Rising Damp

Doesn't this seem somewhat familiar? Oh wait, that's right.. 90% of the jokes in this movie have already been done in the TV series. What's the point in repeating yourself, you may ask? Is it for the benefit of the Americans who haven't seen the programme? Did the scriptwriters run out of inspiration? Or maybe everyone on set suffered a sudden attack of amnesia, and forgot they'd covered this ground already? Either way, for someone who has sat through the first three series, this was just really boring. I had to turn it off during the 'tablets that turn your water green' part.. yes it is very funny, but give us something original for goodness sake! Actually, if the best new stuff you can come up with is Leonard Rossiter's take on Saturday Night Fever, you can forget it.

The guy they got to replace the late Richard Beckinsale is a lookalike alright, but not half the actor. Personally I would exorcised the role, as a mark of respect to him. Or better yet, not bothered making the film at all, and just let the hilarity of the TV series speak for itself. But no, they couldn't do that.. not as long as there was money to be made. Sad, really. 4/10

This is really just a rehash of jokes and scenes from the series. Anyway, it's still Rising Damp and it's worth a watch.

Rigsby rents rooms in his house to Miss Jones and African chief Philip. When a room becomes available in his house he gets art student Alan to share Philip's room. This causes tension in the house as Rigsby continues to compete for Miss Jones' affections. When they see Philip on the rugby field a fitness craze goes through the house leading to a boxing match between Rigsby and Philip. With Philip and Alan sharing the upper room Rigsby rents the middle room out to English gentleman Seymour who may or may not be who he claims, leading to more tension as Miss Jones begins to fall under Seymour's spell.

This is essentially three episodes worth of stories rolled into a film - the first episode is the new tenant moving into the house, the second episode is the all the fitness thing leading to the boxing match, the third episode is the Seymour incident. In fact each lasts about 30 minutes, although they are nicely rolled into each other so it's not as clear cut as three separate strands. The stories are about as good as the TV show was - so if you like that then you'll probably like this. The best bit is really the final 30 minutes due to Denholm Elliott's presence but there is 1970's style fun to be had with the other sections.

From the horribly disco theme song, you know where you are - happily the racist jokes aren't as bad as other 70's sitcoms but it's still there. It's not too offensive because Philip is allowed to rise above the stereotypes and only Rigsby is the one who makes the jokes (and he's made to look stupid and backward). It's not really funny but it's quite amusing. The saving grace is Rossiter as Rigsby - he really is so good in the role to the extent that he rises above the material and makes it better than it is. De la Tour is also good in her well rehearsed role and Don Warrington brings a lot of dignity to the black character who could easily just have been a punching bag for racist jokes. "Only When I Laugh's" Christopher Strauli makes a good addition to the house and Elliot brings a great deal of class to what is essentially a sitcom.

Overall this isn't fantastic but it's amusing and entertaining. It does feel like three episodes rolled together but if you're a fan of the series then I guess that's not necessarily a bad thing.

I just recently heard there was a Rising Damp movie, and as a fan of the series, I was excited. I'm watching it now, and I find it ridiculous. I've already heard these jokes. Besides, the change of set from old, rundown house to a rather nice rundown house takes away from the atmosphere. Rigsby, Philip and Ruth reprise their roles, but watching this movie is like experiencing summer theater of a play after seeing it on Broadway. A sad, pathetic shadow of itself. I think perhaps if I hadn't seen the series, this would be acceptable. Also, I'm a big fan of Richard Beckinsale, and his absence is felt so deeply. Why did they feel the need to completely replace him? At least they slightly changed the character from a medical student to an art student, but Beckinsale's lines were given to him, making it slightly distasteful.

"Rising Damp" is now generally regarded as the finest sitcom produced by ITV, the BBC's main commercial rival, during its 50 years on air. Granted, that is not a hard title to win. But the claustrophobic saga of a boarding house where a stingy, nervy, clumsily lecherous landlord, two students and a fluttery but oddly alluring spinster play out an endless round-dance of mutual attraction is one of the perennial, timeless joys of British TV.

Like most hit comedies of the 1970s, "Rising Damp" earned a big-screen adaptation. The main cast stayed intact, except that Christopher Strauli subbed for the late Richard Beckinsale. Unfortunately Joe McGrath, a comedy specialist used to altogether broader material (Peter Cook and Dudley Moore, The Goons) directed. Farce is played up at the expense of quieter and subtler pleasures.

McGrath, who helmed "The Magic Christian" and "The Great McGonagall", goes for a quick fire approach which Eric Chappell's screenplay-- like so many of these filmed sitcoms, it smells of three TV episodes scrambled together-- does not inhibit. Feeling one must open up the action and exploit a marginally larger budget, Chappell lets the film slip away too much from the house. To aficionados, even seeing the back garden and the street are a little shocking. However, scenes in pubs and restaurants echo the original, and the chief pleasure, Leonard Rossiter as Rupert Rigsby, is undimmed. Some well-loved schticks, such as Rigsby blowing in Miss Jones's ear after being told it's an erogenous zone, are reprised.

Rossiter broke the rules of modern screen acting. He mugged, twitched, grimaced, muttered semi-audibly and shamelessly hogged the camera, instead of underplaying stone-facedly and letting his confreres share the work. Yet he gets away with it every time, simply because Rigsby is a towering character in the great tradition of British "downer" comedy: the frustrated middle-aged male fantasist who is not quite up to living in the real world. That line began with Will Hay and ran through Hancock, Harold Steptoe, Captain Mainwaring and Basil Fawlty to Rigsby, with Derek Trotter and Victor Meldrew to come.

Guest star Denholm Elliott is a smooth ex-RAF conman after the gorgeous Miss Jones's modest savings. He may seem like another cinematic concession, but he is not unlike Peter Bowles's theatrical charmer of a lodger in the series. Elliott's underplaying is in fitting and masterful contrast to the spluttering sycophantic Rigsby. Don Warrington, the black student "chief's son with ten wives" patronised and envied by Rigsby, is gloriously suave, though victim of a disconcerting plot twist at the end.

This potted version is not the best of its breed, but for condensing Rossiter's tour de force it is worth catching.