IMDb RATING
5.9/10
5.3K
YOUR RATING
The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of being a popular singer.The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of being a popular singer.The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of being a popular singer.
- Directors
- Writers
- Stars
- Awards
- 3 wins & 10 nominations total
Walter Janovitz
- Rabbi Birnbaum
- (as Walter Janowitz)
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Featured reviews
Critics are too hard on this film. Yes, for a remake of a classic, this is nothing terrific. Still, the 1980 remake of the Jazz Singer has as many moments as the original did. The opening montage alone is worth renting this movie. A 2 minute music video / opening shows the real streets of New York City and the people that live there. Opening with the statue of liberty, the camera showcases all the different colors, faces and cultures that New York City is made of. Yes Neil Diamond is not a terrific actor....HE'S A SINGER! The amazing talent of Laurence Olivier helps cancel out the bad acting from Neil Diamond. Still, for a singer, Diamond does a good job in this role. For fans of Neil Diamond, this is worth watching for the music alone. Still, I was hoping, out of respect for the original Jazz Singer, have some of the remake made into a silent film. All in all, a nice little movie with good music, even for 1980.
Wonderful version of a cantor's son in conflict over his orthodox Jewish beliefs and his desire to be a singing star.
The only major flaw that I had with this film is that by the orthodox Jewish people, there is no accommodation made whatsoever in the field of intermarriage. If it occurs, the person intermarrying is regarded as dead as depicted in the film.
Caitlin Adams, who portrayed Jesse's wife Rivka, is true to life since she chose to break with her husband due to her orthodox beliefs. Others might argue that their marriage was headed towards a downward spiral anyway.
Laurence Olivier is absolutely mesmerizing as Diamond's father. His authentic Jewish accent and tearing his clothes are memorable.
Diamond's voice is superb and is acting is on par for the role. "Love on the Rocks," as well as "Acapulco," and "Coming to America" are wonderfully staged.
In the world of today, we need understanding and accommodation and that's exactly what we get in this fine film.
The only major flaw that I had with this film is that by the orthodox Jewish people, there is no accommodation made whatsoever in the field of intermarriage. If it occurs, the person intermarrying is regarded as dead as depicted in the film.
Caitlin Adams, who portrayed Jesse's wife Rivka, is true to life since she chose to break with her husband due to her orthodox beliefs. Others might argue that their marriage was headed towards a downward spiral anyway.
Laurence Olivier is absolutely mesmerizing as Diamond's father. His authentic Jewish accent and tearing his clothes are memorable.
Diamond's voice is superb and is acting is on par for the role. "Love on the Rocks," as well as "Acapulco," and "Coming to America" are wonderfully staged.
In the world of today, we need understanding and accommodation and that's exactly what we get in this fine film.
Okay... all these submissions below? Ignore them. Here's the real scoop.
The biggest problem most folks have with this film is that they're comparing the two male leads' acting ability. BIG MISTAKE.
One is Neil Diamond-- one of the greatest singers of all time. The other is Sir Laurence Olivier-- one of the greatest ACTORS of all time. Think of it this way: if Sir Larry accompanied Neil in a recording of "Cherry, Cherry"-- people would rave about Neil's performance, but then spend an hour going on about how much Olivier sucks.
The fact is this: neither of them suck. Everything is great! Neil Diamond is a fine actor. (Not an AMAZING actor, mind you... but a fine actor.) He'd even beaten out Dustin Hoffman for the role of Lenny Bruce in "Lenny", but turned it down... leaving the door open for Hoffman.
I made the mistake of reading all of the below jeers and whines about Neil Diamond's "terrible acting performance" in this movie. I then watched it over at my girlfriend's house with very low expectations. But I was very impressed, and greatly enjoyed the film. Granted, there are some times when Neil's performance isn't exactly as dramatic as it should be... (i.e., when his father shrieks "I HAVE NO SON!!", Neil doesn't exactly seem to be heartbroken.) But then, there are times when he manifests a great deal of emotional power... especially in the scenes where he gets angry.
Okay, so I'm a huge Neil Diamond fan, yes. I love his music, and I think it's cool that he's had a lead in a major motion picture. BUT-- from an acting perspective, he has my respect. From one actor to another. (YES, I consider him an "actor" too... and so does the IMDb.)
I only have two complaints: one is that this is the only movie he's been in until Saving Silverman-- where he had just a cameo. That sucks. I want to see Neil in more movies.
The other complaint is what everyone else doesn't like: "The Jazz Singer". AL JOLSON sung Jazz. NEIL DIAMOND sings Pop. Soooooo... couldn't it have been called "The Pop Singer", and had an addition in the credits that read, "Based on 'The Jazz Singer' by Al Jolson" or something?
Anyway... the music is great, (even "Love on the Rocks"-- and I'm not a big ballad fan... as they depress me. But I can't dislike a Neil song.) the movie is a great story, and the acting is FINE. Watch it. If you're a fan of Neil's, or even just a fan of 20+ year old movies that have good stories.... check out "The Jazz Singer".
--and by the way.... neil diamond rules. thank you.
The biggest problem most folks have with this film is that they're comparing the two male leads' acting ability. BIG MISTAKE.
One is Neil Diamond-- one of the greatest singers of all time. The other is Sir Laurence Olivier-- one of the greatest ACTORS of all time. Think of it this way: if Sir Larry accompanied Neil in a recording of "Cherry, Cherry"-- people would rave about Neil's performance, but then spend an hour going on about how much Olivier sucks.
The fact is this: neither of them suck. Everything is great! Neil Diamond is a fine actor. (Not an AMAZING actor, mind you... but a fine actor.) He'd even beaten out Dustin Hoffman for the role of Lenny Bruce in "Lenny", but turned it down... leaving the door open for Hoffman.
I made the mistake of reading all of the below jeers and whines about Neil Diamond's "terrible acting performance" in this movie. I then watched it over at my girlfriend's house with very low expectations. But I was very impressed, and greatly enjoyed the film. Granted, there are some times when Neil's performance isn't exactly as dramatic as it should be... (i.e., when his father shrieks "I HAVE NO SON!!", Neil doesn't exactly seem to be heartbroken.) But then, there are times when he manifests a great deal of emotional power... especially in the scenes where he gets angry.
Okay, so I'm a huge Neil Diamond fan, yes. I love his music, and I think it's cool that he's had a lead in a major motion picture. BUT-- from an acting perspective, he has my respect. From one actor to another. (YES, I consider him an "actor" too... and so does the IMDb.)
I only have two complaints: one is that this is the only movie he's been in until Saving Silverman-- where he had just a cameo. That sucks. I want to see Neil in more movies.
The other complaint is what everyone else doesn't like: "The Jazz Singer". AL JOLSON sung Jazz. NEIL DIAMOND sings Pop. Soooooo... couldn't it have been called "The Pop Singer", and had an addition in the credits that read, "Based on 'The Jazz Singer' by Al Jolson" or something?
Anyway... the music is great, (even "Love on the Rocks"-- and I'm not a big ballad fan... as they depress me. But I can't dislike a Neil song.) the movie is a great story, and the acting is FINE. Watch it. If you're a fan of Neil's, or even just a fan of 20+ year old movies that have good stories.... check out "The Jazz Singer".
--and by the way.... neil diamond rules. thank you.
It's taken me 41 years to watch this. It's nothing amazing, but it's a nice story with decent music. It entertains, and that's what movies are for, no?
If you've never seen it then give it a go.
I agree with one other comment I saw here, Lucie Arnaz, I'm surprised she didn't become a bigger star!
If you've never seen it then give it a go.
I agree with one other comment I saw here, Lucie Arnaz, I'm surprised she didn't become a bigger star!
I like to see remakes, because in many cases you experience two films at once: the film you are watching of course, and the one you recall. Usually that prior one is pretty good. In this case, it IS pretty good, and historically important too.
It was the first popular talkie, and not all talkie either. It was pretty amazing in depicting New York Jewry in a way gathered from the reality of the era, and on that score alone is fascinating. It was perhaps overly melodramatic, but suitably severe. And its "message" though simple wasn't quite dumb: that "jazz" music can be sacred work if delivered so. Along the way, we got (still!) entertaining songs.
Now this. I do not know what prompted the remake. It seems that they simply had Neil Diamond and saw a fit. He is Jewish. He has a fantastic portfolio of songs, some of which seem written for the project, and he is at least a credible actor. So they tromped through the old script, modernizing as they went. They shifted the focus to the music and the self- discovery of the musician. The rift with the father is recast as upset over sex rather than jazz, something I think is a big mistake.
And the script and production values (other than the songs) is horrible, Laurence Olivier embarrasses himself and us all every thing he speaks with some sort of faux stage accent. he is truly dreadful. Everyone is, save one, but he is the worst. The only good actor is on screen only a few times: he is the booker, played by Sully Boyar, and every time he shows up to speak, the sun shines. Doesn't kill the mold though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
It was the first popular talkie, and not all talkie either. It was pretty amazing in depicting New York Jewry in a way gathered from the reality of the era, and on that score alone is fascinating. It was perhaps overly melodramatic, but suitably severe. And its "message" though simple wasn't quite dumb: that "jazz" music can be sacred work if delivered so. Along the way, we got (still!) entertaining songs.
Now this. I do not know what prompted the remake. It seems that they simply had Neil Diamond and saw a fit. He is Jewish. He has a fantastic portfolio of songs, some of which seem written for the project, and he is at least a credible actor. So they tromped through the old script, modernizing as they went. They shifted the focus to the music and the self- discovery of the musician. The rift with the father is recast as upset over sex rather than jazz, something I think is a big mistake.
And the script and production values (other than the songs) is horrible, Laurence Olivier embarrasses himself and us all every thing he speaks with some sort of faux stage accent. he is truly dreadful. Everyone is, save one, but he is the worst. The only good actor is on screen only a few times: he is the booker, played by Sully Boyar, and every time he shows up to speak, the sun shines. Doesn't kill the mold though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Did you know
- TriviaAfter the movie was finished, Sir Laurence Olivier went to New York City for a short time, and had dinner in a restaurant with friends. During the dinner, he recalled to his friends something he said about the movie while Sidney J. Furie was still directing: "This piss is shit." Olivier later said a reporter must have been at the table next to his, because the next day the New York Daily News reported what he said (though with both vulgar words changed to cleaner derogatory words). This news soon spread completely across the country, and with threats of lawsuits in the air, Olivier quickly made a statement to the press claiming that in the end, the movie had been made well, and that he totally supported it. Olivier also wrote a handwritten ten-page letter to director Richard Fleischer, not only apologizing for the restaurant incident, but also indirectly giving an explanation as to why he was making so many movies strictly for the money.
- GoofsJess sings to an audience in California in the middle of the movie. At the movie's ending, he is singing to an audience in New York (it is assumed from the progression of the film) and it is quite obviously the same audience and venue. A number of audience members are present in both scenes. There is a woman with glasses wearing a vest and white shirt, a man in the middle of the audience with a checked cap, and a large man having a great time down front clapping very excitedly.
- Quotes
Molly Bell: I'm with Keith Lennox productions. Molly. Molly Bell. That's what they call me. My real name is a lot longer.
Jess Robin: So is mine.
Molly Bell: Belengocavela?
Jess Robin: Rabinovitch?
Molly Bell: Oh. That's not bad.
- How long is The Jazz Singer?Powered by Alexa
Details
Box office
- Gross US & Canada
- $27,118,000
- Gross worldwide
- $27,118,000
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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