A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.
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Compared to films like The Swarm or When Time Ran Out, Jishin Retto (Deathquake, Earthquake 7.9, Megaforce 7.9, etc.) stands as a very competent disaster film. It even stands very well when pitted against some of the higher class disaster movies released before it. The fact that the film centers around plot lines that would have better place in The Young and the Restless than in a disaster film tends to bog it down during the first hour, though. But at the midway point, the quake hits, and we are treated to a mishmash of new effects and stock footage from Nippon Chinbotsu (and even the exploding freeway scene from Nosoturodamasu no Daiyogen). Not that this is a bad thing. The effects for all of those films were done by Teruyoshi Nakano, and he creates some great new images while not going overboard in the use of stock footage. The acting, direction, and special effects are all rather well done, and the music and color schemes help to give the film a fittingly dark tone. I was lucky enough to purchase this film on the now oop Toho released laserdisc, which preserves the original 127 minute running time as well as presents the film in stunningly high quality. I have no trouble recommending this film to fans of the disaster genre.
Geologist realizes a big earthquake is coming but no one will listen. Whats worse is his father in law had predicted the 1923 Tokyo disaster and he's been called unworthy to be his successor. Of course the big one comes and Tokyo is knocked flat.
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
Earthquake 7.9 (1980)
** (out of 4)
Japanese disaster film that not only rips off Earthquake but also mixes in some The Towering Inferno and The Poseidon Adventure. The film tells the story of a young scientist who believes an earthquake will hit Tokyo by the end of the month yet no one believes him. Sure enough a massive earthquake hits and levels the city to pure rubble that the city hasn't seen since it was last attacked by Godzilla. I watched the American version of this film, which is cut by nearly thirty-minutes but from what I've read the only thing edited out are dialogue scenes at the start of the film. I must admit that I'm thankful I watched this cut version as the dialogue scenes at the start of the film are just downright dreadful and I can only imagine how much worse they would have been with a half hour more. These early build up scenes are horrid in just about any disaster movie no matter if they're from America, Italy or Japan but the ones here are just downright incredible in their badness. The worst thing is the music score, which starts to thunder and pound whenever something "dramatic" happens. This is so annoying that at times I was hoping a real earthquake would hit my town so that I could stop the movie. The second half of the film is actually a lot better but in a campy fashion. The earthquake sequences are poorly done and features some bad special effects but if you've seen any of the Toho Godzilla films with their cardboard cities being destroyed then you should know what to expect. The effects are just as bad here with the worst (or most laughable) scene coming when an airplane is trying to land but ends up breaking apart. The story of our hero having to take charge of a group of people is just as silly but it makes for a few good laughs including a sequence ripped off from The Poseidon Adventure where we get an underwater swim. Fans of disaster movies might want to check this out just to see what other countries were doing but I seriously doubt too many are going to get any entertainment out of this unless they're fans of camp.
** (out of 4)
Japanese disaster film that not only rips off Earthquake but also mixes in some The Towering Inferno and The Poseidon Adventure. The film tells the story of a young scientist who believes an earthquake will hit Tokyo by the end of the month yet no one believes him. Sure enough a massive earthquake hits and levels the city to pure rubble that the city hasn't seen since it was last attacked by Godzilla. I watched the American version of this film, which is cut by nearly thirty-minutes but from what I've read the only thing edited out are dialogue scenes at the start of the film. I must admit that I'm thankful I watched this cut version as the dialogue scenes at the start of the film are just downright dreadful and I can only imagine how much worse they would have been with a half hour more. These early build up scenes are horrid in just about any disaster movie no matter if they're from America, Italy or Japan but the ones here are just downright incredible in their badness. The worst thing is the music score, which starts to thunder and pound whenever something "dramatic" happens. This is so annoying that at times I was hoping a real earthquake would hit my town so that I could stop the movie. The second half of the film is actually a lot better but in a campy fashion. The earthquake sequences are poorly done and features some bad special effects but if you've seen any of the Toho Godzilla films with their cardboard cities being destroyed then you should know what to expect. The effects are just as bad here with the worst (or most laughable) scene coming when an airplane is trying to land but ends up breaking apart. The story of our hero having to take charge of a group of people is just as silly but it makes for a few good laughs including a sequence ripped off from The Poseidon Adventure where we get an underwater swim. Fans of disaster movies might want to check this out just to see what other countries were doing but I seriously doubt too many are going to get any entertainment out of this unless they're fans of camp.
Special effects and pyrotechnics are the only virtues in this otherwise wholly forgettable little Japanese disaster flick, about a monstrous-sized earthquake occurring in Japan. First 45-minutes are little more than melodramatics between geologist and his family, and his possible, impending divorce, and the disgrace of his family's name. He believes a major earthquake will strike Japan in the very near future, but is not believed.
The film eventually comes alive in a well done special effects sequence where a Japanese city is destroyed (or a miniature version of it, anyway) and buildings crumble, cars crash, cameras shake, and, in my opinion, a well-staged plane crashes while coming in for a landing, the city is thrown into chaos and panics when they realise he was unfortunately correct. These scenes are, in my mind anyway, quite well done and impressive, the only reason to search for this film, really, but it is a LONG wait for them.
I'm rewatching this and writing a review of this only couple of days after the 9.0 earthquake occurred in Japan, so we're finding out, in real life, what the Japanese and he rest of the world's response would be to just such an event. Or is that what full and complete 127-minute version of the film deals with? Perhaps that improves the American 96-minute version, with more miniature effects and a more complete ending? Or was that just more soap opera baloney in the first scenes? In the America version, the ending also probably only makes sense to people who are aware of the Japanese veneration of suicide.
The film eventually comes alive in a well done special effects sequence where a Japanese city is destroyed (or a miniature version of it, anyway) and buildings crumble, cars crash, cameras shake, and, in my opinion, a well-staged plane crashes while coming in for a landing, the city is thrown into chaos and panics when they realise he was unfortunately correct. These scenes are, in my mind anyway, quite well done and impressive, the only reason to search for this film, really, but it is a LONG wait for them.
I'm rewatching this and writing a review of this only couple of days after the 9.0 earthquake occurred in Japan, so we're finding out, in real life, what the Japanese and he rest of the world's response would be to just such an event. Or is that what full and complete 127-minute version of the film deals with? Perhaps that improves the American 96-minute version, with more miniature effects and a more complete ending? Or was that just more soap opera baloney in the first scenes? In the America version, the ending also probably only makes sense to people who are aware of the Japanese veneration of suicide.
Did you know
- TriviaThe film was a follow-up to a TV movie from early the same year, Tokyo Daijishin Magnitude 8.1 (1980), starring Shin'ichi Chiba, with special effects by Kôichi Kawakita, and also produced by Toho.
- Crazy creditsAlthough the title is at the beginning, all of the credits are at the end of the movie (in the original Japanese version).
- Alternate versionsIn all versions of the film, the title is shown early in the film (in the shot of the crater of Mount Mihara), but in the original Japanese version, all of the credits are at the end of the film; after the final freeze-frame of Kayo Matsuo's character (Yuko Kawazu), the film fades out, and a credit roll in white text over a black background is set to the sentimental pop song "Amethyst Sunray" (performed by Hatsumi Shibata), ending with a "The End" ("Owari") credit. In all international versions, the cast credits are placed over the opening footage of Oshima Island (before the title), and the rest of the credits over the aerial montage of Tokyo (right after the film's title), both originally credit-less, and the film ends with the final freeze-frame of Matsuo's character (with "The End" and the Toho copyright superimposed over the shot). "Amethyst Sunray" is omitted altogether.
- SoundtracksAmethyst Sunray
("Amejisuto Sanrei")
(Closing credits theme - Japanese version only)
Composed by Masaaki Hirao
Lyrics by Makoto Kitajô
Arranged by Tatsumi Yano
Performed by Hatsumi Shibata
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- Earthquake 7.9
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