Rude Boy

This film is interesting on lots of levels despite also being a bit rubbish! The historical value is high, an excellent depiction of the time. The Clash footage is great, the sound is really good. The character Ray is very believable and a realistic portrayal of the hangers on that bands attract and can't seem to get rid of! Even though the acting ain't great. So while most of the film's value is historic and sociological in nature, it does hold the attention.

Well done to London Live for finding this one!

I was torn about what rating to give this as it's not without it's merits. The film works as a time capsule of late 70's Britain with real life footage of National Front protests and anti-fascist counter protesters clashing with police. The concert footage of the Clash in action is undoubtedly the highlight. As a narrative led film it's kind of all over the place. Ganges unsympathetic main character fails to hold the viewers interest. He basically wanders the film in an alchoholic haze, can in hand. His character is utterly useless in his capacity as a roadie for the band and leads to some continuity confusion when two other roadie characters are talking about him as though he's gone yet the next scene has him still there. The sub story about a group of black youths falling foul of the law which seems to have no connection to the main Clash story is puzzling as well. It appears to be a critique of police harassment of black urban youth yet the featured characters are actually portrayed as engaging in criminal activity so it kind of misses the point.

The Clash's Rude Boy is a misguided, exciting and overall decent attempt at capturing the band the Clash at the height of their crossover from punk pioneers (if there could legitimately be called such a thing) to full-blown rock stars in the UK. The story itself surrounding them is perhaps less great than the band itself, which might be expected considering all that can be done in integrating one character into a band through a fictional script. The movie examines an angry youth (Gange) who works in a sex shop, until he meets up with The Clash and becomes their roadie. The story of Gange (and his view of the situation in Britain at the time it was made, with the occasional communist remark or two depending on the perspective of the viewer) is a little confusing and muddled at times.

Yet when the Clash take the stage, which is fairly often, the film is thriving and alive as any concert film in the history of rock movies. Maybe it may appeal more to punk fans from the 70's than the punk fans- or what bunch of posers that try and act hip from their Hot Topic gear- but it's hard not to pass it up as even a casual fan either. Performances include: I'm so Bored with the USA, White Riot, Janie Jones, White man in Hammersmith, and Police and Thieves, among others.

It is genuinely difficult to work out where the drama ends and the documentary takes over. When I sat down to watch it I had no idea whether Ray, the fan who becomes a roadie, was an actor or the genuine article. The stilted nature of some of the conversations, and self-conscious grins accompanying them, indicate contrivance, but it's as if real conversations are being reproduced for the camera. Only afterwards did I discover that Ray Gange was acting and had written the script.

The film provides an insight into the world of punk rock in the late seventies. The Clash were more musically adept, and more politically aware, than most punk bands of the era, but the rebellious swaggers and the anger were typical enough. The concert footage is entertaining, and only marred by the fact that much is filmed from the back of the stage. It features much of the band's best material, from White Riot to Tommy Gun to London's Burning.

This is a nostalgic treat for old punk rockers, and a useful introduction for those who, in the late 70s, were too young or allowed punk rock to pass them by.

Read Marcus Gray's The Last Gang in Town.... I watched the film a couple of times, like other contributors, with many questions in my head about what it was really about, how much The Clash co-operated with it, why the film is presented in the way it is, who on Earth Ray Gange is...

This book clears up those questions... The film is flawed, but as a document of the times, and especially the power of The Clash as a live band (there's not any better footage of them around - although they overdubbed the live tracks).... What a band...