La Constellation des damnés

Everybody's got their own list of overlooked movies that they can't believe aren't recognized as classics. I have several contenders but this brilliant movie must surely top the list! William Peter Blatty of 'The Exorcist' fame adapted his own novel for his debut as writer/director and came up with a mind-bending classic. I only know a handful of people who have even heard of this movie, but everyone who gets to see it becomes an instant raving fan. Yes, it's THAT good.

Colonel Kane (Stacey Keach, 'The Long Riders', 'American History X') is sent to a top secret facility full of military personal suffering from breakdowns, delusions and other mental problems. While attempting to find some way to cure them he becomes particularly concerned with a tortured astronaut, Captain Cutshaw (Scott Wilson, 'In Cold Blood', 'The Way Of The Gun'), and the two form a special, odd relationship. However things are not what they first appear to be, and to give anymore plot points away would be criminal. All I can say is that you're in for one hell of a ride!

Keach and Wilson are both outstanding in two of the best roles of their careers, but what really makes this a must-see is the superb supporting cast of character actors who are all equally good, and spout some of the freshest, most memorable dialogue you'll ever hear. Some of them include Robert Loggia ('Lost Highway'), Jason Miller ('The Exorcist'), Tom Atkins ('Maniac Cop'), Moses Gunn ('Rollerball'), Neville Brand ('Eaten Alive'), Joe Spinell ('Maniac') and Richard Lynch ('Open Season'). This movie is heaven for b-grade film buffs, and I can't recommend it highly enough. An unforgettable experience.

An isolated castle in the Pacific northwest serves as the last secret experimental insane asylum for the US military. Billy Cutshaw (Scott Wilson) broke down after getting dragged out of a moon-bound rocket after an aborted launch. Psychiatrist Colonel Kane (Stacy Keach) is the new commanding officer. Colonel Richard Fell (Ed Flanders) is the world-weary medic. Kane indulges the patients in their delusions.

This is not quite at the level of One Flew Over the Cuckoo's Nest. Stacy Keach is deliberately stiff which dampens the humor. He's almost robotic. There are some wacky characters in weird craziness but it's mostly dark seriousness. It's a real oddity and an original creation. While the rest of Hollywood zigs, this one zags.

Well, well, well. At last a rating I can fully agree with. Yes, the Shawshank Redemption was very good. But this is a hidden classic. If you're one of those people (like me) who loves to be taken completely by surprise by a movie, this is the one for you. The IMDB rating says it all: VERY few people know about this one, but those who do are nearly unanimous: this is outstanding storytelling. First time viewers, be warned: be patient. Let it happen. You won't know where it's going at first. Your patience will be rewarded, I assure you - it all comes together, culminating in a bar-room brawl that is an absolute textbook piece of tension-building. And then, you'll want to rewind it and watch it all over again, to pick out all the clues that slipped by you the first time through. Quentin Tarantino, eat your heart out: THIS is how it's supposed to be done.

I'm always looking for a hidden gem, something I haven't seen before that hasn't been hyped to death on the internet. This film by William Peter Blatty (writer of The Exorcist) might be such a gem. I certainly never heard of it before. I was intrigued by the title and the cover (an astronaut on the moon with Jesus on a crucifix...what on earth could this be about?). This is the plot synopis from IMDb: 'A new commanding officer arrives at a remote castle serving as an insane asylum for crazy and AWOL U.S. Army soldiers where he attempts to rehabilitate them by allowing them to live out their crazy fantasies while combating his own long-suppressed insanity.' Sounds good to me. First of, the dialogue of these insane people is written brilliantly. The actors really go all the way in portraying these nut jobs. It's really funny to watch. But the film is a mix of a lot of different styles. It might start out as a comedy, it also contains horror like elements, drama, surrealistic and tragic parts. It's best not to know to much about this movie beforehand. So just check it out. You might not love it, maybe even hate it but it certainly will be like no other film you've seen before and in these times of cookie cutter productions that is a welcome relief.

I rented this film one night when I was tired of seeing the same things in the "New Releases" section, so I (shudder!) headed for the catalog titles, and picked this one out because--God, am I shallow--the cover looked interesting. Turning over to the back, I skimmed the summary, saw that it starred Mike Hammer and the guy who mooned us in the last season of "St. Elsewhere", so I thought that it may be just bad enough to be amusing. So I plunked down my three bucks and went home wondering if I wouldn't have just been better off watching reruns of "Married with Children" all night.

But I watched this movie. Then I rewound it and watched it again. Over the next three days, I watched and rewatched every frame of this masterpiece more times than I should publicly admit. I was moved beyond words, beyond being an audience. I became a disciple--even a proselyte--for this film. Stacy Keach completely astounded me, someone who knew him only as Mike Hammer. People, this man can ACT. I saw every demon his Colonel Kane carried with him. The rest of the cast, with a special metion for Scott Wilson's amazing performance as a tortured astronaut and for Ed Flanders, who kept his character's true motivation well hidden until it could stand to be covered no more, was perfect.

But this movie is, above all, about the writing and the direction. William Peter Blatty cared about his project, and the lucky few (sadly, VERY few) of us who shared in it were fortunate enough to see cinematic perfection virtually attained. Watch this film, let it develop, don't question where its motives are until it decides to let you in on them. Give it your full attention, and you will be rewarded with a treat we so tragically, rarely get to have. No special effects, no huge budget. Just artistry. Pure, refined artistry.