Victor la gaffe

For what turned out to be his final film, Billy Wilder decided to adapt the French black comedy L'Emmerdeur to America and he and his writing partner I.A.L. Diamond came up with Buddy Buddy.

As it turned out I saw this film back to back with Wilder's Kiss Me Stupid. In that one, a whole lot of talented actors couldn't raise it above mediocrity. But in watching Buddy Buddy I failed to see why this one was slammed as bad as it was. It's not anything close to what Jack Lemmon and Walter Matthau did in The Fortune Cookie or even in the remake of The Front Page. Still Buddy Buddy does have its moments.

Of course the film does hinge on the incomparable chemistry between Lemmon and Matthau and they save the film essentially for Wilder. They are two total strangers whom chance throws together at a most inopportune moment.

Matthau is a professional hit-man who's been given the job of killing three stoolies who are to testify at a mob trial. He's got the first two and has a plan set for number three.

Then of course he meets Lemmon who is despondent over his wife leaving him for a fake sex therapist. He checks into the same hotel in the room next to Matthau who is readying his hit and tries to commit suicide.

For the rest of the film Matthau is forced to take an interest in this schnook's marital problems to keep from committing suicide and bringing a swarm of police to the hotel. Matthau and Lemmon get into some pretty funny situation as there seems to be no end in sight to what can go wrong with a well thought out plan.

Lemmon's wife is played by Paula Prentiss and their marriage seems very much modeled on the one Lemmon had in The Fortune Cookie. Things work out just about the same way for the unhappy couple.

Things kind of work out for Matthau too in a rather unbelievable way for which you will have to see Buddy Buddy. And while it's not like some of the great Wilder classics of the Fifties when Billy was at his creative best, it's far from the worst film he could have gone out on.

Jack Lemmon is Victor Clooney, a man who wants to commit a suicide and Walter Matthau is a hitman called Trabucco.When these two run into each other in the same hotel it can only mean lots of funny moments.Buddy Buddy from 1981 is an excellent Billy Wilder comedy.Jack Lemmon and Walter Matthau are amazing together and they always were.Unfortunately Mr Lemmon passed away last week on June 27 on cancer.He was 76 years old.That made me and many other Jack Lemmon fans very sad.Walter Matthau died last year.We never get to see this great comedy couple together again. But you can always watch their great movies on TV.This movie is a must see for every Matthau and Lemmon fan.There isn't a dull moment in this movie.Don't miss it.

Jack Lemmon has a penchant for playing the suicidal guy after a bad break up. He did that in The Odd Couple as Felix Ungar and he's at it again here in Buddy Buddy.

Walter Matthau, on the other hand, is not a slob in this film, he's quite the opposite. Matthau plays Trabucco, an all business, very skilled hitman working for the mob. He's targeting his last hit from a hotel room across the street from the courthouse when his work is interrupted by the suicidal and neurotic Victor Clooney (Lemmon).

Buddy Buddy provided a few chuckles, mostly from Matthau. Lemmon is more of a ham but I'm not a big fan of the Abbott and Costello type comedy. You probably know the type:

"Why are my pants down?"

"For your shot."

"What shot?"

"The one the doctor gave you."

"What doctor?" and so on.

So, the laughs were light, but it was a delightful movie anyway.

I was lucky enough to find this movie posted on that famous video site, and sat down for what I thought was going to be a disaster. Billy Wilder's final film, as I've read and heard, was a disaster. Awful, a terrible end to the most brilliant of film careers. Well, after watching "Buddy Buddy" I find that I don't agree with that harsh assessment.

Jack Lemmon plays his usual role, the put on Everyman. But to say that in a negative light is wrong. He played that character so well, that it is a pleasure to see him do it again. This time, he is trying to win back his estranged wife of 12 years, who has left him for a sex clinic doctor.

Playing against type, is Walter Matthau playing a hit-man who has one last job to complete before retirement and a life of leisure on an island near Tahiti. As fate would have it, both men find themselves in the same hotel with much different objectives. Lemmon to end his life, and Matthau to end a mob snitches life, before he's able to testify in a big trial.

Needless to say, hijinks ensue, and in my opinion, some really funny scenes. I won't spoil it, but give Buddy Buddy a chance. Is it "The Odd Couple"? No. Is it worth a watch for some harmless entertainment? Absolutely.

In his later years as a director, Billy Wilder made a lot of very adult films...filled with cursing and nudity. Part of this might have been because films in the 1970s and 80s were much more adult than the movies Wilder had been making in his heydays. Part of it, more likely, was that the aging Wilder felt that to be relavant he needed to be much more adult. All I know is that often the films he made during this era seemed very gratuitous...and even by today's standards, the language in "Buddy Buddy" is pretty adult. Now this is NOT to say I disliked the film...in fact, I think it's one of the best from this phase of Wilder's career.

Walter Matthau and Jack Lemmon star in this film and, surprisingly, Matthau plays a hitman! As for Lemmon, he plays a guy who is rather reminiscent of Felix Unger from "The Odd Couple"!

A mob trial is about to begin...and two of the three mob witnesses have been killed by a top assassin (Matthau). However, problems occur when he tries to off number three...as the neurotic Victor comes into his life. And, again and again, Victor accidentally ruins the killer's chances at making the hit.

As I mention above, the film is very adult at times...with some rough language and a subplot involving a weird sex clinic. But the weirdness of the film really appealed to me...it certainly WAS creative and original! And, fortunately, it's also darkly comical.