotic young doctor senses that the accidents are connected, somehow, and tracks all of the deadly appliances to a local general merchandise store, where they were all purchased brand new just before turning on their would have been owners. Further intrigue involving a sinister local physician, a deformed kid who looks like the Star Child from 2001 crossed with Dennis the Menace, a well-informed Atari computer which doesn't appear to have Defender installed on it, and the indifference of the local population all add to the mix, with our young heroine becoming increasingly hysterical & convinced that some sort of other-worldly influence is at work.
Or at least, that's what *APPEARS* to be going on: I speak exactly four words of French and did not hear them spoken at all during the film's 97 minutes or so & have no idea what the intricacies of the paper thin plot involved. On the other hand it was very easy & somewhat fun to follow along as the story developed, especially the way that the director began to have the use of every day accouterments of life take on a sinister air as people would do otherwise unremarkable tasks like turn on lights, open doors, peel a carrot or just take a bath.
Once you think about it, most of us face potential peril dozens of times a day without even blinking ... like, what if your car got possessed by a demonic force and decided to just not allow the use of your breaks? What if your electric pencil sharpener kept on sucking your whole hand into it's maw? What if you opened up the door of your oven to check on din-dins and were greeted by an exploding ball of flame? That kind of thinking is what drives the interest in this movie, as well as some pretty clever cinematic tricks like the guy who gets sucked into the earth of a cemetery at the very end & the pretty young actress who obligingly removes every stitch of clothing she was wearing because the producers decided the movie needed some nudity.
I'll say one more thing about this movie: For a French horror movie it is decidedly subtle, lacking the all-out assault on the senses usually attributed to French directors like Jean Rollin. And it also has a sort of mundane, every-day ordinariness to it's look that I found to be quite appealing. Even it's strange, telekinesis fueled conclusion in a barn ominously filled with various tools with cutting, chopping, spiking or digging ends dangerously pointing out at the pretty young protagonist. Here is a horror movie that succeeds not by atmosphere or over the top sex & gore, but by being so ordinary that any one of us can relate to what it shows. We face more dangers every day than Rambo did in all three of his movies combined and here is a movie with a macabre sense of humor that makes good use of our justifiable fear of modern life.
7/10; An English translated version would be nice, but whatever: A good movie is a good movie.
Forget visual effects, they are... well... Let's say there is no visual effect. The story ? Forget the story, even scenarist has forgotten the story. Acting is not convincing anybody. As we say in France : "Circulez, y'a rien à voir" ("Go away, there's nothing to see").
The only positive point : it was one of the very rare try for a french fantastic movie.
The only positive point : it was one of the very rare try for a french fantastic movie.
Only one comment and a very negative one.It's not that much bad.It will never be a horror classic but it's original,it has a screenplay (95% of horror movies rely on special effects today),and two very good leads:Anny Duperey -some users will remember she was Al Pacino's co-star in "Bobby Deerfield" - is a very attractive woman who never had on the silver screen the parts she deserved and had to content herself with mediocre telly series.She plays a doctor who arrives on an island to be confronted with mystery and a disturbing colleague,doctor Marshall (Jean-Claude Brialy ,whose mischievous performance verges on camp).Domestic appliances go crazy and people are disfigured,maimed,burned ,you name it.And they are unplugged at that! Leroi creates fear in the kitchens and I'm not sure that,after watching "le demon dans l'ile" ,you will use a razor,a stove ,a coffee-maker and even a glass without a reservation.
One can deplore the ending,which is borrowed from De Palma's "Carrie" .But all that remains is entertaining,and Duperey displays resilience and authority all along the way.
One can deplore the ending,which is borrowed from De Palma's "Carrie" .But all that remains is entertaining,and Duperey displays resilience and authority all along the way.
10Rabiddog
I remember seeing a trailer at the Friday evening movie preview program back in the early eighties on Belgian television when I was a kid.They showed the scene where a woman gets stuck in an oven with her arm. Although it took me more than ten years to finally watch it because it was never released on video in the Flemish speaking part of Belgium, only in the french speaking part. I really hope Le Demon Dans L'ile will be released on DVD one day because it's a very well made French horror movie with a lot of gore, suspense and well done special effects. A must have for all horror fans around the world, if you can find it on tape.
This brought back memories, I had obviously seen the film when I was younger. A rather rare film today, currently only available as a TV rip. The French flair is as obvious as the attempt to cover as many genres as possible. Mystery, crime thriller, drama, mad scientist and even a little splatter. It succeeds harmoniously and both the suspense and the entertainment level are maintained throughout. There are many bloody interludes, which stylistically anticipate the 'Final Destination' series, for example, but are more amusing than convincingly realised. The atmosphere is generally best described as grubby. Knowing how, the director was usually more into soft erotica. Emmanuelle here, Emmanuelle there. Here, however, it stays with covered skin. The main cast performs convincingly, but the smaller roles fall well short. A nice journey through time, but personally not a film for the collection.
Did you know
- Quotes
Dr. Paul Henry Marshall: And we've even had a case of castration. Yes, a jealous woman. With her teeth. Forgive me. It's tradition. It's a custom of Hawaiian women.
Details
- Release date
- Country of origin
- Language
- Also known as
- Demon Is on the Island
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
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