Los violadores

Mad Foxes is a film I first caught via its pre-cert UK VHS release, which was still a blast despite being a heavily cut version, and lead me to seek out an uncut DVD release a few years ago which contained all the ultra-violence that got trimmed by the nervous British distributor.

If you've never seen it before, Mad Foxes depicts the tit for tat conflict between flash playboy Hal and a shambolic biker gang, the bikers take umbrage at Hal's expensive corvette and spit on his face, he retaliates by running one of them off the road, they retaliate by beating him up and raping his girlfriend, he then calls on his friends at a karate school who beat up the bikers, castrate their leader and stick his dick into his mouth (needless to say that bit got cut from the UK video), the bikers then wipe out the members of the karate school with machine guns and grenades ….and so it goes on, and on, and on. Trashy and badly dubbed dialogue ("you squeal like an old bitch", "don't you have a little knife with you? I'd like to slice your prick", "you'll like my family, though my mother is an invalid, she fell from a horse and became paralytic"), only adds to the fun. It's also distinguished by a wildly over the top performance by an actor called Eric Falk, who judging from the trailers on the DVD, appears to have had quite a career in eurosleaze of the Erwin C. Dietrich stable. There is an air of Gypsy Dave Cooper about Falk's turn in Mad Foxes, and he is a similar mixture of heavy, exhibitionist, and comic relief imbecile "I can't stand it, we're not going to see him anymore" he boo hoos at the funeral of a slain biker buddy. Incredibly the film seems to have been conceived as an unofficial sequel to the 1978 American film 'Stingray' starring Christopher Mitchum , but I seriously doubt the two films have anything in common other than their heroes both owning Corvette Stingrays. In a scene towards the end of the film where Hal shoots up a film studio, you can even see this film's original title 'Stingray 2' written on a clapperboard prop, but it'll always be "Mad Foxes" to me. For all I know director Paul Grey could be a lifelong teetotaller and have grandchildren now, but the unusual amount of male full frontal nudity in the film, not to mention the excessive amount of drinking that goes on (Hal and his dad being rarely without a glass in their hands) does paint a mental picture of its maker as a serious alcoholic and closet case. The film optimistically writes its own epitaph when one of the bikers proclaims "the whole world will admire us".

Hal Walters (Jose Gras) is a garishly dressed lothario playboy, who cruises the streets and nightclubs in a loud, vulgar looking car. One night he runs afoul of Neo Nazi bikers, who wear codpieces and aviator goggles to go with their leather, and his squeeze is defiled. This means total war, and Hal vows revenge on the degenerates, who vow counter revenge, and it all gets waaay hilarious.

Mad Foxes really has to be seen to be believed. A hilariously bad film, that's completely ridiculous, with awful dubbing, laughable sex scenes (complete with misty camera) and shoddily choreographed fights, it should have any lover of tacky Eurotrash exploitation on the floor, with howls of laughter.

One of my favorite bad films of all time, it's completely craptastic and is probably only topped by either Raw Force or Gymkata in terms of sheer OTT random nuttiness.

Well recommended for any lover of bad cinema, it's the perfect beer or whatevs flick and should be sought out immediately by any right thinking person, as it's a nigh on masterpiece (or craptasterpiece if you like) of awesome cheese cinema.

If I can ever cite an achievement in life, it's that I saw this film. Viva Espana!

Phewy, some of the people writing these reviews have no clue what's up. Mad Foxes isn't just your regular flick you watch and judge. It's an exploitation classic with ridiculous ideas and situations. You should at least know that much going into it. But then I read that people had issues with how awful the dubbing was. Get the f@ck outta here! I can agree that it's not well-done in the sense it really overlaps well, or even sounds good. But these issues are moot when watching a flick like this. A flick with a double revenge story, karate guys fighting biker Nazis, lots of violence, sex and sleaze. I can understand that some people may have been expecting better dubbing, but the dubbing in this movie is although amateurish, it's incredibly funny and entertaining. It's similar to classic Popeye. Popeye (or any character) will ramble on about stuff when it seems unnecessary to do so. It's also the case here. There's silly dialogue thrown all over the place in here, and it's undeniably humorous. It's bad in the big scheme of professional dubbing, but if you've seen Premutos or any other poorly dubbed film that benefits from such crazy dubbing, this will only heighten your viewing experience.

Besides the dubbing stuff, I gotta say I really enjoyed the flick and it immediately became one of my favorite exploit flicks. It was funny, stupid, over-the-top, had many memorable scenes and was a very fun and fast watch at under 80 minutes long. My only gripe is a slight slow down in the pace during the last act or so. But it's all made up for when the finale occurs. Now that had me laughing. Check out Mad Foxes if you can actually spot the funny and enjoy crazy exploitation goodness.

One of the most vile exploitation movies ever made, MAD FOXES is often unduly compared to LAST HOUSE ON THE LEFT in its mixture of gory violence and subversive social commentary.

The film details a violent rivalry between Hal Martin, a yuppie playboy who drives a fancy Stingray sports car, and a band of sociopath bikers. At a stop light, Hal kisses his 18-year-old date Babsy as the bikers roll up. Their homosexual leader taunts Hal and spits on him. When the light turns green, Hal forces one of the bikers into a fatal accident.

In an extended party scene, Hal gets Babsy drunk at a club, as a prelude to deflowering her. His plans are interrupted by the bikers, who are waiting for them outside the club. They beat him up and Babsy is brutally raped by Stiletto, the hulking psychopath of the group.

Hal's desire for revenge is answered by a friend who runs a kickboxing school. As the bikers get drunk at a makeshift funeral for their fallen compatriot, a dozen or so angry kick boxers show up. After they beat up the bikers and castrate the leader.

The bikers retaliate, visiting the kickboxing school with machine guns and killing everyone in sight. They storm Hal's apartment building and shoot a parking lot guard. A neighborhood boy warns Hal, who quickly flees the city.

At this point, the film digresses with an overlong sequence of two nude lovers gamboling on an ocean beach. They get dressed and start hitchhiking when along comes Hal in his Stingray. The woman, Lily, gets in the car with Hal and leaves her man stranded on the side of the road.

She and Hal end up at his wealthy parents' country estate. Dad is a wealthy patriarch type and Mom is stuck in a wheelchair. As Hal and Lily exercise their sexual rites in the forest and in a bathtub filled with dirty water, the bikers show up and massacre the rest of the family and servants. This pushes Hal over the edge and, armed with guns and grenades, he finishes off the bikers. The movie's nihilistic coda finds the surviving castrated biker leader holding Hal and Lily at bay with a bomb.

MAD FOXES is constructed as a fable, in which logic is subverted in order to make a statement. If its makers offer any message at all, it's an hysterical overreaction to upper caste fears of street punks and gun-toting anarchists. The coiffed, macho Hal is not portrayed as an action hero, and his methods and motivations are only a little less vicious than the bikers. But he is rich, drives a nice car and can easily seduce vapid women, whereas the bikers are greasy-haired, un-socialized rejects who are given a vaguely gay cast.

In published interviews the film's producer, Swiss sleaze-master Erwin C. Dietrich, has played down his involvement with the film and claims it was too excessive even for him. That says a lot.

"Los Violadores" (Mad Foxes) is a funny and entertaining film, but those seeking for a non-stop actioner will be disappointed, because "Mad Foxes" mixes rape, lots of killings (decapitations and so on) and blood, with scenes of idyllic family life that remind us old Hollywood movies, erotic scenes etc. On the erotic side - two girls: the lovely Andrea Albani, she is Babsy in the film. Babsy is the fiancée of the protagonist, she doesn't show much (but what she shows is good enough), except when she's raped. The other girl who will come later and show it all. As to the protagonist, he, in reality, is a philanderer. He has called the attention of a gang of nazi bikers. Rape is their first move, and the protagonist will strike back, the rivalry will grow more and more till… BLOOD!

The way I'm writing it almost seems that I'm speaking about a serious film, but no – the fight scenes are so bad that they are hilarious and the killings, together with the music, transform "Mad Foxes" into a Weird Slapstick Violent Comedy. The same goes for the scenes of idyllic family life, that are so cliché that is hard not to smile when you see them.

"Mad Foxes" is recommended for those who really love trash, because "Mad Foxes" is uneven and poorly done, but it's a lot of fun.