Samouraï Réincarnation

While Makai Tensho cannot be mistaken for masterpiece film-making, it is definitely a fun-ride for those in love with Samurai movies. The cast is filled with a veritable who's-who of Japanese cinema, including such luminaries as Ken Ogata, Soony Chiba, Tetsuro Tamba. It is also very gratifying to see the venerable Tomisaburo Wakayama (star of the 70's epic Lone Wolf and Cub series), still slicing and dicing with the best of them.

The film has some incredible action set pieces, including a stunning showdown in a burning castle. Some of the effects and costumes are a little over-the-top, but the actors seem to be having so much fun, and the direction is so fast paced, that you just can't help but be swept up into the pulp fantasy. Makai Tensho is a gem in modern samurai films.

SAMURAI REINCARNATION is a visual tour de force from action master Kinji Fukasaku. From the very first scene in which 37,000 people are massacred and the camera pans over a wasteland populated by severed heads, you know you're going to be in for a real treat with this one. I've found Japanese period films made around the late '70s and early '80s to be real masterpieces in terms of set design and cinematography and SAMURAI REINCARNATION carries on that trend.

The plot is slow moving but this is a film that rewards close viewing so it doesn't matter. After his people are massacred by a cruel Shogun, a Christian is reincarnated as a devil and goes around collecting famous dead people, bringing them back to life so that they can slaughter the living. Only one man can stop them: Jubei Yagyu, a one-eyed pirate-looking dude played by genre star player Sonny Chiba at the top of his game.

As a samurai film, this has plenty of dramatic action scenes to recommend it, and they're all of the classic variety; a duel on a beach is a highlight, but the real wowzer is an extensive fight in a burning building. You've never seen fire burning like this before and the fight scene is incredible, as well as looking incredibly dangerous for the actors involved. Alongside Chiba, we get a supporting turn from Hiroyuki Sanada, playing a role that's a bit different to his usual heroic stuff, and there's even a pivotal part for LONE WOLF & CUB star Tomisaburo Wakayama. SAMURAI REINCARNATION is a film possessed of a dark and brooding atmosphere throughout; it's a grim, haunting, and visceral tale, and completely oppressive too. In fact, it might well be one of the moodiest Japanese films of the 1980s.

I couldn't watch the entire film the dubbing was so bad. So I turned down the sound and heard nothing. After ten minutes I couldn't watch it either way...which is too bad since it looked like a good film. But this was a serious samurai horror film that was dubbed by people who thought it would be funny to do Erkel or Bert & Ernie voices over a Japanese film. These are the same people who ruined Ninja Wars! It's great for Mystery Science Theatre 3000 but this was a legitimate release!

I would like to preface my review by saying that I am reviewing the Canadian (subtitled) version of Makai Tensho, NOT the sacreligious, crap-dubbed, bargain basement version, recently released. The subtitled version is probably out-of-print by now, but if you can find it, it has Sonny Chiba as Jubei on the cover (the new dubbed version has Sonny incorrectly portrayed as Iba from Shogun's Shadow on the front).....Now for the review....We have many of the heavy hitters from the famed Japan Action Club in this movie: Sonny Chiba, reprising his role as Yagyu Jubei from "The Yagyu Conspiracy", Ken Ogata (Shogun's Shadow) as Musashi, Henry Sanada, Tomisaburo Wakayama (Lone Wolf and Cub) as Yagyu Tajima, and many other noted actors. Incredible fight scenes (the flaming castle at the end---damn!), mystical script (Christians vs. the Shogunate), moody soundtrack, and an "interesting" scene with Sanada...they all make for a truly classic chambara epic. Whenever Sonny grabs that cool hat, eyepatch and a sword, you know it's quality. GET THE SUBTITLED VERSION!!! Watch it the way it was meant to be watched (or go to Japan, get an original tape and make a fansub!) ----Master Yagyu

When you blend historical figures with fictional stories that go way beyond realism, you often get mixed results. Well to be honest you really don't get good results. Suffice to say it's a dangerous line to tread. Luckily when you have an experienced director like Kinji Fukasaku and a great cast of actors like Sonny Chiba and Tomisaburo Wakayama you can't expect anything less then good. And "Makai Tenshu" is good, really really good. Flawlessly using legendary figures from Japanese history such as Jubei Yagyu and Myamoto Musashi in a thick supernatural plot about vengeance, along with some of the most stylish action sequences I've seen in chambara movies.

"Makai Tenshu" is an adaptation of the book bearing the same name. A pseudo-historical variation of the story about the Christian rebellions during the opening years of the Tokugawa Shogunate. And their subsequent, brutal conclusion. That event seals the fate of thousands upon thousands of Christians. It is here where our tale begins, amidst the bloodied aftermath of the massacre. After a mysterious ritual is performed, the leader of the Christians Shiro Amakusa returns from the dead to exact his revenge on the Shogunate. He vows the destruction of Japan and it's rulers. But before that can happen he must gather his retinue. Tortured, wretched souls whose life has been incomplete, unfinished. He offers them a second chance. Reincarnation, as demons like himself. This leaves the Yagyu clan with Jubei Yagyu (Sonny Chiba) and his father Tajima Yagyu (Tomisaburo Wakayama) as the only ones capable of confronting them.

I enjoyed very much how this story was handled. Divided into two parts the movie spends it's first hour on establishing the villains and their present motivations. Everything is written so that it makes sense, Amakusa's chosen for minions is not random and each has a role to fulfill. For example he uses the female he's risen, under a different name and background to seduce the Shogun and cloud his mind. While the ninja is used to used to eliminate anyone who has been curious about her "past". This level of detail is certainly satisfying when it comes to nitpicking every single detail. And it's not just the villains that are developed well. The relationship between Jubei and his father is also explored and plays an interesting part in the story. Fukusaku directs this first part of the film accordingly, while keeping his trademark kinetic action direction for the expositional second portion of the movie. There, the entire build up from firts part explodes into a series of stylishly directed action sequences. Fukasaku demonstrates his skill once again, using the sets and landscapes as an effective tool that enhances the experience of watching samurai duels. Skillful swordplay is not absent with the likes of Chiba and Wakayama both chambara veterans. This is not a movie that depends on strong acting ability to express itself, but even so performances are still commendable and at a higher ladder than most movies in the genre.

Visually speaking "Makai Tenshu" is a feast for 80s cinema fanatics. If you love old-school special effects as I do, then you've come at the right place. There is some lovely use of montages and the classic lighting effect does add up to the whole experience of watching a movie about demons and sorcery. But what really takes the cake in terms of visual goodness is the awesome set design. A tremendous amount of work has been put in the creation of these sets and it all pays out. Looking at that great opening shot of the massacred Christians was a chilling, beautiful moment as a twisted horroresque picture was laid upon my eyes. Bodies piled up, heads stabbed on pikes, crosses everywhere and the scorched sky, mesmerizing shot.

Kinju Fukasaku once again delivers a truly visceral experience. A story so carefully written and so visually stunning that it makes me long for the time when there was no CGI or Digital Cameras, when directing a movie was not just a question of budget but of skill and creativity.